[one love affair]* meditates on mud daubers, Duras, and the deaths of mentally ill and drug addicted lovers, blurring fiction, essay, and memoir in an extended prose poem that is as much as study of how we read as it is a treatise on the language of love affairs: a language of hidden messages, coded words, cryptic gestures, and suspicion.As with Jenny Boully's debut book The Body (2002), [one love affair]* is full of gaps and fissures and "seduces its reader by drawing unexpected but felicitous linkages between disparate citations from the history of literature," a work that is "filled with the exegetical projection of our own imagination" (Christian Bok, Maisonneuve). Told through fragments that accrete through uncertain meanings, romanticized memories, and fleeting moments rather than clear narrative or linear time Boully explores the spaces between too much and barely enough, fecundity and decay, the sublime and the disgusting, wholeness and emptiness, love and loneliness in a world where life can be interpreted as a series of love affairs that are "unwilling to complete."

    – Shubhangi Swarup (Latitudes of Longing)

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    This rare signed limited edition of that crucial work features his illuminating meditation on art—“The Idea of Order at Key West”—along with 32 additional poems, each the sublime expression of a body of work praised by critics as “drenched with the life of his senses. This vibrant fact forms the core of his exploration of the interplay between the mind and reality… What gives his best work its astonishing power and vitality is the way in which a fixed point of view, maturing naturally, eventually takes in more than a constantly shifting point of view could get at” (New York Times). Awarded the 1955 Pulitzer Prize for Poetry, “no poet gives us more to think about or greater reward for thinking” (Chiasson, New York Review of Books).

    Toklas had rented in the Rhone Valley, Stanzas in Meditation is one of Stein's most abstract and complex works. It is almost as if Stanzas was conceived as a mirror opposite of The Autobiography of Alice B. Toklas, penned in the same year. The latter, written in a more direct and normative language, brought Stein international acclaim and resulted in the attention she received from 1934 on, while the former remained unavailable until its publication, after her death, in 1956. To Stein readers and admirers, however, this is one of her most important works, a poetic achievement central to her canon. From John Ashbery's groundbreaking essay-review of Stanzas in 1957 to Richard Bridgman's 1970 publication, Gertrude Stein in Pieces, poets and critics have recognized the importance of this masterpiece.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    From vantage points on both sides of the Atlantic, Chatti investigates the perpetual exile that comes from always being separated from some essential part of oneself.“Tunsiya is Arabic for Tunisian/female, and Amrikiya is Arabic for American/female. This naming makes a cross of empowerment even as it is it requires great effort to bear it. Muslim female power is real and undeniable in thesecoming of age poems. In this collection, arcs spark between Tunisian and American citizenship, male and female duality, sky and earth, and yes and no. This is one of the punchiest and powerful chapbooks to appear in recent years. Leila Chatti is someone to watch.” —JOY HARJO“I marvel at Leila Chatti’s poems, their deceptive ease, their ‘calligraphy of smoke,’ their luminous concern with identity and self, love and family, her aesthetic command. ‘I orbited the town of my origin.’ She writes an America that belongs to the world, not the other way around. ‘What kind of world will we leave/ for our mothers?’ In poems filled with vision, desire, tenderness, she disarms our most guarded partialities, those we hide in our slumber, or deep under our tongues: ‘a Muslim girl who loved her father’; ‘ghost of a word mixed up with our bodies.’ Leila Chatti is a remarkable poet. Take notice.” —FADY JOUDAH“Leila Chatti is a major star. She writes exquisite, indelible, necessary poems, from two worlds mixing, rich as the threads of finest tapestries— glistening, warm. I’m struck by her vibrant sense of detail and perfect pacing. We need her honest, compassionate voice so much, at this moment, and everywhere.”—NAOMI SHIHAB NYE

    With formal invention and a wild personae, ZIRCONIA compels one to follow gem-strewn trails of feminine intuition, savagery, ennui, fantasy, and intimacy to their diabolically fruitful conclusions.

    This captivating book, masterfully illustrated by Lulu Delacre, is dedicated with tenderness to the young readers for whom José Martí wrote this beautiful poem.

    Gibson. The pages explore hurt, healing, love, forgiveness, self-discovery and the journey towards becoming a woman. Written in four chapters each piece encourages healing and the journeying of self.

    A gay birthday clown lamenting the loss of his beloved dog. An amateur veterinarian keeping watch over his suicidal daughter. And a bikini model with a barnacle stuck to her butt cheek. These are just a few of the characters who populate the quirky, offbeat world of IF YOU LIVED HERE YOU'D ALREADY BE HOME a world that feels at once alien and strangely familiar. In these twenty-one brief, funny stories, John Jodzio documents his characters disappointment, frustration, and longing for a home that seems forever out of reach. By turns bleak and hopeful, cruel and tender, this is an exciting literary debut by a writer to watch, a writer with a unique and compelling voice. You may think you've read enough stories about penniless gay clowns who can't get over the loss of a dog, but I assure you you have not. John Jodzio is the best kind of modern fiction writer: a thematic traditionalist who feels totally new. --Chuck Klosterman, author of SEX, DRUGS, AND COCOA PUFFS

    I had finally no advice but the long held habit of our using one another, during his life, to act as a measure, a bearing, an unabashed response to what either might write or say."—Robert CreeleyA seminal figure in post-World War II literature, Charles Olson has helped define the postmodern sensibility. His poetry embraces themes of empowering love, political responsibility, the wisdom of dreams, the intellect as a unit of energy, the restoration of the archaic, and the transformation of consciousness—all carried in a voice both intimate and grand, American and timeless, impassioned and coolly demanding.In this selection of some 70 poems, Robert Creeley has sought to present a personal reading of Charles Olson's decisive and inimitable work—"unequivocal instances of his genius"—over the many years of their friendship.

    He is proof that poetry will find its writer."—Mary-Louise Parker, actress"Ryan Adams, one of America's most consistently interesting singer/songwriters, has written a passionate, arresting, and entertaining book of verse. Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality."—Stephen King, on Infinity BluesRyan Adams may be acclaimed primarily for albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs "When the Stars Go Blue" and "New York, New York"), and Easy Tiger, but the world-renowned singer/songwriter has always been a poet and fiction writer at heart.With the release of Hello Sunshine, Ryan continues to break literary ground beyond what he established with his wildly popular first book, Infinity Blues. Ryan's new work provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans.Where his debut was characterized by the bitterness of heartbreak, Hello Sunshine is a graceful, sensual assertion of the other side of the emotional coin. This is a 2009 fever dream—inside Ryan's heart and mind—replete with unforgettable verse that will shock and delight those expecting a mere continuation of where Infinity Blues left off.Ryan Adams is known for his prolific nature, which in the last ten years has resulted in various international hit albums. Ryan has also produced Willie Nelson's album Songbird and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT's Crossroads with Elton John.

    Among them: Suheir Hammad, Beau Sia, Steve Colman, Stacyann Chin, Mayda del Valle, Georgia Me, Poetri, and other well-established and up-and-coming Slam artists who have forever changed the face of poetry and offer a fresh, exuberant, insightful, and comedic look at who we are as Americans today.

    The brokenness and loss of the fragmented queen—seeming to rise up through centuries—is their tutelary spirit.