Louis Holland arrives in Boston in a spring of strange happenings - earthquakes strike the city, and the first one kills his grandmother. During a bitter feud over the inheritance Louis falls in love with Renee Seitchek, a passionate and brilliant seismologist, whose discoveries about the origin of the earthquakes start to complicate everything. Potent and vivid, 'Strong Motion' is a complex story of change from the forceful imagination of Jonathan Franzen.

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    Together they seem like twins or lovers, opposing halves of what should have been an ideal whole. Subtext : blazing unspoken sexuality.

    Returning to the women and men of small New England towns for the accompanying collection of short fiction, this remarkable volume weaves a colorful and moving tapestry of the grand complexities, joys, and beauties of life.

    For Jim Nashe, it all started when he came into a small inheritance and left Boston in pusuit of "a life of freedom." Careening back and forth across the United States, waiting for the money to run out, Nashe met Jack Pozzi, a young man with a temper and a plan. With Nashe's last funds, they entered a poker game against two rich eccentrics, "risking everything on the single turn of a card." In Paul Auster's world of fiendish bargains and punitive whims, where chance is a shifting and powerful force, there is redemption, nonetheless, in Nashe's resolute quest for justice and his capacity for love.

    Amid the drunken guests, a woman turns up murdered on the living room floor. Around the corpse, one of several the evening produces, Gerald's party goes on — a chatter of voices, names, faces, overheard gags, rounds of storytelling, and a mounting curve of desire. What Coover has in store for his guests (besides an evening gone mad) is part murder mystery, part British parlor drama, and part sly and dazzling meditation on time, theater, and love.

    Now, at 53, he is a fixture. But he is beginning to fear death, alone and vulnerable in the alien tropics. And Jack still dreams of success. How can he convert his "perfect dream of magic" into reality, away from the seamy waterfront that has become his home? A funny and sophisticated novel from an acclaimed and popular writer.

    This new collection of stories marks a departure in Barthelme's work with the introduction of a new mode in which he abandons all forms of characterization other than dialogue in an attempt to shift and alter reader expectations and perceptions

    To the tough-minded and self-reliant farmers, the monopolistic, land-grabbing railroad represented everything they despised: consolidation, organization, conformity. But Norris idealizes no one in this epic depiction of the volatile situation, for the farmers themselves ruthlessly exploited the land, and in their hunger for larger holdings they resorted to the same tactics used by the railroad: subversion, coercion and outright violence. In his introduction, Kevin Starr discusses Norris's debt to Zola for the novel's extraordinary sweep, scale and abundance of characters and details.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    He never forgave her for leaving, though he hated himself even more for driving her away. And when Melissa reentered his life, his hope for a possible future together was renewed. Melissa felt the same way, but there were things she had to come clean about. Now she had to prove to him that she was indeed his enamorada -- and that the truth would set them both free to love again.MYSTERY MANTycoon Canton Rourke was beset and besieged -- and all because of his neighbor Janine Curtis. The woman was out to get him; he was sure of it. He'd come to Cancún, Mexico, with his daughter to relax, not to catch bandits, track kidnappers or save Janine from any other mess she got caught up in. Janine was so determined to live down her neighbor's image of her that she ignored how her knees buckled each time he rescued her. Was she falling for this thorn in her side?

    One of Cather's later works.

    Following Paul from New York, where he comically navigates Manhattan's art and literary scenes, to Taipei, Taiwan, where he confronts his family's roots, we see one relationship fail, while another is born on the internet and blooms into an unexpected wedding in Las Vegas.From one of this generation's most talked-about and enigmatic writers comes a deeply personal and uncompromising novel about memory, love, and what it means to be alive.

    Main theme at a political level is anti-Jewish prejudice in the US and the case of Nicola Sacco and Bartolomeo Vanzetti. At a personal level, relationships with family and women provide the bulk of the story.

    submarines of Wolfpack 351 are low on fuel, torpedoes, and morale. Their only means of escape is a narrow passage teeming with enemy aircraft, mines, and coastal batteries – and guarded by a menacing Japanese fleet led by a legendary admiral hell-bent on stopping them. Facing the imminent destruction of the entire wolfpack, and with few options remaining, the American admirals in Pearl Harbor turn to an aging submarine, the only boat close enough to help. With time running out, the USS Aeneid – a V-boat from another era – must spring the trapped submarines from their watery prison before they meet their fates under the hull-shattering wrath of the enemy’s depth charges.