Plus the scars on his chest and a prescription for testosterone. Because Ren is transgender: assigned female at birth, living now as male. He films his transition and shares it bravely with the world; his fans love his honesty and positivity.But Ren has been living a double life.Off-camera, he’s Cane, the muscle-bound enforcer for social justice vigilante group Black Iris. As Cane, he lets his dark side loose. Hurts those who prey on the disempowered. Indulges in the ugly side of masculinity. And his new partner, Tamsin Baylor, is a girl as rough and relentless as him. Together, they terrorize the trolls into silence.But when a routine Black Iris job goes south, Ren is put in the crosshairs. Someone is out to ruin his life. He’s a bad boy, they say, guilty of what he punishes others for.Just like every other guy: at heart, he’s a monster, too.Now Ren’s got everything to prove. He has to clear his name, and show the world he’s a good man. But that requires facing demons he’s locked away for years. And it might mean discovering he’s not such a good guy after all.

    The cause: Daniel Grant, a ridiculously hot carpenter who’s ten years younger than her and as casual as they come—the complete opposite of sophisticated city-girl Alexis. And yet their chemistry is undeniable.While her ultra-wealthy parents want her to carry on the family legacy of world-renowned surgeons, Alexis doesn’t need glory or fame. She’s fine with being a “mere” ER doctor. And every minute she spends with Daniel and the tight-knit town where he lives, she’s discovering just what’s really important. Yet letting their relationship become anything more than a short-term fling would mean turning her back on her family and giving up the opportunity to help thousands of people.Bringing Daniel into her world is impossible, and yet she can’t just give up the joy she’s found with him either. With so many differences between them, how can Alexis possibly choose between her world and his?

    There is a stranger living in her house. A stranger who claims he has every right to be there, with the paperwork to prove it. When she confronts the man, he lets her get close enough to whisper, "I was there. I saw what you did."She doesn't know how he knows her, but with those words Kimber knows this stranger isn't after anything as simple as her money or artwork or charming Craftsman bungalow. She has to find out exactly what he wants and get him out of her carefully orchestrated life before he ruins it.There are plenty of people in her life who might help, but should Kimber trust any of them? Her lawyer, Gabriel, is also her ex-lover; Diana, her best friend, doesn't know Kimber slept with her husband; her ex-husband has a new, happier life since leaving her; and her co-workers know she'll do anything to get her next sale. And no one can know the real reason this man is in her house. Without trust, everyone's a stranger....

    You’d better come if you want to save her.”  Lorraine—“Rainy”—lives at the top of Tiger Mountain. Remote, moody, cloistered in pine trees and fog, it’s a sanctuary, a new life. She can hide from the disturbing past she wants to forget. If she’s allowed to. When Rainy reluctantly agrees to a girls’ weekend in Vegas, she’s prepared for an exhausting parade of shots and slot machines. But after a wild night, her friend Braithe doesn’t come back to the hotel room. And then Rainy gets the text message, sent from Braithe’s phone: someone has her. But Rainy is who they really want, and Rainy knows why. What follows is a twisted, shocking journey on the knife-edge of life and death. If she wants to save Braithe—and herself—the only way is to step back into the past. This seething, gut-punch of a thriller can only have sprung from the fiendish brain of Tarryn Fisher, one of the most cunning writers of our time.Looking for more great reads by Tarryn Fisher? Don't miss The Wives and The Wrong Family.

    Jonah Keller moved to New York City with dreams of becoming a successful playwright, but, for the time being, lives in a rundown sublet in Bushwick, working extra hours at a restaurant only to barely make rent. When he stumbles upon a photo of Richard Shriver—the glamorous Pulitzer Prize–winning playwright and quite possibly the stepping stone to the fame he craves—Jonah orchestrates their meeting. The two begin a hungry, passionate affair. When summer arrives, Richard invites his young lover for a spell at his sprawling estate in the Hamptons. A tall iron fence surrounds the idyllic compound where Richard and a few of his close artist friends entertain, have lavish dinners, and—Jonah can’t help but notice—employ a waitstaff of young, attractive gay men, many of whom sport ugly bruises. Soon, Jonah is cast out of Richard’s good graces and a sinister underlay begins to emerge. As a series of transgressions lead inexorably to a violent climax, Jonah hurtles toward a decisive revenge that will shape the rest of his life. Riveting, unpredictable, and compulsively readable, Yes, Daddy is an exploration of class, power dynamics, and the nuances of victimhood and complicity. It burns with weight and clarity—and offers hope that stories may hold the key to our healing.

    Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering. When she overhears a conversation at a party that turns everything on its head, Elise makes an impulsive decision that will change her life forever.Three decades later, Rose Simmons is seeking answers about her mother, who disappeared when she was a baby. Having learned that the last person to see her was Constance Holden, a reclusive novelist who withdrew from public life at the peak of her fame, Rose is drawn to the door of Connie's imposing house in search of a confession . . .From the million-copy bestselling author of The Miniaturist and The Muse, this is a luminous, powerful and deeply moving novel about secrets and storytelling, motherhood and friendship, and how we lose and find ourselves.

    Don’t enter the woods. Never go out at night.Those are the rules in Rowan’s Glen, a remote farming community in the Missouri Ozarks where Ivy Templeton’s family has lived for centuries. It’s an old-fashioned way of life, full of superstition and traditions, and sixteen-year-old Ivy loves it. The other kids at school may think the Glen kids are weird, but Ivy doesn’t care—she has her cousin Heather as her best friend. The two girls share everything with each other—or so Ivy thinks. When Heather goes missing after a May Day celebration, Ivy discovers that both her best friend and her beloved hometown are as full of secrets as the woods that surround them.

    The police have stopped investigating-after all, Sophie has sent postcards home, insisting that she's fine. To fill the space in her increasingly empty days, Kate volunteers at Message in a Bottle, where runaways can leave messages for loved ones, no questions asked.Then one evening, a call comes in from a voice Kate instinctively recognizes, even through bursts of static and beyond the sudden dial tone that breaks their connection.Those closest to Kate worry she's cracking under her grief, imagining that it was Sophie. But Kate knows-that it was her daughter on the phone. And that a stranger has been inside her house. Watching her.Sophie is out there. And Kate has to find her, even if someone will try anything to stop her . . ."Kept me guessing to the final twist; creepy and addictive. My perfect type of book!" -Elizabeth Haynes, author of Into the Darkest Corner

    Only one girl survived: Alex Salerno. The killer, Ken Parsons, was sent away. Life returned to normal. No more girls would have to die. Until another one did.It’s been twelve years since Kira Shanks was reported missing and presumed dead. Alex Salerno has been living in New York City, piecemealing paychecks to earn a livable wage, trying to forget those three days locked underground and her affair with Sean Riley, the married detective who rescued her. When Noah Lee, hometown reporter with a journalistic pedigree, requests an interview, Alex returns to Reine and Riley, reopening old wounds. What begins as a Q&A for a newspaper article soon turns into an opportunity for money, closure and—justice. The disappearance of Kira Shanks has long been hung on Benny Brudzienski, a hulking man-child who is currently a brain-addled guest at the Galloway State Mental Hospital. But after Alex reconnects with ex-classmates and frenemies, doubts are cast on that guilt. Alex is drawn into a dangerous game of show and tell in an insular town where everyone has a secret to hide. And as more details emerge about the night Kira Shanks went missing, Alex discovers there are some willing to kill to protect the horrific truth.In the modern vein of Girl on the Train and The Bone Collector, The One That Got Away is a dark, psychological thriller, featuring a compelling, conflicted heroine and a page-turning narrative that races toward its final, shocking conclusion.

    Irene Jobert is the most famous influencer in the world, and now Cath will be one of the five participants chosen to stay with Irene in a renovated Transylvanian monastery.The catch? Their every move will be live-streamed to millions of people around the world. Patrons pay for constant access to their favourite social media stars: Irene, the model; Nathan, the gamer; Jules, the blogger; Daniel, the fitness guru; and Cath, the writer.Nestled halfway up a mountain, the five are isolated, with nothing but the internet to connect them to the world. That is,until eagle-eyed live-stream followers all around the globe notice a sixth participant. A dark figure lurking in the background.They thought they were alone. Perhaps they were wrong.

    Until the bodies were found . . . BODIES FOUND UNDER PATIOWhen pregnant Saffron Cutler moves into 9 Skelton Place with boyfriend Tom and sets about renovations the last thing she expects is builders uncovering a body - two bodies, in fact.POLICE INVESTIGATEForensics indicate the bodies have been buried at least thirty years. Nothing Saffy need worry herself over. Until the police launch a murder investigation and ask to speak to the cottage's former owner - her grandmother, Rose.OWNER QUESTIONEDRose is in a care home and Alzheimer's means her memory is increasingly confused. She can't help the police but it is clear she remembers something.A KILLER AT LARGE?As Rose's fragmented memories resurface, and the police dig ever deeper, Saffy fears she and the cottage are being watched.What happened thirty years ago?Why did no one miss the victims?What part did her grandmother play?And is Saffy now in danger?

    Once loved and cherished, the day Matthew left the strict evangelical community he grew up in, he lost his family too.Now, as he turns and walks away again, he receives a call from one of his team. A body has been found on the beach nearby: a man with a tattoo of an albatross on his neck, stabbed to death. The case calls Matthew back into the community he thought he had left behind, as deadly secrets hidden at its heart are revealed, and his past and present collide.An astonishing new novel told with compassion and searing insight, The Long Call will captivate fans of Vera and Shetland, as well as new readers.

    "An alternative school for happy children." But it closed in disgrace after a student's suicide. Now it's a care home, its grounds neglected and overgrown. Gloria Harkness is its only neighbor, staying close to her son who lives there in the home, lighting up her life and breaking her heart each day.When a childhood friend turns up at her door, Gloria doesn't hesitate before asking him in. He claims a girl from Eden is stalking him and has goaded him into meeting her at the site of the suicide. Only then, the dead begin to speak—it was murder, they say.Gloria is in over her head before she can help it. Her loneliness, her loyalty, and her all-consuming love for her son lead her into the heart of a dark secret that threatens everything she lives for.

    But wait — Edward “Mitch” Mitchell is no Hercule Poirot, and The Back Passage is no Murder of Roger Ackroyd. Mitch is a handsome, insatiable 22-year-old hunk who never lets a clue stand in the way of a steamy encounter, whether it’s with the local constabulary, the house secretary, or his school chum and fellow athlete Boy Morgan, who becomes his Watson when they’re not busy boffing each other. When Reg Walworth is found dead in a cabinet, Sir James Eagle has his servant Weeks immediately arrested as the killer. But Mitch’s observant eye pegs more plausible possibilities: polysexual chauffeur Hibbert, queenly pervert Leonard Eagle, missing scion Rex, sadistic copper Kennington, even Sir James Eagle himself. Blackmail, police corruption, a dizzying network of spyholes and secret passages, watersports, and a nonstop queer orgy backstairs and everyplace else mark this hilariously hard-core mystery by a major new talent.

    But publicly, she’s keeping her doubts to herself—because she’s the voice of Attachments, her brand-new paranormal investigation podcast, and she needs her ghost-loving listeners to tune in. That’s what brings her to Arrington Estate. Thirty years ago, teenager Atheleen Bell drowned in Arrington’s lake, and legend says her spirit haunts the estate. Dare’s more interested in the suspicious circumstances surrounding her death—circumstances that she believes point to a living culprit, not the supernatural. Still, she’s vowed to keep an open mind as she investigates, even if she’s pretty sure what she’ll find. But Arrington is full of surprises. Good ones like Quinn, the cute daughter of the house’s new owner. And baffling ones like the threatening messages left scrawled in paint on Quinn’s walls, the ghastly face that appears behind Dare’s own in the mirror, and the unnatural current that nearly drowns their friend Holly in the lake. As Dare is drawn deeper into the mysteries of Arrington, she’ll have to rethink the boundaries of what is possible. Because if something is lurking in the lake…it might not be willing to let her go.