In this illuminating three-act play—here in the only English translation authorized by the Vatican—he explores relationships between men and women, the joys—and the pain—of love and marriage.The action unfolds in two settings at once: a street in a small town, outside the local jeweler's shop (people go to buy their wedding rings there), and the mysterious inner landscape of personal hopes and fears, loves and longings. Each act focuses on a different couple: the first happily planning their wedding, the second long-married and unhappy, the third about to marry but full of doubts. Writing with power and understanding about a love that survives the grave, a love that has withered and died, a love budding out of complexes and insecurities, the Pope addresses such fundamental human concerns as: What does it mean to fall in love? When do we know that a love is real—and can it last? If it dies, how do we go on living—and loving again? There are no easy answers, and there is no happy ending—such is the nature of men and women, and such is the nature of love—but there is hope, if we only acknowledge our need and accept the risks of a deep and lasting commitment.This is a play full of wisdom on a subject of great relevance to all, and it provides a special insight into the thoughts of the man who, like no other, has captured the imagination of people of all faiths throughout the world.Karol Wojtyla—Pope John Paul II—has long been involved with the theater. As a student of literature, then priest, bishop and archbishop, he acted, directed, wrote dramatic criticism, made a Polish translation of Sophocles' Oedipus Rex, and has authored six plays.

    The classic play about Sir Thomas More, the Lord chancellor who refused to compromise and was executed by Henry VIII.

    Dumas's subtle and moving portrait of a woman in love is based on his own love affair with one of the most desirable courtesans in Paris. This is a completely new translation commissioned for the World's Classics.

    Unlike an earlier version adapted for the English-language stage, this translation adheres faithfully to the author's original play as it was published and performed in German.The action of The Visit takes place in the small town of Guellen, "somewhere in Central Europe." An elderly millionairesse, Claire Zachanassian, returns to Guellen, her home town, after an absence of many years. Merely on the promise of her millions, she shortly turns what has been a depressed area into a boom town. But there is a condition attached to her largess, which the natives of Guellen realize only after they have become enmeshed in her vengeful plot: murder. Out of these elements, Durrenmatt has fashioned a many-leveled play which is at once a macabre parable, a deeply moving tragedy, and a scathing indictment of the power of greed.

    Then his life takes an unexpected turn when he meets a female Protestant vicar (who also happens to be an atheist), and a homeless receptionist at a former brothel which is now a one-star hotel. The three join forces and concoct an unusual business plan based on Hitman Anders’ skills and his fearsome reputation. The vicar and receptionist will organize jobs for a group of gangsters, and will attract customers using the tabloids’ love of lurid headlines.The perfect plan—if it weren’t for Hitman Anders’ curiosity about the meaning of it all. In conversations with the vicar, he turns to Jesus and, against all odds, Jesus answers him! The vicar can’t believe what’s happening. When Hitman Anders turns to religion, the lucrative business is in danger, and the vicar and the receptionist have to find a new plan, quick.Fast-paced and sparky, the novel follows these bizarre but loveable characters on their quest to create a New Church, with all of Sweden’s gangsters hunting them. Along the way, it explores the consequences of fanaticism, the sensationalist press, the entrepreneurial spirit and straightforward human stupidity—and underlying all of it, the tenuous hope that it’s never too late to start again.

    They were a little shy. But once they got going, you couldn't stop them. Women secretly love to talk about their vaginas. They get very excited, mainly because no one's ever asked them before.

    Three floors above, the blue lights of the police cars awaken disgraced ex-officer Leo Junker. Though suspended from the force, he can’t stay away for long. Bluffing his way onto the crime scene, he examines the dead woman and sees that she is clasping a cheap necklace — a necklace he instantly recognises.As Leo sets out on a rogue investigation to catch the killer, a series of frightening connections emerge, linking the murder to his own troubled youth in Salem — a suburb of Stockholm where social and racial tensions run high — and forcing him to confront a long ago incident that changed his life forever.Now, in backstreets, shadowed alleyways, and decaying suburbs ruled by Stockholm’s criminal underground, the search for the young woman’s killer — and the truth about Leo’s past — begins.

    But the story itself is much older and its original intent more complex. This eye-opening new volume presents two of the tale's earliest versions, both in new translations: E.T.A. Hoffmann's Nutcracker and Mouse King (1816), in which a young girl is whisked away to the Land of Toys to help her animated nutcracker defeat the Mouse King, and Alexandre Dumas's 1845 adaptation, The Tale of the Nutcracker, based on Hoffmann's popular work. Irresistible tales of magic, mystery, and childhood adventure, these timeless delights and fresh interpretations about the importance of imagination will captivate readers of all ages.

    After devoting their energies and income for ten years to replacing a borrowed diamond necklace which they have lost, a woman and her husband learn the irony of their efforts.

    A book of aphorisms, poems, and parables by the author of "The Prophet" - a philosopher at his window commenting on the scene passing below.

    First published in Norway as two books in 1924 and 1925, the author collaborated with Minnesotan Lincoln Colcord on the English translation.The novel follows a Norwegian family's struggles as they try to make a new life as pioneers in the Dakota territory. Rølvaag is interested in psychology and the human cost of empire building, at a time when other writers focused on the glamor and romance of the West. The book reflects his personal experiences as a settler as well as the immigrant homesteader experience of his wife’s family. Both the grim realities of pioneering and the gloomy fatalism of the Norse mind are captured in depictions of snow storms, locusts, poverty, hunger, loneliness, homesickness, the difficulty of fitting into a new culture, and the estrangement of immigrant children who grow up in a new land. It is a novel at once palpably European and distinctly American.Giants in the Earth was turned into an opera by Douglas Moore and Arnold Sundgaard; it won the Pulitzer Prize for Music in 1951.

    Aniara is the story of a luxurious space ship, loaded with 8,000 evacuees, fleeing an Earth made uninhabitable by Man's technological arrogance. A malfunction knocks the craft off course, taking these would-be Mars colonists on an irreversible journey into deep space. Aniara is a book of prophecy, a panoramic view of humanity's possible fate. It has been translated into seven languages and adapted into a popular avant-garde opera. This volume is the first complete English language version and received the prestigious American Scandinavian Foundation Award.

    

    It became his first major success, and a hallmark of Russian social realism. The play depicts a group of impoverished Russians living in a shelter near the Volga.When it first appeared, The Lower Depths was criticized for its pessimism and ambiguous ethical message. The presentation of the lower classes was viewed as overly dark and unredemptive, and Gorky was clearly more interested in creating memorable characters than in advancing a formal plot. However, in this respect, the play is generally regarded as a masterwork.The theme of harsh truth versus the comforting lie pervades the play from start to finish, as most of the characters choose to deceive themselves over the bleak reality of their condition.

    A rhinoceros suddely apears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the "movement" is universal: a transformation of average citizens into beasts, as they learn to "move with the times." Finally, only one man remains. "I'm the last man left, and I'm staying that way until the end. I'm not capitulating!" Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the "beauty" of brute force, natural energy and mindlessness.