When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results. First published in 1904, The Napoleon of Notting Hill was Chesterton's first novel. It has been called the best first novel by any author in the twentieth century. Newly designed and typeset by Waking Lion Press.

    But Angela's sister Olivia isn't so sure. Olivia wonders why the neighborhood children—the “sparrows” she sometimes watches from the window of her house —have to be locked out of the garden. Don't they have a right to enjoy the place, too? But neither Angela nor Olivia has any idea what sent the neighborhood waif Lovejoy Mason and her few friends in search of “good, garden earth.” Still less do they imagine where their investigation of the incident will lead them—to a struggling restaurant, a bombed-out church, and at the heart of it all, a hidden garden.

    Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War center around Sir Nigel's loyal squire, Alleyne Edricson. Raised in the sheltered confines of a monastery, young Alleyne comes of age amid the rough-and-tumble of armed conflict and the bewildering ways of courtly love.Best known as the creator of Sherlock Holmes, Sir Arthur Conan Doyle was also a passionate historian. The White Company was his favorite among his own works; here, he offers flavorful, realistic depictions of life during the 14th century — from its weapons and apparel to its religious practice, and the close connection between the cycles of human existence, and the rhythm of the seasons. Readers of all ages will thrill to this spirited tale and its evocative portrait of the Middle Ages.

    To get into a spot of bother. Circumstances, aided and abetted by Aunt Agatha, Aunt Dahlia, Bingo Little, Tuppy, Sippy and others, seem to conspire against him, and a frightful muddle ensues.Enter Jeeves, the source of all solace. Jeeves of the infinite sagacity. Jeeves, that noiseless provider of deliverance from the hangover, a bird of the ripest intellect, calm and wise enough to rescue Bertie and his pals from the most fearful scrapes. Jeeves, that subtle master of prudence, good taste and ineffable composure. Where would that chump Bertie be without him?This omnibus edition will delight newcomers to Wodehouse as well as those already familiar with his sunny universe and his sparkling prose. It contains Right Ho, Jeeves; The Inimitable Jeeves; and Very Good, Jeeves.

    They till the rough soil and sleep in the same bed, touched only occasionally by the advances of the twentieth century.In depicting the lives of Benjamin and Lewis and their interactions with their small local community Chatwin comments movingly on the larger questions of human experience.

    Grey and his wife, speculation is rife that one of them might marry the local apothecary, Edward Hope. Although he is immediately attracted to Margaret, Hope is ultimately persuaded to marry the beautiful Hester and becomes trapped in an unhappy marriage. His troubles are compounded when a malicious village gossip accuses Hope of grave-robbing, threatening his career. A powerful exploration of the nature of ignorance and prejudice, Deerbrook also may be regarded as one of the first Victorian novels of English domestic life.Excerpt:Every town-bred person who travels in a rich country region, knows what it is to see a neat white house planted in a pretty situation, - in a shrubbery, or commanding a sunny common, or nestling between two hills, - and to say to himself, as the carriage sweeps past its gate, "I should like to live there," - "I could be very happy in that pretty place." Transient visions pass before his mind's-eye of dewy summer mornings, when the shadows are long on the grass, and of bright autumn afternoons, when it would be luxury to saunter in the neighbouring lanes; and of frosty winter days, when the sun shines in over the laurustinus at the window, while the fire burns with a different light from that which it gives in the dull parlours of a city. Mr. Grey's house had probably been the object of this kind of speculation to one or more persons, three times a week, ever since the stage-coach had begun to pass through Deerbrook. Deerbrook was a rather pretty village, dignified as it was with the woods of a fine park, which formed the back-ground to its best points of view. Of this pretty village, Mr. Grey's was the prettiest house, standing in a field, round which the road swept. There were trees enough about it to shade without darkening it, and the garden and shrubbery behind were evidently of no contemptible extent. The timber and coal yards, and granaries, which stretched down to the river side, were hidden by a nice management of the garden walls, and training of the shrubbery. In the drawing-room of this tempting white house sat Mrs. Grey and her eldest daughter, one spring evening.

    Set in the 1830s and 1840s, a period of rapid change and of political and economic development, the novel considers the fortunes and misfortunes of a 'most respectable' extended middle-class family. The action moves from London to Brighton, from England to France, from the political ambitions of an older generation in the industrial North to the painterly pretensions of a younger generation in Italy. At its centre is Thomas Newcome, a retired Colonel in the Indian Army who finds the snobberies and hypocrisies of early Victorian England disconcerting. In a world of men on the make, of social mobility, and of the buying and selling of women in an aristocratic marriage market, it is the Colonel's distinctive but old-fashioned gentlemanliness that stands out from a self-seeking society. The most observant and witty among Thackeray's studies of his culture, The Newcomes is also among his most complex and allusive novels, and this edition provides particularly detailed notes which clarify his many references.

    Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    There may be nothing in the poem that can quite touch the first two books of Paradise Lost for magnificence; but there are several things that may fairly be set beside almost anything in the last ten. The splendid "stand at bay" of the discovered tempter -- "'Tis true I am that spirit unfortunate" -- in the first book; his rebuke of Belial in the second, and the picture of the magic banquet (it must be remembered that, though it is customary to extol Milton's asceticism, the story of his remark to his third wife, and the Lawrence and Skinner sonnets, go the other way); above all, the panoramas from the mountaintop in the third and fourth; the terrors of the night of storm; the crisis on the pinnacle of the temple -- are quite of the best Milton, which is equivalent to saying that they are of the best of one kind of poetry.-- The Cambridge History of English and American Literature

    The novel features Jabez North, a manipulative orphan who becomes a ruthless killer; Valerie de Cevennes, a stunning heiress who falls into North’s diabolical trap; and Mr. Peters, a mute detective who communicates his brilliant reasoning through sign language. This edition includes a critical Afterword and endnotes by Victorian scholar Dr. Chris Willis.