"-Washington Post Book WorldIn 1909 maps still identified eastern Montana as the Great American Desert.  But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.     In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West. "Exceptional. . . .  A beautifully told historical meditation. "--Time"Championship prose. . . .  In fifty years don't be surprised if Bad Land is a landmark."--Los Angeles Times

    He wrote it during 1870–71 and published in 1872, as a prequel to his first book The Innocents Abroad (1869). This book tells of Twain's adventures prior to his pleasure cruise related in Innocents Abroad.

    The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the "treasurable moments" absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans' French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic.

    For many, the desire to explore is almost irresistible. Now for devotees of poetry, and for those who long for the open road, this highly affordable collection contains a rich selection of poems about travel and adventure.You’ll find more than 90 poems by 50 American and British masters (mainly from the nineteenth and twentieth centuries), including Whitman, Byron, Millay, Sandburg, Service, Bliss Carman, Robert Louis Stevenson, John Masefield, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, Paul Laurence Dunbar, Claude McKay, Christina Rossetti, and other fellow travelers. Their poems celebrate the real and metaphorical journeys each of us takes in the course of our lives towards love, discovery, loss, leaving the nest, and coming home.Whatever your mode of transportation, and wherever you are going, take this literary traveling companion with you for hours of reading enjoyment and insight into the road that lies ahead.

    His mother has run off with her hairdresser. His father has taken to talking to the walls, but at least he's talking, as his brother has gone entirely mute. At school, Julie Dyer blows confusing smoke rings at him and Hoop the Mental says there is no God. When Taliesin tries to find this out for sure no one seems to have the answer-no one except Billy Evans, an old man with an exceptional and miraculous talent.

    His brothers and their families share in Joseph's prosperity and the farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, To a God Unknown is a mystical tale, exploring one man's attempt to control the forces of nature and to understand the ways of God.

    In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows--gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

    

    Written while Abbey was working as a ranger at Arches National Park outside of Moab, Utah, Desert Solitaire is a rare view of one man’s quest to experience nature in its purest form.Through prose that is by turns passionate and poetic, Abbey reflects on the condition of our remaining wilderness and the future of a civilization that cannot reconcile itself to living in the natural world as well as his own internal struggle with morality. As the world continues its rapid development, Abbey’s cry to maintain the natural beauty of the West remains just as relevant today as when this book was written.

    Haunted by memories of those she cared so dearly for, she soon longs to escape Providence in the hope that doing so will allow her to heal and feel whole once again. While browsing through the Providence Daily Post, she happens upon a series of ads placed by men from Montana who seek brides to join them on the new Frontier. All of the ads quickly begin to sound the same when suddenly, one stands out. Though skeptical, she decides to muster the courage to respond to a man named Mr. Adam Black who seeks an intelligent woman, not just a pleasant woman to keep his home tidy. Upon her arrival, Madeline meets the dashing Mr. Black and is quickly swept off her feet when he gives her a tour of his lavish home and all that lies within. Her hopes are quickly dashed, however, when he reveals to her that in truth, he’s only really looking to settle down to please his father, hoping to continue living his bachelor’s lifestyle. Although Madeline agrees to go along with Mr. Black’s peculiar arrangement, she can’t help but feel the palpable chemistry between them. Will Madeline settle for a picture perfect, yet hollow marriage arrangement, or does Mr. Black share the same feelings, turning her daydreams into a real life fairy tale? Book 2: Montana Mail Order Bride Clara: In 1890, New York City is no place for a woman alone, and that is exactly what young Clara has become. As she struggles to cope with the death of her only living relative, she is also faced with her own set of predicaments. Now, as she attempts to find work in the newspaper, she finds the advertisement of William Dean. William is a rugged man, used to the desolate life of the Frontier, and he’s made a place for himself in Montana--but his success means nothing without the tender warmth of a wife. When Clara notices his ad seeking a marriageable prospect, she responds and their worlds collide. Book 3: Montana Mail Order Bride Emma: When Emma marries her sweet husband James, she thinks she will finally get her happily ever after. But after eight happy years of marriage, Emma is forced to let her dear James fall prey to deathly clutches of a horrible illness. All she has left now is her dearest twelve year old daughter, Margaret. Both take jobs as seamstresses in a factory downtown, but their meager wages just aren’t enough for the two to get by. Emma is forced to admit that she needs the help of another husband, so when a matrimonial ad appears in the paper from a Frontier man, Emma takes a risk and heads to Montana with Margaret and Frederick, a long-time dear friend of her late husband’s who insists on accompanying the ladies as their chaperone. Book 4: Montana Mail Order Bride Julia: When a boy whom Julia has been charged to take care of dies, Julia is left searching for her next path in life. Her choices are limited, as she is not a wealthy woman nor is she married, and she fears that she must take the charity of her only living relative.

    Its complex tones arise from the poet’s wanting equally to seduce and to repel a lover whose deepening silence only provokes rhetorical escalation. The effect can be like reading e-mails in someone’s drafts folder—but who wouldn’t want to read Davis’s drafts?"—Dan Chiasson, The New Yorker“Davis’ first full collection in a decade should be stamped with the warning, ‘Buckle up!,’ because entering this writer’s mind is one wild ride of digression, mutation, and syntactical and typographical experimentation… Davis has clearly put the poetic rule book through a shredder, and there’s much to appreciate about that.”—Booklist"There is an eerie precision to her work—like the delicate discernment of a brain surgeon's scalpel—that renders each moment in both its absolute clarity and ultimate transitory fragility."—Rita DoveIn her first full collection in a decade, Olena Kalytiak Davis revivifies language and makes love offerings to her beloved reader. With a heightened post-confessional directness, she addresses lost love, sexual violence, and the confrontations of aging. In her characteristic syntactical play, sly slips of meaning, and all-out feminism, Davis hyperconsciously erases the rulebook in this memorable collection.From "The Poem She Didn't Write":beganwhen she stoppedbegan in winter and, like everything else, at first, just waited for springin spring noticed there were lilac branches, but no desire,no need to talk to any angel, to say: sky, dooryard, _______,when summer arrived there was more, but not muchnothing really worth notingand then it was winter again—nothing had changed: sky, dooryard, ________, white,frozen was the lake and the lagoon, some froze the ocean(now you erase that) (you cross that out)and so on and so forth . . . Olena Kalytiak Davis is a first-generation Ukrainian American who was born and raised in Detroit, Michigan. Educated at Wayne State University, the University of Michigan Law School, and Vermont College, she is the author of three books of poetry. She currently works as a lawyer in Anchorage, Alaska.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    S. Lewis" is formatted for your eReader with a functional and detailed table of contents:Novels:The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Horse and His Boy The Magician's Nephew The Last BattleSpace Trilogy: Out of the Silent Planet Perelandra That Hideous StrengthThe Screwtape LettersThe Pilgrim's RegressThe Great DivorceTill We Have FacesShort Stories:Screwtape Proposes a ToastMinistering AngelsReligious Studies:The Allegory of LoveThe Problem of PainA Preface to Paradise LostThe Abolition of ManMiraclesMere ChristianityReflections on the PsalmsThe Four LovesAn Experiment in CriticismA Grief ObservedLetters to Malcolm: Chiefly on PrayerPoetry: Spirits in Bondage: A Cycle of LyricsAutobiography:Surprised by Joy: The Shape of My Early LifeSpeeches:TranspositionThe Weight of GloryMembershipLearning in War-TimeThe Inner RingDe Descriptione TemporumThe Literary Impact of the Authorised VersionHamlet: The Prince or The Poem?Kipling's WorldSir Walter ScottLilies that FesterPsycho-analysis and Literary CriticismThe Inner RingIs Theology Poetry?TranspositionOn Obstinacy in BeliefThe Weight of GloryClive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, literary critic, essayist, lay theologian, broadcaster, lecturer, and Christian apologist. He is best known for his fictional work, especially The Chronicles of Narnia, The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.

    Henry’s “The Gift of the Magi,” William Faulkner’s “A Rose for Emily,” Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and James Thurber’s “The Secret Life of Walter Mitty,” have been long regarded as literary classics, while others, such as Frank Stockton’s “The Lady or the Tiger?” and Ellis Parker Butler’s “Pigs Is Pigs,” are lesser known but well worth discovering.The carefully selected stories, each preceded by an illuminating headnote, powerfully illustrate the varied richness of our national literature and history. This beautifully packaged volume, containing the unforgettable classic short stories that evoke our shared American tradition and national identity, makes the perfect gift for the short story aficionado and novice alike.