Both a scientist and a freethinking theologian, Servetus is credited with the discovery of pulmonary circulation in the human body as well as the authorship of a polemical masterpiece that cost him his life. The Chrisitianismi Restituto, a heretical work of biblical scholarship, written in 1553, aimed to refute the orthodox Christianity that Servetus' old colleague, John Calvin, supported. After the book spread through the ranks of Protestant hierarchy, Servetus was tried and agonizingly burned at the stake, the last known copy of the Restitutio chained to his leg.Servetus's execution is significant because it marked a turning point in the quest for freedom of expression, due largely to the development of the printing press and the proliferation of books in Renaissance Europe. Three copies of the Restitutio managed to survive the burning, despite every effort on the part of his enemies to destroy them. As a result, the book became almost a surrogate for its author, going into hiding and relying on covert distribution until it could be read freely, centuries later. Out of the Flames tracks the history of this special work, examining Servetus's life and times and the politics of the first information during the sixteenth century. Lawrence and Nancy Goldstone follow the clandestine journey of the three copies through the subsequent centuries and explore its author's legacy and influence over the thinkers that shared his spirit and genius, such as Leibniz, Voltaire, Rousseau, Jefferson, Clarence Dorrow, and William Osler.Out of the Flames is an extraordinary story providing testament to the power of ideas, the enduring legacy of books, and the triumph of individual courage.

    And nowhere in literature is it so apparent as in this classic work, "The Autobiography of a Hunted Priest." This autobiography of a Jesuit priest in Elizabethan England is a most remarkable document and John Gerard, its author, a most remarkable priest in a time when to be a Catholic in England courted imprisonment and torture; to be a priest was treason by act of Parliament.Smuggled into England after his ordination and dumped on a Norfolk beach at night, Fr. Gerard disguised himself as a country gentleman and traveled about the country saying Mass, preaching and ministering to the faithful in secret always in constant danger. The houses in which he found shelter were frequently raided by priest hunters; priest-holes, hide-outs and hair-breadth escapes were part of his daily life. He was finally caught and imprisoned, and later removed to the infamous Tower of London where he was brutally tortured.The stirring account of his escape, by means of a rope thrown across the moat, is a daring and magnificent climax to a true story which, for sheer narrative power and interest, far exceeds any fiction. Here is an accurate and compelling picture of England when Catholics were denied their freedom to worship and endured vicious persecution and often martyrdom.But more than the story of a single priest, "The Autobiography of a Hunted Priest" epitomizes the constant struggle of all human beings through the ages to maintain their freedom. It is a book of courage and of conviction whose message is most timely for our age.

    "There is a whole sensible world around me that I should be able to turn to Your praise." Written between 1946 and 1947 while O'Connor was a student far from home at the University of Iowa, A Prayer Journal is a rare portal into the interior life of the great writer. Not only does it map O'Connor's singular relationship with the divine, but it shows how entwined her literary desire was with her yearning for God. "I must write down that I am to be an artist. Not in the sense of aesthetic frippery but in the sense of aesthetic craftsmanship; otherwise I will feel my loneliness continually . . . I do not want to be lonely all my life but people only make us lonelier by reminding us of God. Dear God please help me to be an artist, please let it lead to You."O'Connor could not be more plain about her literary ambition: "Please help me dear God to be a good writer and to get something else accepted," she writes. Yet she struggles with any trace of self-regard: "Don't let me ever think, dear God, that I was anything but the instrument for Your story."As W. A. Sessions, who knew O'Connor, writes in his introduction, it was no coincidence that she began writing the stories that would become her first novel, Wise Blood, during the years when she wrote these singularly imaginative Christian meditations. Including a facsimile of the entire journal in O'Connor's own hand, A Prayer Journal is the record of a brilliant young woman's coming-of-age, a cry from the heart for love, grace, and art.

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    As well as the predictable roll call of saints and martyrs, the Society can also lay claim to the thirty-five craters on the moon named for Jesuit scientists. Jesuits have been despised and idolized on a scale unknown to members of any other religious order; they have died the most horrible deaths and done the most outlandish deeds.Whether loved or loathed, the Jesuits’ dramatic and wide-ranging impact could never be ignored. By the mid-eighteenth century, they had established more than 650 educational institutions. They were also strongly committed to foreign missions, and like the secular explorers and settlers of the Age of Discovery, they traveled to the Far East, India, and the Americas to stake a claim. They were especially successful in Latin America, where they managed to put numerous villages entirely under Jesuit rule.The Jesuits’ successes both in Europe and abroad, coupled with rumors of scandal and corruption within the order, soon drew criticism from within the Church and without. Writers such as Pascal and Voltaire wrote polemics against them, and the absolute monarchs of Catholic Europe sought to destroy them. Their power was seen as so threatening that hostility escalated into serious political feuds, and at various times they were either banned or harshly suppressed throughout Europe.God’s Soldiers is a fascinating chronicle of this celebrated, mysterious, and often despised religious order. Jonathan Wright illuminates as never before their enduring contributions as well as the controversies that surrounded them. The result is an in-depth, unbiased, and utterly compelling history.

    Pius V. was originally commissioned during the Reformation period, in order to explain the Faith clearly and calmly in the face of Protestant objections. It still serves as an excellent compendium of the Church's traditional life and belief.

    But, as A. M. Allchin points out in his Introduction to this new edition, Contemplative Prayer also shows us the present day in a new perspective, because we see it in the light of a long and living tradition. Merton stresses that in meditation we should not look for a 'method' or 'system' but cultivate an 'attitude' or 'outlook': faith, openness, attention, reverence, expectation, trust, joy. God is found in the desert of surrender, in giving up any expectation of a particular message and 'waiting on the Word of God in silence'. Merton insists on the humility of faith, which he argues 'will do far more to launch us into the full current of historical reality than the pompous rationalisations of politicians who think they are somehow the directors and manipulators of history'.

    Desperate to restore the peace and recover the unity of Faith, Catholic theologians clarified and reaffirmed Catholic doctrines, but turned as well to another form of evangelization: the Arts.Convinced that to win over the unlettered, the best place to fight heresy was not in the streets but in stone and on canvas, they enlisted the century's best artists to create a glorious wave of beautiful works of sacred art Catholic works of sacred art to draw people together instead of driving them apart.How Catholic Art Saved the Faith tells the story of the creation and successes of this vibrant, visual-arts SWAT team whose war cry could have been art for Faith's sake! Over the years, it included Michelangelo, of course, and, among other great artists, the edgy Caravaggio, the graceful Guido Reni, the technically perfect Annibale Carracci, the colorful Barocci, the theatrical Bernini, and the passionate Artemisia Gentileschi. Each of these creative souls, despite their own interior struggles, was a key player in this magnificent, generations-long project: the affirmation through beauty of the teachings of the Holy Catholic Church.Here you will meet the fascinating artists who formed this cadre's core. You will revel in scores of their full-color paintings. And you will profit from the lucid explanations of their lovely creations: works that over the centuries have touched the hearts and deepened the faith of millions of pilgrims who have made their way to the Eternal City to gaze upon them.Join those pilgrims now in an encounter with the magnificent artworks of the Catholic Restoration artworks which from their conception were intended to delight, teach, and inspire. As they have done for the faith of so many, so will they do for you.

    Peter Marshall’s sweeping new history—the first major overview for general readers in a generation—argues that sixteenth-century England was a society neither desperate for nor allergic to change, but one open to ideas of “reform” in various competing guises. King Henry VIII wanted an orderly, uniform Reformation, but his actions opened a Pandora’s Box from which pluralism and diversity flowed and rooted themselves in English life. With sensitivity to individual experience as well as masterfully synthesizing historical and institutional developments, Marshall frames the perceptions and actions of people great and small, from monarchs and bishops to ordinary families and ecclesiastics, against a backdrop of profound change that altered the meanings of “religion” itself. This engaging history reveals what was really at stake in the overthrow of Catholic culture and the reshaping of the English

    The conventional wisdom is that the West first experienced religious decline, followed by the decline of the family. Eberstadt turns this standard account on its head. Marshalling an impressive array of research, from fascinating historical data on family decline in pre-Revolutionary France to contemporary popular culture both in the United States and Europe, Eberstadt shows that the reverse has also been true: the undermining of the family has further undermined Christianity itself. Drawing on sociology, history, demography, theology, literature, and many other sources, Eberstadt shows that family decline and religious decline have gone hand in hand in the Western world in a way that has not been understood before—that they are, as she puts it in a striking new image summarizing the book’s thesis, “the double helix of society, each dependent on the strength of the other for successful reproduction.”In sobering final chapters, Eberstadt then lays out the enormous ramifications of the mutual demise of family and faith in the West. While it is fashionable in some circles to applaud the decline both of religion and the nuclear family, there are, as Eberstadt reveals, enormous social, economic, civic, and other costs attendant on both declines. Her conclusion considers this tantalizing question: whether the economic and demographic crisis now roiling Europe and spreading to America will have the inadvertent result of reviving the family as the most viable alternative to the failed welfare state—fallout that could also lay the groundwork for a religious revival as well.How the West Really Lost God is both a startlingly original account of how secularization happens and a sweeping brief about why everyone should care. A book written for agnostics as well as believers, atheists as well as “none of the above,” it will permanently change the way every reader understands the two institutions that have hitherto undergirded Western civilization as we know it—family and faith—and the real nature of the relationship between those two pillars of history.

    But too often he is viewed as an Americanized shepherd boy on a Sunday school felt board or a New Testament saint alongside the Virgin Mary. Not only does this neglect one of the Bible’s most complex stories of sin and redemption; it also bypasses the gritty life lessons inherent in the amazing true story of David.  Mark Rutland shreds the felt-board character, breaks down the sculpted marble statue, and unearths the real David of the Bible. Both noble and wretched, neither a saint nor a monster, at times victorious and other times a failure, David was through it all a man after God’s own heart.

    She died in that city in 1510.Her fame outside her native city is connected with the publication in 1551 of the book known in English as the Life and Doctrine of Saint Catherine of Genoa.[3]She and her teaching were the subject of Baron Friedrich von Hügel's classic work The Mystical Element of Religion (1908).

    And that's just in ordinary matter, which makes up only 4.9% of the universe, the rest being dark matter and dark energy.Each of my reasons is an independent point, so I have not organized this book by a succession of chapters or headings. After all, most readers only remember a few big ideas or separate points after reading a book. (I've never heard anyone say "Oh, that was a good continuous-process-of-logically-ordered-argumentation" but I've often heard people say, "Oh, that was a good point."Which takes me back to my main point: "Why are you a Catholic" is a good question.A good question deserves a good answer.Here are forty of mine.

    When Jacquest Fournier, Bishop of Pamiers, launched an elaborate Inquisition to stamp them out, the peasants & shepherds he interrogated revealed, along with their position on official Catholicism, many details of their everyday life. Basing his absorbing study on these vivid, carefully recorded statements of peasants who lived more than 600 years ago--Pierre Clergue, the powerful village priest & shameless womanizer is even heard explaining his techniques of seduction--eminent historian Le Roy Ladurie reconstructs the economy & social structure of the community & probes the most intimate aspects of medieval life: love & marriage, gestures & emotions, conversations & gossip, clans & factions, crime & violence, concepts of time & space, attitudes to the past, animals, magic & folklore, death & beliefs about the other world.

    Confronted with a hostile colonial government and Native Americans wary of conversion, the newly-appointed bishop-elect of Mexico wrote to tell the King of Spain that, unless there was a miracle, the continent would be lost. Between December 9 and December 12, 1531, that miracle happened, and it forever changed the future of the continent.It was then that the Virgin Mary famously appeared to a Native American Christian convert on a hilltop outside of what is now Mexico City. The image she left imprinted on his cloak or tilma has puzzled scientists for centuries, and yet Our Lady of Gudalupe’s place in history is profound. A continent that just months before the apparitions seemed completely lost to Christianity suddenly and inexplicably embraced it by the millions. Our Lady of Guadalupe's message of love replaced the institutionalized violence of the Aztec culture, and built a bridge between two worlds — the old and the new — that were just ten years earlier engaged in brutal warfare.Today, Our Lady of Guadalupe continues to inspire the devotion of millions.From Canada to Argentina — and even beyond the Americas — one finds great devotion to her, and great appreciation for her message of love, unity and hope. Today reproductions of the Virgin’s miraculous image can be seen throughout North and South America, in churches and homes, on billboards and even clothing apparel. Her shrine in Mexico City, where the miraculous image is housed to this day, is one of the most visited in the world.In Our Lady of Guadalupe: Mother of the Civilization of Love, Anderson & Chavez trace the history of Our Lady of Guadalupe from the sixteenth century to the present discuss of how her message was and continues to be an important catalyst for religious and cultural transformation. Looking at Our Lady of Guadalupe as a model of the Church and Juan Diego as a model for all Christians who seek to answer Christ's call of conversion and witness, the authors explore the changing face of the Catholic Church in North, Central, and South America, and they show how Our Lady of Guadalupe's message was not only historically significant, but how it speaks to contemporary issues confronting the American continents and people today.