It’s a perfect day. Nobody remembers how the Causality War started. Really, there’s no-one to remember, and nothing for them to remember if there were; that’s sort of the point. We were time warriors, and we broke time. I was the one who ended it. Ended the fighting, tidied up the damage as much as I could. Then I came here, to the end of it all, and gave myself a mission: to never let it happen again.

    This new case in particular puts his mandate to the test.

    Bound by blood to the Celtic gods. Scotland, 1026--Gruoch, descendant of the line of MacAlpin, should have been born into a life of ease. But fate is fickle. Her father's untimely death, rumored to have been plotted by King Malcolm, leaves her future uncertain and stained by the prophecy that she will avenge her family line. Escaping to one of the last strongholds of the old Celtic gods, Gruoch becomes an adept in arcane craft. Her encounters with the otherworld, however, suggest that magic runs stronger in Scotland than she ever imagined. Haunted by dreams of a raven-haired man she's never met, Gruoch soon feels her fate is not her own. She is duty-bound to wed a powerful lord, if not the Prince himself; however, she's not sure she can stop her heart when she meets Banquo, a gallant highlander and druid. Fans of Outlander and Mists of Avalon will relish this sweeping Scottish Historical Fantasy that tells the tale of Gruoch, a woman struggling to escape her fate without blood on her hands. "A great novel that captures realistically a world of witches and fairies, warrior women and barbaric men, and a woman exploring a life she had no idea existed" Author Carrie L. Wells "A rich tale of lore and legend that will trap you faster than a fairy ring" Fabulous and Fun Book Reviews

    Violet is obsessed with the books of fairy tales her husband acquires, but her growing delusions see her confined in an asylum. As she recovers and is released a terrifying series of events is unleashed.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    That stranger claims to know the whereabouts of her missing friend Bobby, but there’s a catch: he’ll only tell her what he knows in exchange for something... personal.So begins Laura’s sordid relationship with her new penpal, built on a foundation of quid pro quo. Her quest for closure will push her to bizarre acts of humiliation and harm, yet no matter how hard she tries, she cannot escape her correspondent’s demands. The letters keep coming, and as time passes, they have a profound effect on Laura.From the author of Cruel Works of Nature comes a dark and twisted tale about obsession, guilt, and how far a person will go to put her ghosts to bed.

    Among the Thorns, by Veronica Schanoes, is a dark fantasy taking place in seventeenth century Germany, about a young woman who is intent on avenging the brutal murder of her peddler father many years earlier, by a vagabond with a magic fiddle.

    Three years after her husband, Alex, disappeared, shot down over Germany, Jo Manders still mourns his loss. Working as a paid companion to Alex's wealthy, condescending aunt, Dottie Forsyth, Jo travels to the family’s estate in the Sussex countryside. But there is much she never knew about her husband’s origins…and the revelation of a mysterious death in the Forsyths’ past is just the beginning… All is not well at Wych Elm House. Dottie's husband is distant, and her son was grievously injured in the war. Footsteps follow Jo down empty halls, and items in her bedroom are eerily rearranged. The locals say the family is cursed, and that a ghost in the woods has never rested. And when Jo discovers her husband’s darkest secrets, she wonders if she ever really knew him. Isolated in a place of deception and grief, she must find the truth or lose herself forever. And then a familiar stranger arrives at Wych Elm House…

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    Tourists flock to the cities within the city: the Magic City of the World’s Fair on an island created of artifice and illusion; the forbidden city of Chinatown, a separate, alien world of exotic food and nightclubs that offer “authentic” experiences, straight from the pages of the pulps; and the twilight world of forbidden love, where outcasts from conventional society can meet.Six women find their lives as tangled with each other’s as they are with the city they call home. They discover love and danger on the borders where mystery, science, and art intersect.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?