Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. So when she has an intense connection to a beautiful silver chatelaine she has to know more.It’s while she’s examining the chatelaine that she’s transported back to the seventeenth century. And shortly after, she's confronted by a ghost who reveals that this is where the antique has its origins. The ghost tasks Xanthe with putting right the injustice in its story to save an innocent girl’s life, or else it’ll cost her Flora’s.While Xanthe fights to save her amid the turbulent days of 1605, she meets architect Samuel Appleby. He may be the person who can help her succeed. He may also be the reason she can’t bring herself to leave.With its rich historical detail, strong mother-daughter relationship, and picturesque English village, The Little Shop of Found Things is poised to be a strong start to this new series.

    And now that she’s at last become its owner, she suspects that she was drawn there for a reason.As if Greywethers were a portal between worlds, she finds herself transported into seventeenth-century England, becoming Mariana, a young woman struggling against danger and treachery, and battling a forbidden love.Each time Julia travels back, she becomes more enthralled with the past...until she realizes Mariana’s life is threatening to eclipse her own, and she must find a way to lay the past to rest or lose the chance for happiness in her own time.

    As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting. William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago. As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.

    When her mother — a witch — botches a curse on Marchant, she unwittingly binds Juliet to the artist through time, damning her to re-live her affair and die tragically young lifetime after lifetime as the star-crossed lovers reincarnate through history.Luke Varner, the worldly demon tasked with maintaining this badly crafted curse, has been helplessly in love with his charge, in all her reincarnations, since 19th century France. He’s in love with Nora, a silver screen starlet in 1930s Hollywood. He’s in love with Sandra, a struggling musician in 1970s Los Angeles. And he’s in love with Helen, a magazine exec in present-day DC who has the power to “suggest” others do her bidding.In this life, Helen starts to recall the curse and her tragic previous lives. But this time, she might have the power to break the cycle…A Witch in Time is perfect for fans of A Secret History of Witches, Outlander, and The Time Traveler’s Wife.

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    The Guild, a secretive fraternity of time travellers, informs him that there is no return. But Nick yearns for the beautiful Julia Percy, who remains in 1815. As fate and the fraying fabric of time draw Nick and Julia together once again, the lovers must match wits and gamble their hearts against the rules of time itself.  Rich in romance and historical detail, Bee Ridgway’s debut is a thrilling, fast-paced narrative evocative of Deborah Harkness’s time-bending bestsellers.

    It has three narratives, each as unlikely as the next. And the narratives can be read one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl. Next is a noir romance about an exiled man, modeled on Walter Benjamin, whose recurring nightmares are cured when he falls in love with a storyteller who draws him into a dangerous intrigue of rare manuscripts, police corruption, and literary societies. Finally, there are the fantastical memoirs of a woman-turned-monarch whose singular life has spanned seven generations. With each new chapter, the stunning connections between these seemingly disparate people grow clearer and more extraordinary. Crossings is an unforgettable adventure full of love, longing and empathy.

    A team of scientists at the cutting edge of memory research. A miracle drug that unlocks an ancient mystery.Bryan Pierce is an internationally famous artist whose paintings have dazzled the world. But there's a secret to his success: Every canvas is inspired by an unusually vivid dream. When Bryan awakes, he possesses extraordinary new skills...like the ability to speak obscure languages and an inexplicable genius for chess. All his life, he has wondered if his dreams are recollections, if he is re-experiencing other people's lives.Linz Jacobs is a brilliant neurogeneticist, absorbed in decoding the genes that help the brain make memories, until she is confronted with an exact rendering of a recurring nightmare at one of Bryan's shows. She tracks down the elusive artist, and their meeting triggers Bryan's most powerful dream yet: visions of a team of scientists who, on the verge of discovering a cure for Alzheimer's, died in a lab explosion decades ago.As Bryan becomes obsessed with the mysterious circumstances surrounding the scientists' deaths, his dreams begin to reveal what happened at the lab, as well as a deeper mystery that may lead all the way to ancient Egypt. Together, Bryan and Linz start to discern a pattern. But a deadly enemy watches their every move, and he will stop at nothing to ensure that the past stays buried.

    So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

    Intrigue, ancient secrets, fairy tales, and the glorious scenery of the Scottish borders drive the story of a woman who must find out who she really is.Jesse Marley calls herself a realist; she’s all about the here and now. But in the month before Charles and Diana’s wedding in 1981 all her certainties are blown aside by events she cannot control. First she finds out she’s adopted. Then she’s run down by a motor bike. In a London hospital, unable to speak, she must use her left hand to write. But Jesse’s right-handed. And as if her fingers have a will of their own, she begins to draw places she’s never been, people from another time—a castle, a man in armor. And a woman’s face.Rory Brandon, Jesse’s neurologist, is intrigued. Maybe his patient’s head trauma has brought out latent abilities. But wait. He knows the castle. He’s been there.So begins an extraordinary journey across borders and beyond time, a chase that takes Jesse to Hundredfield, a Scottish stronghold built a thousand years ago by a brutal Norman warlord. What’s more, Jesse Marley holds the key to the castle’s secret and its sacred history. And Hundredfield, with its grim Keep, will help Jesse find her true lineage. But what does the legend of the Lady of the Forest have to do with her? That’s the question at the heart of Wild Wood. There are no accidents. There is only fate.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading armies gather outside the city walls of Carcassonne, it will take a tremendous sacrifice to keep the secret of the labyrinth safe.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    Even more peculiar is Elsbeth, the truculent schoolmarm who sends Annie letters through the mysterious brass mailbox perched on the picket fence that now divides their two worlds.Annie and Elsbeth’s search for an explanation to the hiccup in the universe linking their homes leads to an unsettling discovery—and potential disaster for both of them. Together they must solve the mystery of what connects them before one of them is convicted of a murder that has yet to happen…and yet somehow already did.

    The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his arms is the lifeless body of a small child. Hours later, the girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can science provide an explanation? These questions have many answers, some of them quite dark indeed.Those who dwell on the river bank apply all their ingenuity to solving the puzzle of the girl who died and lived again, yet as the days pass the mystery only deepens. The child herself is mute and unable to answer the essential questions: Who is she? Where did she come from? And to whom does she belong? But answers proliferate nonetheless.Three families are keen to claim her. A wealthy young mother knows the girl is her kidnapped daughter, missing for two years. A farming family reeling from the discovery of their son’s secret liaison, stand ready to welcome their granddaughter. The parson’s housekeeper, humble and isolated, sees in the child the image of her younger sister. But the return of a lost child is not without complications and no matter how heartbreaking the past losses, no matter how precious the child herself, this girl cannot be everyone’s. Each family has mysteries of its own, and many secrets must be revealed before the girl’s identity can be known.Once Upon a River is a glorious tapestry of a book that combines folklore and science, magic and myth. Suspenseful, romantic, and richly atmospheric, the beginning of this novel will sweep you away on a powerful current of storytelling, transporting you through worlds both real and imagined, to the triumphant conclusion whose depths will continue to give up their treasures long after the last page is turned.