This pocket-sized edition features full-color illustrations by Matt Kish, illustrator of the critically acclaimed Moby-Dick in Pictures: One Drawing for Every Page.

    This anthology gathers leading and emerging literary voices to tell tales of crime and intrigue in only a few hundred words. From the most hardboiled of noirs to the coziest of mysteries, with diminutive double crosses, miniature murders, and crimes both real and imagined, Tiny Crimes rounds up all the usual suspects, and some unusual suspects, too. Benjamin Percy, Amelia Gray, Adam Sternbergh, Yuri Herrera, Julia Elliott, Carmen Maria Machado, Elizabeth Hand, Brian Evenson, Charles Yu, Laura van den Berg, and more scour the underbelly of modern life to expose the criminal, the illegal, and the depraved.

    

    The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s.In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

    It’s enough to make you give up entirely.” —from Instant LoveBut we don’t give up. We keep trying. We’re either too stupid to learn from our mistakes or we honestly believe that the next time will be different; it’s hard to say which. Driven by the mad hopefulness that is part of the human condition, we are constantly falling in and out of love with a slightly different version of the person who came before. Jami Attenberg chronicles those exact moments with heartbreaking realism in her powerful debut, Instant Love. Told through the eyes of three young women and their friends and lovers, Instant Love explores what it means to be in love, what it means to be lonely, and what it means to be both at the same time. Holly turns to computer dating to find love even as she thinks wistfully of a former boyfriend who loved her well and fed her ice cream. Maggie recounts the story of her one crazy summer to her disbelieving husband and feels the distance between them grow wider than the void across their king-sized bed. And Sarah Lee remembers the one who got away and the one she ran away from, all the while moving toward the one she can actually love.As Holly, Maggie, and Sarah Lee move through the rituals of modern love, they have to decide who is worth taking a chance on in a world where things don’t fall into place easily, people are often difficult, and disappointment is the rule. Through their stories, Attenberg presents a rare, honest look at love.Also available as an eBook.From the Hardcover edition.

    With a nervous energy and obsession to match his protagonists, Matt Bell’s prose burrows, forensically, into the layers of the brothers’ lives, employing a multilinear narrative structure and a frenetic plurality of perspectives to reach a core of despair that is both terrifyingly primal and distressingly familiar. Matt Bell's THE COLLECTORS was chosen by Brian Evenson as the runner-up manuscript in the 2008 Caketrain Chapbook Competition.

    An air of mystery and fear looms...waiting. Now you can return to Innsmouth in this second collection of short stories about the children of Dagon. Visit the undersea city of Y'ha-nthlei and discover the secrets of Father Dagon in this collection of stories. This anthology includes ten new tales and three classic reprints concerning the shunned town of Innsmouth.Contents:The One That Got Away by Robert M. PriceThe Weird Shadow Over Innsmouth by H.P. Lovecraft and John GlasbyUnderstudy by Gary MyersThe Doom That Came to Innsmouth by Brian McNaughtonReturn to Y'ha-nthlei by John GlasbyThe Old Ones' Signs by Pierre ComtoisFleas of the Dragon by C.J. HendersonMail Order Bride by Ann K. SchwaderThe Idol by Scott David AniolowskiThe Guardian of the Pit by Franklyn SearightTrust Me by Stanley C. SargentJust a Tad Beyond Innsmouth by Stanley C. SargentThe Deep End by Gregory LuceIt Was the Day of the Deep One by Peter Cannon

    After exhausting herself trying to save her broken relationship, Richard Kaye left her anyway. Deciding to take an adventure trip designed for singles, she thought she might be able to use the time to find out who she was without Richard. That’s when she meets charismatic and controlling, Ethan Everett. He demands a lot from her—but he gives a lot in return. Before she realizes it, she finds herself drawn into his world, where the risk, along with the pleasure of the fling, is great, but the reward might be true love. Which will it be?

    The year is 1997, and readers are once again invited to “eavesdrop” on Bev and Max’s private correspondence. When their story began, the unlikely pair—two strangers who met online—had nothing to share but their words. Now, following the path set in motion by their increasingly intimate exchanges, they must contemplate the consequences of their deepening relationship. Filled with sexual tension, suspense, and humor, Bev and Max’s messages arouse in them a desire to do and say things they’d never have dreamed of before their lives intersected.This newest edition of the trilogy features McCarthy’s original ending to Crash as it was written in 1997. Its first time in print, the uncut conclusion offers readers an insider’s glimpse of Bev and Max as they were meant to be seen—at their most human, vulnerable, and authentic.Heralded as “Chekhov for the ‘90s,” with “fully drawn, believable characters,” the story of Bev and Max’s electric mingling—with its jaw-dropping conclusion—serves as a powerful reminder that life may be fleeting, but love is forever.

     Whether we are following WB through a grim future where human meat is on the market, or trailing slowly behind while she introduces us to Marie Laveua's daughter, you can be certain of one thing: you will be surprised. The best and the most brutal of WB's works has been brought together in this all-too-believable collection. Includes a total of eighteen tales. Stories include: - Her - Undo - Slipping - Siren - Alone in the House - Antics - House Arrest - Mall Food - Meat Aisle - The Water Stain - Heart Problems - Laveau - The Birth - The Look - Love/Death - Beneath the Surface - Nighttime Terror - Girl in the Pink Coat

    West, Calvin Winslow is an unhappily married man who takes a late night exit and finds a hellish back road. This story is just one of the dark tales featured in West's critically-acclaimed collection, WHAT PRICE GORY. Midnight Snack is part of the Single Shot Short Story series which adds exclusive story notes and bonus content that you can only find in the Single Shot Story Series. What people have said about the collection, WHAT PRICE GORY?: "A Horror Library MUST HAVE... Deliciously Good Story Telling!"-Heather Omen, DIGITAL MACABRE "Terry M. West understands horror. He understands gory. And he handles them with the delicate touch of a master of the genre and a true wordsmith..."-Author, Charie D. LaMarr "5 STARS! Fear and extreme twists and an examination of human capacity rest within these tales, just waiting to be devoured..."-Vitina Molgaard, Horror Novel Reviews "5 STARS! One Hell of a collection!"-Dale Herring, Geekdom of Gore “What Price Gory is one of the damned finest collections of short stories I have ever had the privilege to read..."-Michael Donner, aka Captain Creeper of Creepercast.com

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    The stories in this book represent humanity at its absolute worst. Pure evil. Television crime shows and news articles often skip the messy parts of true crime stories. The details are just too much for the average viewer or reader.In my books, however, I don’t leave out the details. I go through hours of research for each story. I search through old newspaper articles, court documents, first-hand descriptions, and autopsy reports. In my books I include details not to shock, but to give the reader a deeper look into the twisted mind of the killer. In the end, it’s unlikely any of us will understand the motive of the criminals in these books, but the level of depravity will at least keep you turning pages.That being said, if you are overly squeamish with the details of true crime, this book may not be for you. If you’re okay with it… then let’s proceed.Volume 6 features: longer stories, more photos, a bonus chapter, and an online appendix with additional photos, videos, and documents.Volume 6 of True Crime Case Histories features twelve new stories from the past several decades.

    1 BROOKLYN"When I discovered the stories of Scott McClanahan last year, I was instantly enthralled with his natural storytelling voice and freaky funny tales. There's no pretense to Scott's work. It's like you're just dropped right into the middle of these fantastic and true stories. It's like a sweet blend of my favorite southern writers, Larry Brown and Harry Crews. Reading McClanahan is like listening to a good friend telling you his best real-life stories on your back porch on a humid night. And you both got a nice whiskey buzz going." -KEVIN SAMPSELL, author of "A Common Pornography""McClanahan's prose is unfettered and kinetic and his stories seem like a hyper-modern iteration of local color fiction. His delivery is guileless and his morality ambivalent and you get the sense, while reading him, that he is sitting next to you on a barstool, eating peanuts and drinking a beer, and intermittently getting up to pick a song on the jukebox." -THE RUMPUS"Reads like Bukowski with more surprises." -IMPOSE MAGAZINE

    All aspects, all directions. On either side of Highway 62, the sand cast up visions of evaporated civilizations, dissolved castles that lay buried under the desert. Any human eye, goggled by a car’s windshield, can graft such fantasies onto the great Mojave. And the girl and the boy in the Dodge Charger were exceptionally farsighted. Mirages rose from the boulders, a flume of dream attached to real rock.And hadn’t their trip unfolded like a fairy tale? the couple later quizzed each other, recalling that strange day, their first in California, hiking among the enormous apricot boulders of Joshua Tree National Park. The girl had got her period a week early and was feeling woozy; the boy kept bending over to remove a pebble from his shoe, a phantom that he repeatedly failed to find. Neither disclosed these private discomforts. Each wanted the other to have the illusion that they might pause, anywhere, at any moment, and make love. And while both thought this was highly unlikely—not in this heat, not at this hour—the possibility kept bubbling up, every place they touched. This was the only true protection they’d brought with them as they walked deeper into the blue-gold Mojave.On the day they arrived in Joshua Tree, it was a hundred and . . .