With loving men of power comes drama and jealousy. Can Briana and Persia handle everything that comes their way or will they crack under pressure? They say that love is forever but is forever enough?

    First appearing between 1970 and 1975, the poems in this gemlike volume reflect the drastic change that took place--in both the consciousness of the nation and in the sould of the poet. From "Ego Tripping" to "Poem for Flora" and "Africa," The Women and the Men is replete with the greatest hits of Nikki Giovanni's incredible oeuvre. With reverence to the ordinary and in search of the extraordinary, Nikki Giovanni, above all, displays here her caring for the people, things, and places she has observed and touched and captured.As a witness to three generations, Nikki Giovanni has perceptively and poetically recorded her observations of both the outside world and the gentle yet enigmatic territory of the self. When her poems first emerged from the Black Rights Movement in the late 1960's, she immediately became a celebrated and controversial poet of the era. Written in one of the most commanding voices to grace America's political and poetic lanscape at the end of the twentieth century, Nikki Giovanni's poems embody the fearless passion and spirited wit for which she is beloved and revered.

    Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children's school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.But Blessing's grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world.

    A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.

    From the opening "Proem" (prologue poem) he offers in this first book-"I am a Negro: / Black as night is black, / Black the depths of my Africa"-Hughes spoke directly, intimately, and powerfully of the experiences of African Americans, at a time when their voices were newly being heard in our literature. As his Knopf editor Carl Van Vechten wrote in a brief introduction to the original 1926 volume, illuminating the potential of this promising young voice, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race...Always, however, his stanzas are subjective, personal" and, he concludes, they are "the expression [of] an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, sometimes with shocking confidence and clarity: "Bring me all of your / Heart melodies / That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers/ Of the world."

    Now that she's home, she's ready to move on with her life. Her cousin Tangie has a job waiting for her and gives her a place to stay. Everything is more than what she could've asked for. But when loneliness sets in, she feels like she's missing something. She vowed after her last relationship that she was done with thugs and all things hood, but when she runs into the sexy, Khi with the cocky and dirty south swag, she realizes that it's something about a bad boy that she can't get enough of. She's convinced herself that there is no need to stop what seems meant to be. But will it be another mistake and this time will she get away with her life?Khian "Khi" Prince is just one of the Prince brothers that has the ladies going crazy. He's a certified boss with what seems to be the weight of the world on his shoulders. His job is to ensure that he and his brothers maintain their status in the streets along with caring for his 2 baby mamas and the kids he shares with them. After failing at love twice, Khi's not ready to give up on finding his queen just yet and when running into Cuba, he's for certain he has finally gotten it right. But when Cuba mends his heart to only be the cause of shattering it all over again, will Khi give up on love once and for all, or will he fight to keep the woman that he feels is everything he's been looking for?Daelan "Dae" Prince is the ultimate bad boy with pretty boy looks and a no nonsense type of attitude. He's feared by many men and lusted after by plenty of women, which he can't get enough of. With the love of his life Amber by his side and their 5-year old son, Daelan seems to have his happily ever after but things are never what they seem. Daelan can't seem to stop messing up. After one bad decision after the other, his loved ones are always there to pick up the shattered pieces he constantly leaves behind. But what happens when Daelan makes a decision that puts he and the lives of everyone around him in danger, will his brothers be there to save him once again?Amber has been with Daelan for five long years. Her high school sweetheart was once sweet and charming, but the streets had a way of changing and hardening a person and that's exactly what happened to Daelan at least that's what Amber believes. With all the lies, cheating, and beatings amongst other things, Amber has always stuck by Daelan's side. She was addicted to him and always forgave him no matter how hurt it left her in the end. But when Daelan does the unthinkable, will Amber be able to walk away from the only love she's ever known or will she once again forgive him?Kaedee Prince, not only is he known in the streets along with his brothers, but also in the courtroom as one not to be messed with. With his wife Deonna by his side, they run the most sought out law firm in the city. Kaedee knew that getting his degree in law would somehow come in handy for he and his brothers, but never once did he think his wife Deonna would ever need his services. Hit with money laundering charges from business she did with her ex, Tyrin Walker, a drug kingpin out of Florida, Deonna learns that your past doesn't always stay behind you. When Tyrin shows up in her husband's office, Deonna finds herself in love with two men at the same time. Straddling both sides of the fence has never been good for anyone and Deonna finds that out the hard way. She's forced to pick the one to have her heart, but when that decision lands someone in a grave, are the Prince brothers ready for a war?Welcome to the life of the Prince Brothers and feel what it's like to be Addicted to A Dirty South Thug.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.

    

    Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour. Pledged to the fierce Madam and a mysterious pimp named Dele, the girls share an apartment but little else—they keep their heads down, knowing that one step out of line could cost them a week’s wages. They open their bodies to strangers but their hearts to no one, each focused on earning enough to get herself free, to send money home or save up for her own future.Then, suddenly, a murder shatters the still surface of their lives. Drawn together by tragedy and the loss of one of their own, the women realize that they must choose between their secrets and their safety. As they begin to tell their stories, their confessions reveal the face in Efe’s hidden photograph, Ama’s lifelong search for a father, Joyce’s true name, and Sisi’s deepest secrets—-and all their tales of fear, displacement, and love, concluding in a chance meeting with a powerful, sinister stranger.On Black Sisters Street marks the U.S. publication debut of Chika Unigwe, a brilliant new writer and a standout voice among contemporary African authors. Raw, vivid, unforgettable, and inspired by a powerful oral storytelling tradition, this novel illuminates the dream of the West—and that dream’s illusion and annihilation—as seen through African eyes. It is a story of courage, unity, and hope, of women’s friendships and of bonds that, once forged, cannot be broken.

    Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life.The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates.Challenging the complexities of language, Betts animates what it means to be a "felon."

    A boy who planned to be the next school shooter. A patient with OCD whose loved ones really did suffer every time he missed a ritual. A choir boy who claimed he was being molested -- not by a priest -- but by God Himself. A patient with PTSD who gave me nightmares. A husband and wife who accused each other of abuse, and only one of them was telling the truth.And how could I ever forget, Patient #220.The problem is, my patients have a habit of dying. Sometimes I wonder if I'm the common denominator. Or maybe that's just the cost of taking on exceptionally broken clients.Either way, I'll never stop trying to help.

    While many of these poems bear the clearest imprint yet of Hayes’s background as a visual artist, they do not strive to describe art so much as inhabit it. Thus, one poem contemplates theprinciple of blind contour drawing while others are inspired by maps, graphs, and assorted artists. The formal and emotional versatilities that distinguish Hayes’s award-winning poetry are unified by existential focus. Simultaneously complex and transparent, urgent and composed, How to Be Drawn is a mesmerizing achievement.

    This collection introduces a fresh and bold voice into the rich current that is emerging from young African millennial artists.

    When one problem seems to be resolved, another one follows. Latavia discovers the truth about Kenjay, and he is not the man that he claimed to be. And just when she thinks that he is done with the streets, the problems follows them everywhere they go. But, Latavia has secrets of her own that might claim her life. Kenjay stumbles across some devastating news. The man that he looked up to has an agenda of his own. In this action-packed fast paced read you will discover that no one is to be trusted. Everyone wants the spot on the throne. With lies, murder, deceit, and secrets, welcome to Kenjay's Takeover.