Now financially comfortable and artistically embittered, Richard is at his home upstate recuperating from heart surgery and nursing resentment toward his publisher and his reading public who have found new, more exciting writers and left his star to wane. In his attic, Richard comes across a stack of notebooks, the journals he began keeping when he arrived in New York in the late '70s. He is alternately fascinated and repelled by the young man he meets in these pages: hilariously naive and egotistically misguided, the younger Richard compulsively absorbs everything around him from art and creativity to sex and drugs. As he reads more about himself, written by himself, Richard discovers that the pivotal moments of self-invention -- and self-realization -- occur far outside the conventional chronology of a lifetime."Perforated Heart" explores two wholly different characters -- a young, ambitious artist and his older self, jaded by both success and failure -- and creates an unforgettable portrait of the two men who inhabit the one individual. By turns meditative, deftly observant, and scathingly analytical, Eric Bogosian re-creates the landscape and atmosphere of 1970s New York City with fresh, vivid imagery and reveals a powerful commentary on the dynamic between creativity and commerce in the artistic world. Perforated Heart is his most rewarding and penetrating novel yet, with prose that reflects an equally astonishing range of experience and emotion.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    Dalloway -- a postmodern masterpiece whose minimal action takes place on a single June day in postwar London. The Hours progresses in fuguelike fashion: First we meet Clarissa Vaughan, a New York book editor dubbed "Mrs Dalloway" by her longtime friend and former lover Richard. Next, Cunningham presents Woolf herself, beginning work in 1923 on what is to become Mrs. Dalloway. And finally we are introduced to Laura Brown, a California housewife who is avidly reading Woolf's novel. Scenes from these three narratives are presented in recurrent identical succession: "Mrs. Dalloway," Mrs. Woolf, Mrs. Brown -- all bristling with connections and startling parallels. The "Mrs. Dalloway" strand is particularly rich, filled as it is with one-to-one correspondences to Woolf's novel. But the deepest and most important thing that The Hours shares with Mrs. Dalloway is "the feeling," as Woolf called it, "that it was very, very dangerous to live even one day." Cunningham's three women proceed through the day, through the hours, trying to keep themselves psychologically intact, like someone carrying a glass of water filled to the brim through a crowd and endeavoring not to spill it. They hesitate before plunging into the day because they know how hard it is to live in the world and remain identical with oneself. And they puzzle over a universal dilemma: how to bring the self into the world without its getting broken in the process. In The Hours, Michael Cunningham has explored this dilemma with an impressive and moving subtlety worthy of his great precursor. Benjamin Kunkel

    The first play collection by a young master of razor-sharp wit and black humor.

    Luft.

    here’s a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.”—Publishers Weekly“One is simply content to be in the presence of a writer this vital, this large-spirited.”—The New York Times Book ReviewAlthough best known for his acclaimed fiction, Jim Harrison’s poetry has earned him recognition as an “untrammeled renegade genius.” Saving Daylight, his tenth collection of poetry–and first in a decade–is grounded in thickets and rivers, birds and bears, and the solace of dogs in a crazed political world. Whether contemplating the ephemerality of 90,000,000,000 galaxies or the immediate grace of a waitress, Harrison relishes the art and mysteries of being alive. “I’m enrolled in a school without visible teachers,” he writes in the title poem, “the divine mumbling just out of ear shot.”From “The Little Appearances of God”When god visits us he sleeps without a clock in empty bird nests. He likes the view. Not too high. Not too low. He winks a friendly wink at a nearby possum who sniffs the air unable to detect the scent of this not quite visible stranger...Jim Harrison is the author of two dozen books, including Legends of the Fall and Dalva. His work has been translated into 20 languages and produced as four feature-length films. Mr. Harrison divides his time between Montana and southern Arizona.

    Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland's outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.

    We find in Beckett's masterful, exquisite prose, the familiar themes from his earlier works here expressed in the anguished murmurings of the solitary human consciousness.

    It was first staged in 1976 at the Royal Court Theatre Upstairs and revived at the National Theatre in 1996.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    Grey Gardens is based on the 1975 Albert and David Maysles film about Jacqueline Kennedy Onassis's eccentric aunt and cousin. The touching and sometimes heart-wrenching musical adaptation explores the dysfunctional relationship between former socialite Edith Bouvier Beale and her daughter, Little Edie, as they languish in a derelict East Hampton manor, Grey Gardens. Propelled by Christine Ebersole's tour-de-force performance, the gorgeous score, and intricate lyrics, the Broadway musical has garnered much critical praise. "An experience no passionate theatergoer should miss." Ben Brantley, The New York Times

    Drew, has been court-confined for observation and has called his older brother, Terry, to corroborate his claim of childhood sexual abuse by a young man from many summers ago. Drew's request releases barely-hidden animosities between the two: Is he using these repressed memories to save himself while smearing the name of his brother's friend? Through pain and acknowledged betrayal, the brothers come to grips with and begin to understand the legacy of abuse, both inside and outside their family home. In a Dark, Dark House is the latest work from Neil LaBute, American theater's great agent provocateur. The play will have its world Premiere in May 2007, Off Broadway at New York's MCC Theater.

    Poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder.

    It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)

    Together, they imagine an epic battle between balance and chaos, a tale of a haunted house, a simple journey home that turns into a man's greatest nightmare, and even the end of the world.As the stories take shape, Sandy gets curious about Saleem's past and the several unanswered questions that he encounters… Why did Saleem stop writing? Why can he no longer finish stories? What is behind the locked door in his house? And… what is The Lost Story?Written like the premise, the stories in this book have each been done in two halves. One part by one author, and the second by the other, never discussing the story in between.