In the dark. In a thunderstorm. When a confusing detour places her on a rural, wooded road, she's startled by the sudden appearance of a lone figure caught in the beam of her headlights. Though Moira jams on her brakes, the car careens across the wet pavement--and the solid thump against the side of the vehicle tells her she hit the person before she crashes into a tree on the far side of the road. A dazed Moira is relieved when a man opens her door, tells her he saw everything, and promises to call 911. Then everything fades to black. When she comes to an hour later, she is alone. No man. No 911. No injured person lying on the side of the road. But she can't forget the look of terror she saw on the person's face in the instant before her headlights swung away. The person she hit had been in trouble. She's sure of it. But she can't get anyone to believe her story--except a handsome former police detective, now a private eye, who agrees to take on the case. From the very first page, readers will be hooked into this fast-paced story full of shocking secrets from fan-favorite Irene Hannon. Vanished is the exciting first book in the Private Justice series: Three justice seekers who got burned playing by the rules now have a second chance to make things right.

    Working with a single-minded tenacity, she sets out to prove it.Deputy Sheriff Ben Slater hides his personal pain behind the job, but Kate's arrival in his county knocks his world on its axis. He wants to believe her wild theory, but the idea of a serial killer with the kind of pathology she proposes is too bizarre.Together they work to find a killer whose roots began in a small town in Bigler County, but whose violence spread across the nation. A Janus-like killer, more monster than man, he fixates on Kate. The killer wants nothing more than to kill the "purple-eyed girl again."

    Ten years ago, Magnolia Steele fled Franklin, Tennessee after an incident that left her with hazy memories and a horror of the place where she had been born and bred. Though her abrupt departure destroyed most of her treasured relationships, she vowed never to return . . . until she has no choice. When Magnolia’s breakout acting role in a Broadway musical ends in disgrace, there’s only one place she can go. She finds herself on her momma’s porch, suitcase in hand. Drama follows Magnolia around like a long lost friend. She reluctantly agrees to help her momma’s catering company at a party for a country music star, only to find herself face-to-face with a sleazy music agent from her past. After a very public spat, Magnolia not only finds him dead but herself center stage in the police’s investigation. Now she must scramble to prove her innocence, relying on the help of acquaintances old and new. But the longer Magnolia stays in Franklin, the more she remembers about the big bad incident that chased her away. The past might not be finished with her yet, and what she doesn’t remember could be her biggest danger.

    Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    Months of posting fliers and combing through crime records yield no leads. Then a local writer commits suicide, and he leaves a bewildering message that may be the first breadcrumb in a winding trail of unsolved murders . . .Michael Underhill is a philosophical man preoccupied by what-ifs and could-have-beens, but his life is finally coming together. He has a sweet and beautiful girlfriend, and together they're building their future home. Nothing will go wrong, not if Underhill has anything to say about it. The problem is, Underhill has a dark and secret past, and it's coming back to haunt him.These two men are inexorably drawn together in a mystery where there is far more than meets the eye, and nothing can be taken for granted. Filled with devious reversals and razor-sharp tension, The Man in the Crooked Hat is a masterwork from "one of America's best new crime writers" (Lansing State Journal).

    But one caller's chilling obsession with her and her long-ago murdered mother - an iconic singer beloved among the city's Goth community - has even the jaded Rain running scared as a sadistic serial killer known as the Vampire prowls New Orleans.FBI agent Trevor Rivette is convinced her midnight caller and the killer are one and the same. As it becomes disturbingly clear that the Vampire has a sick bloodlust only Rain can satisfy, she allows Trevor to get closer and closer. But he soon discovers that his secretive past and troubled present are intertwined - and that he may die trying to keep Rain's fate out of a madman's control.

    By morning she’s gone, and the one clue she left behind sends Connor on a desperate mission to unravel a decade-old mystery—her abduction.Presumed dead for the last ten years, Claire Fletcher has been living her life as “Lynn,” a woman in the terrifying grip of her captor. After her unforgettable night with Connor, Claire clings to the hope that she’ll see him again, that he’ll follow her into the dark. But anyone who gets close to Claire has a way of turning up dead…and she’s unwittingly made Connor next on the list.Before long, it becomes disturbingly clear: finding Claire Fletcher isn’t just going to be dangerous—it could be deadly.Revised edition: This edition of Finding Claire Fletcher includes editorial revisions.>

    Tannie Maria writes recipes for a column in her local paper, the Klein Karoo Gazette. One Sunday morning, as Maria savours the breeze through the kitchen window whilst making apricot jam, she hears the screech and bump that announces the arrival of her good friend and editor Harriet. What Maria doesn't realise is that Harriet is about to deliver the first ingredient in two new recipes (recipes for love and murder) and a whole basketful of challenges. A delicious blend of intrigue, milk tart and friendship, join Tannie Maria in her first investigation. Consider your appetite whetted for a whole new series of mysteries . . .

    The newborn is swaddled in an Amish crib quilt, and the only other item found with the child is a hand-carved wood rattle, which Kate also recognizes as Amish. The little girl seems healthy and whole; but who would abandon her and why? Though the quilt and rattle could be purchased, Kate suspects the mother is Amish, possibly young and unmarried, both of which would be powerful motives for such a desperate act. With the rattle and the baby quilt as the only clues, Kate must call upon her own Amish roots, and with the help of state agent John Tomasetti, search the Amish and "English" communities of Painters Mill for clues to unravel the poignant, puzzling mystery.

    His boss arranges for him to hitch a ride with the corporate attorney Emily Richards, who is in Russia as a mediator.Emily Richards wants only to return home then on to a peaceful vacation with her best friend. When armed men invade her hotel room minutes after Mac arrives, Emily is forced to depend on Mac to stay alive. Anger that Mac has entangled her in a life or death struggle quickly turns to fear when the men pursuing them call her by name.Together Mac and Emily engage in a tumultuous ride to escape with their lives and capture a crazed bomber and a vindictive drug lord. More difficult is tearing down their own emotional walls. Can they succeed and admit love is the most precious thing in life?

    Now the first is free. It was inescapably chilling, as if the murderer was methodically working his way down a page torn from the phone book. The three victims brutally killed in their own homes had one thing in common: they were all listed as M. Douglas. The fact that Mara Douglas is next on the list has her jumping at shadows, until FBI agent Aidan Shields shows up to make sure she doesn't become the fourth victim.Aidan has been out of commission since an undercover operation went bad more than a year ago. Back on the job, his razor-sharp instincts are returning. But it will take all of Aidan's wits to stay one step ahead of the elusive killer who has engaged him in a deadly game--a game in which Mara's life is the prize. A game only one can win ...

     A talented painter in her early thirties, Paris Sweeney has achieved enviable success: her work sells at an exclusive New York City gallery, and her popularity is at an all-time high. Life is good, and Sweeney, as she prefers to be called, is content. But lately, Sweeney's dreams -- lush, vivid, and drenched in vibrant hues -- seem to echo a growing restlessness that has taken hold of her. Suddenly, impulsively, Sweeney falls into a night of intense passion with millionaire Richard Worth. Now, the true dangers of her all-consuming urges are about to be revealed where Sweeney least expects it: in her paintings. After a creative frenzy she can barely recall, Sweeney discovers she has rendered a disturbing image -- a graphic murder scene. Against her better instincts, she returns to the canvas time and again, filling out each chilling detail piece by piece. But when a shattering, real-life murder mirrors her creation, Sweeney falls under suspicion. With every stroke of her brush, she risks incriminating herself with her inexplicable knowledge of a deadly crime. And every desire -- including her hunger for Richard -- is loaded with uncertainty as Sweeney races to unmask a killer.

    At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.

    . .The brutal murders of three young boys paralyze the citizens of Platte City, Nebraska. What's worse is the grim realization that the man recently executed for the crimes was a copycat. When Sheriff Nick Morrelli is called to the scene of another grisly murder, it becomes clear that the real predator is still at large, waiting to kill again.Morreli understands the urgency of the case terrorizing his community, but it's the experienced eye of FBI criminal profiler Maggie O'Dell that pinpoints the true nature of the evil behind the killings -- a revelation made all the more horrific when Morrelli's own nephew goes missing.Maggie understands something else: the killer is enjoying himself, relishing his ability to stay one step ahead of her, making this case more personal by the hour. Because out there, watching, is a killer with a heart of pure and perfect evil.

    She is the spitting image of his college girlfriend, Marissa Minor, who died in a campus house fire twenty years earlier. But when Nick tries to speak to her, she acts skittish and rushes off.The next morning the police arrive at Nick’s house and show him a photo of the woman from the store. She’s been found dead, murdered in a local motel, with Nick’s name and address on a piece of paper in her pocket.Convinced there's a connection between the two women, Nick enlists the help of his college friend Laurel Davidson to investigate the events leading up to the night of Marissa’s death. But the young woman’s murder is only the beginning...and the truths Nick uncovers may make him wish he never doubted the lies.