Each excerpt is set in its historical and literary context, so that anyone who enjoys this anthology can make his own exploration of the many and glittering treasures of Arthurian legend.

    Devastated, he renounces his former life and sinks into despair. Then he meets Parry, a former professor of medieval history, now a bum searching for the Holy Grail in New York. Their lives become entwined.Jack Lucas is a man who has always looked down at life from the top. He is the menace of Manhattan's airwaves, the city's No.1 shock-DJ, but his off-handed arrogance triggers an incident that derails him from the fast track onto a precipitous decline through the looking-glass into a whole other world he never imagined... into Parry's world.Once a professor of medieval history, Parry lives in a remarkable world of his own creation in order to insulate himself from a tragedy in his past. He now sees a singular New York and has the charismatic ability to permit others to see the world as he does - full of turrets and castles, terrifying red knights and damsels in distress.Drawn to this unlikely saviour, Jack sets off on a heroic quest through the streets of New York to help realize Parry's noblest dream and redeem himself.

    In 1883, when he was just twenty-three, Sir Arthur Conan Doyle wrote The Narrative of John Smith while he was living in Portsmouth and struggling to establish himself as both a doctor and a writer. He had already succeeded in having a number of short stories published in leading magazines of the day, such as Blackwood’s, All the Year Round, London Society, and the Boy’s Own Paper—but as was the accepted practice of literary journals of the time, his stories had been published anonymously. Thus, Conan Doyle knew that in order to truly establish his name as a writer, he would have to write a novel. That novel—the first he ever wrote and only now published for the first time—is The Narrative of John Smith. Many of the themes and stylistic tropes of his later writing, including his first Sherlock Holmes story, A Study in Scarlet—published in 1887—can be clearly seen. More a series of ruminations than a traditional novel, The Narrative of John Smith is of considerable biographical importance and provides an exceptional window into the mind of the creator of Sherlock Holmes. Through John Smith, a fifty-year-old man confined to his room by an attack of gout, Conan Doyle sets down his thoughts and opinions on a range of subjects—including literature, science, religion, war, and education—with no detectable insecurity or diffidence. His writing is full of bravado. Though unfinished, The Narrative of John Smith stands as a fascinating record of the early work of a man on his way to being one of the best-known authors in the world. This book will be welcomed with enthusiasm by the numerous Conan Doyle devotees.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    According to its prologue, it was composed at the request of Richard II. It stands with the works of Chaucer, Langland, and the Pearl poet as one of the great works of late 14th-century English literature. The Index of Middle English Verse shows that in the era before the printing press it was one of the most-often copied manuscripts (59 copies) along with Canterbury Tales (72 copies) and Piers Plowman (63 copies).In genre it is usually considered a poem of consolation, a medieval form inspired by Boethius' Consolation of Philosophy and typified by works such as Pearl. Despite this, it is more usually studied alongside other tale collections with similar structures, such as the Decameron of Boccaccio, and particularly Chaucer's Canterbury Tales, with which the Confessio has several stories in common.[Wikipedia]

    E. Talbot Donaldson's translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem's distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. Sources and Backgrounds includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. Criticism includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included.

    Revised reissue.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Tennyson's beautiful and enigmatic poem of unrequited love, set in Arthurian England, has enthralled artists for well over a century. With her luminous illustrations, Genevi?ve C?t? weaves a refreshingly modern interpretation of this beloved poem -- one that will enchant readers of all ages.' to 'This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    It reprints, on facing pages, the version of "The Prelude" was was completed in 1805, together with the much-revised work published after the poet's death in 1850. In addition the editors include the two-part version of the poem, composed 1798-99. Each of these poems has its distinctive qualities and values; to read them together provides an imcomparable chance to observe a great poet composing and recomposing, through a long life, his major work.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    It is the first of four connected plays--including 1 Henry IV, 2 Henry IV, and Henry V--generally considered Shakespeare's finest history plays. The drama of Richard II centers on the power struggle between the grandiloquent King Richard and the plain-spoken, blunt Henry Bolingbroke, who is banished from Britain at the beginning of the play. But when Henry's father John of Gaunt dies, Richard confiscates his property with no regard to his son's rights, and Bolingbroke returns to confront the king, who surrenders his crown and is imprisoned in Pomfret Castle, where he is soon murdered. This new edition in the acclaimed Oxford Shakespeare series features a freshly edited version of the text. The wide-ranging introduction describes the play's historical circumstances, both the period that it dramatizes (the start of the "wars of the roses") and the period in which it was written (late Elizabethan England), and the play's political significance in its own time and our own. It also focuses on the play's richly poetic language and its success over the centuries as a play for the stage. Extensive explanatory notes help readers at all levels understand and appreciate the language, characters, and dramatic action and the book's lively illustrations provide a sense of the historical background and performance of the play.

    It is a revision of Thomas Killigrew's play "Thomaso", or "The Wanderer" (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."

    In addition to the title poem, this selecion includes "The Love Song of J. Alfred Prufrock", "Gerontion", "Ash Wednesday", and other poems from Mr. Eliot's early and middle work. "In ten years' time," wrote Edmund Wilson in Axel0s Castle (1931), "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948 Mr. Eliot was awarded the Nobel Prize "for his work as trail-blazing pioneer of modern poetry".