Clearly, geeks know something about life in the 21st century that other folks don’t—something we all can learn from. Geek Wisdom takes as gospel some 200 of the most powerful and oft-cited quotes from movies (“Where we’re going, we don’t need roads”), television (“Now we know—and knowing is half the battle”), literature (“All that is gold does not glitter”), games, science, the Internet, and more. Now these beloved pearls of modern-day culture have been painstakingly interpreted by a diverse team of hardcore nerds with their imaginations turned up to 11. Yes, this collection of mini-essays is by, for, and about geeks—but it’s just so surprisingly profound, the rest of us would have to be dorks not to read it. So say we all.

    the desperate, take-no-prisoners struggle that led humanity to Halo--the fall of the planet Reach. Now, brought to life for the first time, here is the full story of that glorious, doomed conflict.While the brutal Covenant juggernaut sweeps inexorably through space, intent on wiping out humankind, only one stronghold remains--the planet Reach. Practically on Earth's doorstep, it is the last military fortress to defy the onslaught. But the personnel here have another, higher priority: to prevent the Covenant from discovering the location of Earth.Outnumbered and outgunned, the soldiers seem to have little chance against the Covenant, but Reach holds a closely guarded secret. It is the training ground for the very first "super soldiers." Code-named SPARTANs, these highly advanced warriors, specially bioengineered and technologically augmented, are the best in the universe--quiet, professional, and deadly.Now, as the ferocious Covenant attack begins, a handful of SPARTANs stand ready to wage ultimate war. They will kill, they will be destroyed, but they will never surrender. And at least one of them--the SPARTAN known as Master Chief--will live to fight another day on a mysterious and ancient, artificial world called Halo...

    Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    While starship explorers get to live the human adventure of traveling to other times and realities, it’s up to the dedicated agents of the Federation Department of Temporal Investigations to deal with the consequences to the timestream that the rest of the Galaxy has to live with day by day. But when history as we know it could be wiped out at any moment by time warriors from the future, misused relics of ancient races, or accident-prone starships, only the most disciplined, obsessive, and unimaginative government employees have what it takes to face the existential uncertainty of it all on a daily basis . . . and still stay sane enough to complete their assignments. That’s where Agents Lucsly and Dulmur come in—stalwart and unflappable, these men are the Federation’s unsung anchors in a chaotic universe. Together with their colleagues in the DTI—and with the help and sometimes hindrance of Starfleet’s finest—they do what they can to keep the timestream, or at least the paperwork, as neat and orderly as they are. But when a series of escalating temporal incursions threatens to open a new front of the history-spanning Temporal Cold War in the twenty-fourth century, Agents Lucsly and Dulmur will need all their investigative skill and unbending determination to stop those who wish to rewrite the past for their own advantage, and to keep the present and the future from devolving into the kind of chaos they really, really hate.

    Like Joseph, Jamie Cohen is betrayed by his compadres but unexpectedly finds himself at the right hand of power. He helps a huge venture capitalist build pyramids - except these are investment pyramids based on technology idols. An additional narrative conceit is this: 200 years later, anthropologists find the virtual manuscript of Exit Strategy and begin annotating the text. Hundreds of readers have already contributed footnotes for the book – they are charming, wacky, compelling and Rushkoff has selected one hundred of his favorites for inclusion.

    They burned down his house. They beat him within an inch of his life. And then they realized they had the wrong man.They should have killed him when they had the chance.Will Stark is a thirty-five-year-old self-made billionaire. He's happily married and father to a young son he adores. He's well-loved in his community for his philanthropic efforts. He lives in a beautiful home inside a private, secure community designed to provide safety for his family from those who would do them harm.His idyllic world is shattered when, despite his best efforts, men storm his community, murder his family in their home, and burn his house down. In his efforts to rush to the aid of those he loves, Will is seized, beaten, and nearly killed.And as it's happening, the men who've attacked him realize they've mistaken him for someone else.Will's rescue from certain death brings him into the midst of a battle between two factions of a secret society, one in which members learn the secrets of developing superhuman abilities. And it's a battle in which a man named Will Stark has been the focal point. Will seizes the opportunity to learn these secrets, and battle those who destroyed his family. His own rapid development, however, means he may become a target for attack of his own accord.As he builds his new life, however, Will is faced with a critical decision. Will he use his new abilities to seek out vengeance? Or will he risk everything he has to save those he holds most dear?

    Out of desperation, he contacts the inventor of the process, Dr. Howard Mierzwiak (Tom Wilkinson), to have Clementine removed from his own memory. But as Joel's memories progressively disappear, he begins to rediscover their earlier passion. From deep within the recesses of his brain, Joel attempts to escape the procedure.As Dr. Mierzwiak and his crew chase him through the maze of his memories, it's clear that Joel just can't get her out of his head.The movie stars Jim Carrey, Kate Winslet, Kirsten Dunst,Tom Wilkinson, Elijah Wood, and Mark Ruffalo.In the acclaimed Newmarket Shooting Script® format, the book includes an introduction by director Michel Gondry (Human Nature), a facsimile of the script, a Q&A with Kaufman, a selection of black-and-white movie stills with commentary, and the complete cast and crew credits.

    Today, as he passes the door, he glances at its peeling paint. Moments later he stops dead in his tracks. He returns to the spot, and all he sees is an ivy-covered wall. The door has vanished! He unwittingly embarks on an exciting trail of events with twists, turns, quantum entanglement and temporal anomalies. It becomes an unbelievable adventure to save humanity which you’ll be unable to put down. The Door is an intriguing and unique science fiction mystery from the pen of Tony Harmsworth, the First Contact specialist who writes in the style of the old masters. Discover the astonishing secrets being concealed by The Door today!

    Source: Wikipedia. Pages: 20. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Cyberiad (Polish: ) is a series of short stories by Stanisaw Lem. The Polish version was first published in 1967, with an English translation appearing in 1974. The main protagonists of the series are Trurl and Klapaucius, the "constructors." The vast majority of characters are either robots, or intelligent machines. The stories focus on problems of the individual and society, as well as on the vain search for human happiness through technological means. Two of these stories were included in the book The Mind's I. Trurl and Klapaucius are brilliant (robotic) engineers, called "constructors" (because they can construct practically anything at will), capable of almost God-like exploits. For instance, on one occasion Trurl creates an entity capable of extracting accurate information from the random motion of gas particles, which he calls a "Demon of the Second Kind." He describes the "Demon of the First Kind" as a Maxwell's demon. On another, the two constructors re-arrange stars near their home planet in order to advertise. The duo are best friends and rivals. When they are not busy constructing revolutionary mechanisms at home, they travel the universe, aiding those in need. Although the characters are firmly established as good and righteous, they take no shame in accepting handsome rewards for their services. If rewards were promised and not delivered, the constructors may even severely punish those who deceived them. The universe of The Cyberiad is pseudo-Medieval. There are kingdoms, knights, princesses, and even dragons in abundance. Robots are usually anthropomorphic, to the point of being divided into sexes. Love and marriage are possibl...More: http: //booksllc.net/?id=59380

    It's not as bad as we thought. From the very first line, "Luna" grabs the reader. Where most books start with a world in trouble and ride the story on into a happy ending or to the ultimate destruction, "Luna" starts with the end of the world. Things can only get better, right? With the world destroyed, the story centers on six survivors in the first lunar shuttle, on their way to shake down and tune up a robot-built underground tunnel complex on the Moon. They have to face a number of issues, not the least of which is the self-destruction of their homeworld and the survival of the species. Fortunately, any culture advanced enough to have a lunar colony and the capability to destroy its own civilization is likely to have people who are not on the planet at any given time. From these few survivors, the human race will have to either survive and grow, or wither away into nothing. They have to face many difficulties, ranging from purely scientific ones such as genetics, mechanics, chemistry, and nutrition, to the more complex difficulties of human nature, such as love, sex, and loneliness. The conflict between politics and military command also rears its ugly head, with uncertain results, aside from the obvious: War. Told from the point of view of Max, the officer in charge of the mechanical aspects of the lunar base, "Luna" takes us on a fast-paced tour of our own Moon, the LaGrange points, a number of habitable satellites, as well as the light and dark places in the human soul. Any science fiction reader will delight in the near-future possibilities of lunar colonization, along with the superb character development, snappy dialogue, and the dry humor that are so characteristic of Garon Whited's work.A gripping page-turner, Whited's "Luna" is more than a little reminiscent of Robert Heinlein, mixed with a dash of E.E. "Doc" Smith, and stirred with a sardonic sense of humor uniquely his own. Fans of Garon Whited's "Nightlord: Sunset" will want to add this one to the collection!

    A great gig—until information he brought back gave Axon the means to maximize profits by changing the past, present, and future of this world.   If Axon succeeds, Tak will lose Samira Moheb, the woman he has loved since high school—because her future will cease to exist. A veteran of the Iraq War suffering from post-traumatic stress disorder, Samira can barely function in her everyday life, much less deal with Tak’s ravings of multiple realities. The only way to save her is for Tak to use the time travel device he “borrowed” to transport them both to an alternate timeline.   But what neither Tak nor Axon knows is that the actual inventor of the device is searching for a timeline called the Beautiful Land—and he intends to destroy every other possible present and future to find it.   The switch is thrown, and reality begins to warp—horribly. And Tak realizes that to save Sam, he must save the entire world…

    Five hundred years in the future, Captain Mal Reynolds and the crew of the transport-for-hire ship Serenity take on two new passengers and soon find themselves in a crossfire between an invincible military force and cannibalistic savages.

    Packed with fascinating facts and statistics for characters from the Abzorbaloff to the Zygons, and with large cut-out poses and stunning stills from the program, this is the ultimate compendium of Doctor Who characters.

    No evildoers have tried to flatten him in weeks, his marriage to Mary Jane is stronger than ever, and he's enjoying his job as a high school science teacher. Life is good. Naturally, that doesn't last. When Peter learns that his old enemy the Rhino is on a rampage in Times Square, he suits up as Spider-Man to stop the destructive villain in his tracks. But he's unexpectedly foiled in his attempts by the Black Cat, a former ally and old flame. The Cat informs Peter that the Rhino is just a distraction -- the real threat comes from a group of Ancients, members of the same race as the being called Morlun, who Spidey defeated in battle years earlier. The Ancients are now looking to exact revenge -- and hope to steal Spider-Man's life force in the process. To defeat such powerful beings, Spider-Man is going to need all the help he can get, especially from the Black Cat. But what will Mary Jane Parker have to say about that? Peter isn't sure which is worse -- the Ancients trying to drain his life force, or the wrath of a jealous wife....

    Mickey and Mallory Knox, outlaw lovers on the run, go on a killing spree of startling viciousness -- and find themselves transformed into cult celebrities by the tabloid media. The film, directed by Oliver Stone, departed significantly from Tarantino's original screenplay, so much so that Tarantino removed his name from the screenplay credits. Now available in America for the first time, the original screenplay offers fans and film buffs of all stripes the opportunity to compare Tarantino's original vision with Stone's version of the story of Mickey and Mallory.