After a mysterious stranger visits them, Mo tells Meggie they must go into hiding. But why? - and from whom?

    Read the short story, assemble the 1,000-piece puzzle, and discover the hidden clues. Then solve the mystery by putting together the pieces in the story and in the puzzle. Slick, book-like packaging and high quality artwork make these puzzles a standout. Beware: the 1,000-piece puzzle is different from the cover!

    It's a celebration of the world's greatest super hero as some of Marvel's most talented creators spin tales of the original Spider-Man: Peter Parker! With a blizzard crippling New York City, Spider-Man must protect the city - but Aunt May's life is in danger! What is the Black Lodge? And how has Spider-Man been trapped there, surrounded by his deadliest foes? Spider-Man teams up with his old flame the Black Cat to bust an international art thievery ring! A young boy learns that he can't rely on super heroes like Spider-Man to stand up against bullies! Spidey and the Human Torch must stop an apocalyptic future by fighting - the Fantastic Four?! Finally, it's a touching tale as a young child risks his life to save Spider-Man's! COLLECTING: Amazing Spider-Man 700.1-700.5

    For the first time in 25 years, the cast and crew of all five films in this franchise reveal the stories behind the movies, offering their own opinions and details about life on the sets of some of the most fraught productions in cinema history. Supported by dozens of cast and crew members, The Complete History of the Return of the Living Dead features hundreds of previously unreleased behind-the-scenes photographs and exclusive artwork. This eye-catching, comprehensive book is the ultimate celebration of The Return of the Living Dead franchise and all those who contributed to its creation.

    Who! This Mad Libs is 48 pages with 21 original stories.

    With a hit gone wrong, a bullet in his side, the cops and the mob on his tail, and a monstrous child killer in a Santa suit on the loose, Nick and his world will be changed forever this Christmas - by a tiny blue horse called Happy!

    Pack your bags and get ready to hit the road with this latest installment of family fun! You can help create car songs, spot some historical sights, even stop at a roadside diner--with a Mad Libs? twist, of course!Many have tried to imitate the world's most popular word game, but they just can't ___VERB___ the mustard! With Mad Libs? on the Road, traveling has never been so wacky!Book Details: Format: Paperback Publication Date: 6/7/1999 Pages: 48 Reading Level: Age 8 and Up

    And if those heroes can’t handle the job, who will stand against this mystical madness? Shade the Changing Man, Madame Xanadu, Deadman, Zatanna and John Constantine may be our only hope!

    Three years later with Ridley Scott at the helm, Alien was unleashed on unsuspecting filmgoers.En route to back to Earth, the crew of the starship Snark intercepts an alien transmission. Their investigation leads them to a desolate planetoid, a crashed alien spacecraft, and a pyramidic structure of unknown origin. Then the terror begins . . .Writer Cristiano Seixas and artist Guilherme Balbi have attempted to stay true to the characters, settings, and creatures described in O'Bannon's original screenplay--without replicating the famous designs of Ron Cobb, Moebius, and H.R. Giger. A new experience, but still terrifying!Collects Alien: The Original Screenplay issues #1-#5.

    Mom left years ago to join the Nova force and never came back. So it's just Anwen, her dad, her sister and her grandpa against the huge insects. That is, until she finds a mysterious stone that may or may not hold incredible cosmic power. Don't miss this incredible new series by Deadpool writer Gerry Duggan and Edge of Spider-Verse writer/artist Dustin Weaver. The series that will set the cosmic table for the Marvel Universe for years to come!

    Enjoy! I can’t wait to hear what you think of this one. ~JuliaThe Dragon Protection Agency and Federal Paranormal Units are back together, and things are hotter than ever!Big, Bald, and bad to the bone, he leaves 'em all in the dust!Tattooed, dark-eyed, and 7'2" this Dragon makes Hell's Angels look like soccer moms at the spa and turns the bad guys to ash!!!Back the hell off or pay the price. At least that was the plan...Then a severed head was delivered to a certain fiery blonde, now, all bets are off.Fate's working overtime to keep this couple safe, but it's gonna take one helluva SAVAGE to save the day!Lots of comradery, tons of cussing, serious bad guys, loads of thrills, and a WHOLE LOTTA LOVIN’. If that doesn’t sound like something you’ll like, then maybe this reads not for you.Hope you give it a chance. I had a blast writin’ it! Stay Safe! Take Care of YOU! And, Always Dare to Dream! XOXO Julia

    "Twilight," "True Blood," "Being Human," "The Vampire Diaries," "Buffy the Vampire Slayer," "Blade," "Underworld," and the novels of Anne Rice and Darren Shan--against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film "L't den r?tte komma in" (2008), known to American audiences as "Let the Right One In," is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like "Twilight," "Let the Right One In" is a love story between a human and a vampire--but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding--she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, "Let the Right One In" could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as "Nosferatu" (1979) and "Dracula" (1931). She discusses the genre's early fliration with social realism in films such as "Martin" (1977) and "Near Dark" (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.