A golden couple, their seemingly effortless devotion has long been the envy of their circle of friends and acquaintances. Graham is a bookseller, a big, gregarious man with large appetites—curious, eager to please, a lover of life, and the convivial host of frequent, lively parties at his and Annie’s comfortable house in Cambridge. Annie, more reserved and introspective, is a photographer. She is about to have her first gallery show after a six-year lull and is worried that the best years of her career may be behind her. They have two adult children; Lucas, Graham’s son with his first wife, Frieda, works in New York. Annie and Graham’s daughter, Sarah, lives in San Francisco. Though Frieda is an integral part of this far-flung, loving family, Annie feels confident in the knowledge that she is Graham’s last and greatest love. When Graham suddenly dies—this man whose enormous presence has seemed to dominate their lives together—Annie is lost. What is the point of going on, she wonders, without him?  Then, while she is still mourning him intensely, she discovers that Graham had been unfaithful to her; and she spirals into darkness, wondering if she ever truly knew the man who loved her.

    But for now, he sees the world through a pin hole and notices things other people don't. When Milo's beloved 92-year-old gran succumbs to dementia and moves into a nursing home, Milo begins to notice things amiss at the home. The grown-ups won't listen when he tries to tell them something's wrong so with just Tripi, the nursing home's cook, and Hamlet, his pet pig, to help, Milo sets out on a mission to expose the nursing home and the sinister Nurse Thornhill.

    Arthur, a widow, meets Maddy, a troubled teenage girl who is avoiding school by hiding out at the cemetery, where Arthur goes every day for lunch to have imaginary conversations with his late wife, and think about the lives of others. The two strike up a friendship that draws them out of isolation. Maddy gives Arthur the name Truluv, for his loving and positive responses to every outrageous thing she says or does. With Arthur’s nosy neighbor Lucille, they create a loving and unconventional family, proving that life’s most precious moments are sweeter when shared.

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    He claims to be “the Lord.” And he says he can only save them if they all believe in him.Adrift in a raft after a deadly ship explosion, nine people struggle for survival at sea. Three days pass. Short on water, food and hope, they spot a man floating in the waves. They pull him in.“Thank the Lord we found you,” a passenger says.“I am the Lord,” the man whispers.So begins Mitch Albom’s most beguiling and inspiring novel yet.Albom has written of heaven in the celebrated number one bestsellers The Five People You Meet in Heaven and The First Phone Call from Heaven. Now, for the first time in his fiction, he ponders what we would do if, after crying out for divine help, God actually appeared before us? What might the Lord look, sound and act like?In The Stranger in the Lifeboat, Albom keeps us guessing until the end: Is this strange and quiet man really who he claims to be? What actually happened to cause the explosion? Are the survivors already in heaven, or are they in hell?The story is narrated by Benji, one of the passengers, who recounts the events in a notebook that is later discovered—a year later—when the empty life raft washes up on the island of Montserrat.It falls to the island’s chief inspector, Jarty LeFleur, a man battling his own demons, to solve the mystery of what really happened. A fast-paced, compelling novel that makes you ponder your deepest beliefs, The Stranger in the Lifeboat suggests that answers to our prayers may be found where we least expect them.

    A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity, even as she keeps a disturbing secret of her own. An artist mourns the end of a romance while painting a dying man’s portrait. An accident on a trip to Italy and an unexpected connection with a stranger cause a woman to question her lifelong assumptions about herself.Brilliant, hopeful, and fearlessly honest, If I Loved You, I Would Tell You. This illuminates the truths of human relationships, truths we come to recognize in these characters and in ourselves.

    In turn-of-the-20th century Texas, the Berachah Home for the Redemption and Protection of Erring Girls is an unprecedented beacon of hope for young women consigned to the dangerous poverty of the streets by birth, circumstance, or personal tragedy. Built in 1903 on the dusty outskirts of Arlington, a remote dot between Dallas and Fort Worth's red-light districts, the progressive home bucks public opinion by offering faith, training, and rehabilitation to prostitutes, addicts, unwed mothers, and "ruined" girls without forcibly separating mothers from children. When Lizzie Bates and Mattie McBride meet there--one sick and abused, but desperately clinging to her young daughter, the other jilted by the beau who fathered her ailing son--they form a friendship that will see them through unbearable loss, heartbreak, difficult choices, and ultimately, diverging paths.A century later, Cate Sutton, a reclusive university librarian, uncovers the hidden histories of the two troubled women as she stumbles upon the cemetery on the home's former grounds and begins to comb through its archives in her library. Pulled by an indescribable connection, what Cate discovers about their stories leads her to confront her own heartbreaking past, and to reclaim the life she thought she'd let go forever. With great pathos and powerful emotional resonance, Home for Erring and Outcast Girls explores the dark roads that lead us to ruin, and the paths we take to return to ourselves.

    A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning Elle Cosimano.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    Cleverly styled, with richly drawn characters and ingeniously plotted story lines, each of the twelve pieces ends with a delightfully unexpected turn of events.An imprisoned man is certain that his supposed murder victim is very much alive....A female driver is pursued relentlessly by a menacing figure in another vehicle....A young artist gets the biggest break of her career....A restless beauty manages the perfect birthday celebration....An escaped Iraqi on Saddam Hussein's death list pays an involuntary visit to his homeland. In each tale, human beings are given an opportunity to seize, a crucial problem to solve, or a danger to avoid. How will they react? How would you? Capping off the collection are two additional rewards. In the final story, Archer offers a choice of four endings. And buried in each story is another diversion -- a red herring which Archer challenges his readers to uncover.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    Their friendship was something they swore would last forever. Now years have passed, the friends have drifted apart, and none of them ever found the lives they wanted – the lives they dreamed of when they were young and everything seemed possible.   Evvie starved herself to become a supermodel but derailed her career by sleeping with a married man.   Maggie married Ben, the boy she fell in love with at university, never imagining the heartbreak his drinking would cause.    Topher became a successful actor but the shame of a childhood secret shut him off from real intimacy.   By their thirtieth reunion, these old friends have lost touch with each other and with the people they dreamed of becoming. Together again, they have a second chance at happiness… until a dark secret is revealed that changes everything.   The Friends We Keep is about how despite disappointments we’ve had or mistakes we’ve made, it's never too late to find a place to call home.

    With two beautiful daughters, a brilliantly intelligent son, a tech-guru of a husband and a historical landmark home, her life is picture perfect. She has everything she wants; all she has to do is keep it that way. But living in this matriarch’s determinedly cheerful, yet subtly controlling domain hasn’t been easy for her family, and when her oldest daughter, Rose, runs off with a mysterious boyfriend, Josephine tightens her grip, gradually turning her flawless home into a darker sort of prison. Resentful of her sister’s newfound freedom, Violet turns to eastern philosophy, hallucinogenic drugs, and extreme fasting, eventually landing herself in the psych ward. Meanwhile, her brother Will shrinks further into a world of self-doubt. Recently diagnosed with Aspergers and epilepsy, he’s separated from the other kids around town and is homeschooled to ensure his safety. Their father, Douglas, finds resolve in the bottom of the bottle—an addict craving his own chance to escape. Josephine struggles to maintain the family’s impeccable façade, but when a violent incident leads to a visit from child protective services, the truth about the Hursts might finally be revealed.

    He's longed for adventure, so when the opportunity arises, he escapes from his bowl, clears the balcony railing and finds himself airborne. Plummeting toward the street below, Ian witnesses the lives of the Seville on Roxy residents.There's the handsome grad student, his girlfriend, and the other woman; the construction worker who feels trapped by a secret; the building's super who feels invisible and alone; the pregnant woman on bed rest who craves a forbidden ice cream sandwich; the shut-in for whom dirty talk, and quiche, are a way of life; and home-schooled Herman, a boy who thinks he can travel through time. Though they share time and space, they have something even more important in common: each faces a decision that will affect the course of their lives. Within the walls of the Seville are stories of love, new life, and death, of facing the ugly truth of who one has been and the beautiful truth of who one can become.Sometimes taking a risk is the only way to move forward with our lives. As Ian the goldfish knows, "An entire life devoted to a fishbowl will make one die an old fish with not one adventure had."

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.