Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden.Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer.Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.

    But the body that's lying in the ancient subterranean Temple of Mithra—the murdered corpse of a repulsive and disliked fellow student—isn't her idea of heavenly. Now she is truly frightened, not just because small "accidents" seem to be occurring around her with disturbing regularity. It's the ever-increasing certainty that someone, for some unknown reason, is ruthlessly determined to do her harm. Jean's innocent underground excursion into a sacred pagan place has trapped her in something dark and terrifying, and even the knowledge that practical, perceptive fellow American Jacqueline Kirby is on the case won't ease her fears. Because there's only so far Jean Suttman can run . . . and no escape for her except death.

    . .The last place Lana Lee thought she would ever end up is back at her family’s restaurant. But after a brutal break-up and a dramatic workplace walk-out, she figures that a return to the Cleveland area to help wait tables is her best option for putting her life back together. Even if that means having to put up with her mother, who is dead-set on finding her a husband.Lana’s love life soon becomes yesterday’s news once the restaurant’s property manager, Mr. Feng, turns up dead―after a delivery of shrimp dumplings from Ho-Lee. But how could this have happened when everyone on staff knew about Mr. Feng’s severe, life-threatening shellfish allergy? Now, with the whole restaurant under suspicion for murder and the local media in a feeding frenzy―to say nothing of the gorgeous police detective who keeps turning up for take-out―it’s up to Lana to find out who is behind Feng’s killer order. . . before her own number is up.

    . .On the eve of the heated presidential election of 1892, Miss Hattie Davish arrives in Eureka Springs, Arkansas, a scenic resort town where those without the scent of whiskey on their breath have the plight of temperance on their tongues. Summoned for her services as a private secretary, Hattie is looking forward to exploring the hills, indulging her penchant for botany--and getting to know the town's handsome doctor. But it's hard to get her job done with her employer nowhere to be found. . .An army of unassuming women wielding hatchets have descended on the quiet Ozark village, destroying every saloon in their path--and leaving more than a few enemies in their wake. So when their beloved leader, Mother Trevelyan, is murdered, it's easy to point fingers. Now that she's working for a dead woman, Hattie turns to her trusty typewriter to get to the truth. And as she follows a trail of cryptic death threats, she'll come face to face with a killer far more dangerous than the Demon Rum. . ."A wonderful read from a welcome addition to the genre. This one shouldn't be missed--it has it all!" --Emily Brightwell

    Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard.Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell.Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to detect. A debaucher in life and an annoyance in death, Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself.Enter Inspector Devenand Hunter from the Yard, an Anglo-Indian who is not going to let some barmy society beauty witnessed talking to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it—or go as mad as its mistress trying.The Lady Adelaide Mysteries:Nobody's Sweetheart Now (Book 1)Who's Sorry Now? (Book 2)Just Make Believe (Book 3)

    At the urging of her best friend, bestselling author Ami Pederson, Eden decides to embark on an open-ended trip to the picturesque village of Glenkillen in the Scottish Highlands, to do some hands-on research for a book of her own. But almost as soon as Eden arrives in the quaint town, she gets caught up in a very real drama… The town’s sheep shearer is found murdered—clipped with his own shears—and the locals suspect Vicki MacBride, an outsider whose father’s recent death left her the surprise heir to his lucrative sheep farm. Eden refuses to believe the affable heiress is a murderer, but can she prove that someone is out to frame her new friend before she finds herself on the receiving end of more shear terror?

    For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to launch her own new private press. But as a woman, Julia must fight for what’s hers—including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.When her friend’s sister, Naomi Rankin, dies suddenly of an apparent suicide, Julia is shocked at the wealthy family’s indifference toward the ardent suffragist’s death. Naomi chose poverty and hardship over a submissive marriage and a husband’s control of her money. Now, her death suggests the struggle was more than she could bear.Julia, however, is skeptical. Doubtful of her suspicions, Philip proposes a glib wager: if Julia can prove Naomi was in fact murdered, he’ll drop his claims to her wealth. Julia soon discovers Naomi’s life was as turbulent and enigmatic as her death. And as she gets closer to the truth, Julia sees there’s much more at stake than her inheritance…

    There she will become nursery maid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy - an acerbic, bright young woman in love with stories.But then a nurse - Florence Nightingale Shore, goddaughter of her famous namesake - is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret . . .'A glorious indulgence. Dazzling' - Daisy Goodwin'Inventive, glittering, clever, ingenious' - Susan Hill'Fascinating, I loved it' - Julian Fellowes'An enthralling mystery' - Juliet Nicolson'Audacious, breathtaking' - Alex Gray

    The war may be waning, but the city known as La Serenissima is still occupied and the people of Italy fear the power of the Third Reich. One night, under a canopy of stars, a fisherman named Cenzo comes across a young woman’s body floating in the lagoon and soon discovers that she is still alive and in trouble.Born to a wealthy Jewish family, Giulia is on the run from the SS. Cenzo chooses to protect Giulia rather than hand her over to the Nazis. This act of kindness leads them into the world of Partisans, random executions, the arts of forgery and high explosives, Mussolini’s broken promises, the black market and gold, and, everywhere, the enigmatic maze of the Venice Lagoon.

    But she's been so busy at work, winning over the sewing circle, and trying to forget her cheating ex that she hasn't even had time to baste together a pillow, let alone mind local gossip. Then she finds the hometown sweetheart dead at her back door... Everyone believes the police investigator, who's just fixin' to link Tori to the murder in a love triangle gone bad. To clear her name, Tori will have to rely on her new sewing sisters and stitch together the truth- or be darned.

    According to her friends, Lucy Lancaster, Austin, Texas genealogist, has never been drunk. Tipsy, sure, but drunk? No way. So when she arrives back at her office from a three-martini lunch a few sheets to the wind, it's a notable occasion. Even more momentous is what her client, Austin billionaire Gus Halloran, has announced on live television with a blotto Lucy standing at his side: Texas senator Caleb Applewhite might be responsible for the murder of Seth Halloran.Of course, Lucy is a genealogist, so the murder in question took place back in 1849. And it's possible that another nineteenth-century Texas politician may, in fact, have murdered Gus's great-great-grandfather instead. Lucy is determined to prove beyond a shadow of a doubt who the guilty man is, but when her curiosity lands her at the scene of another murder—this time, in the present-day—she realizes that the branches of some family trees shouldn't be shaken, for they're more twisted and dangerous than she ever thought possible.

    At the center is the educated and beautiful Abigail Adams-wife of John Adams, a leader of the Sons of Liberty, the secret organization opposing the Crown. When her husband is accused of murder, she will clear his name.

    She’s thirty-five years old and owns her own home in one of Cleveland’s most diverse, artsy, and interesting neighborhoods. She has a job she likes as an administrative assistant at an all-girls school, and a volunteer interest she’s passionate about—Jazz is a cadaver dog handler.Jazz is working with Luther, a cadaver dog in training. Luther is still learning cadaver work, so Jazz is putting him through his paces at an abandoned building that will soon be turned into pricey condos. When Luther signals a find, Jazz is stunned to see the body of a young woman who is dressed in black and wearing the kind of make-up and jewelry that Jazz used to see on the Goth kids back in high school.She’s even more shocked when she realizes that beneath the tattoos and the piercings and all that pale make up is a familiar face.The lead detective on the case is an old lover, and the murdered woman is an old student. Jazz finds herself sucked into the case, obsessed with learning the truth.

    Natalie is headstrong, manipulative—and beautiful; Alice is a dreamer who loves books and birds. During their family’s summer holiday at the lake, Alice falls under the thrall of a struggling young painter, Thomas Bayber, in whom she finds a kindred spirit. Natalie, however, remains strangely unmoved, sitting for a family portrait with surprising indifference. But by the end of the summer, three lives are shattered.Decades later, Bayber, now a reclusive, world-renowned artist, unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Natalie, and Alice. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting for him. That task becomes more complicated when the artist requires that they first locate Natalie and Alice, who seem to have vanished. And Finch finds himself wondering why Thomas is suddenly so intent on resurrecting the past.In The Gravity of Birds histories and memories refuse to stay buried; in the end only the excavation of the past will enable its survivors to love again.

    Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer. On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic message, “Remember the Devil,” and gives her a priceless—and supposedly cursed—copy of Goethe’s Faust for safe-keeping. Brooklyn suddenly finds herself accused of murder and theft, thanks to Derek Stone, the humorless—and annoyingly attractive—British security officer who found her kneeling over the body. Now she has to read the clues left behind by her mentor if she is going to restore justice…