Down in her small Virginia hometown, she's maid of honor at the nuptials of three loved ones--each of whom has dumped the planning in her capable hands. One bride is set on including a Native American herbal purification ceremony, while another wants live peacocks on the lawn. Only help from the town's drop-dead gorgeous hunk, disappointingly rumored to be gay, keeps Meg afloat in a sea of dotty relatives and outrageous neighbors.And, in whirl of summer parties and picnics, Southern hospitality is strained to the limit by an offensive newcomer who hints at skeletons in the guests' closets. But it seems this lady has offended one too many when she's found dead in suspicious circumstances, followed by a string of accidents--some fatal. Soon, level-headed Meg's to-do list extends from flower arrangements and bridal registries to catching a killer--before the next catered event is her own funeral...

    1943: Tucked away in the idyllic hills south of Florence, the Rosatis, an Italian family of noble lineage, believe that the walls of their ancient villa will keep them safe from the war raging across Europe. Eighteen-year-old Cristina spends her days swimming in the pool, playing with her young niece and nephew, and wandering aimlessly amid the estate’s gardens and olive groves. But when two soldiers, a German and an Italian, arrive at the villa asking to see an ancient Etruscan burial site, the Rosatis’ bucolic tranquility is shattered. A young German lieutenant begins to court Cristina, the Nazis descend upon the estate demanding hospitality, and what was once their sanctuary becomes their prison. 1955: Serafina Bettini, an investigator with the Florence police department, has her own demons. A beautiful woman, Serafina carefully hides her scars along with her haunting memories of the war. But when she is assigned to a gruesome new case—a serial killer targeting the Rosatis, murdering the remnants of the family one-by-one in cold blood—Serafina finds herself digging into a past that involves both the victims and her own tragic history. Set against an exquisitely rendered Italian countryside, The Light in the Ruins unveils a breathtaking story of moral paradox, human frailty, and the mysterious ways of the heart.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    So, when she commits murder in self-defense, she flees her cherished Ireland, under cover of a false identity, for the anonymous shores of late nineteenth-century America. When she arrives in New York and sees the welcoming promise of freedom in the Statue of Liberty, Molly begins to breathe easier. But when a man is murdered on Ellis Island, a man Molly was seen arguing with, she becomes a prime suspect in the crime.If she can't clear her name, Molly will be sent back to Ireland where the gallows await, so using her Irish charm and sharp wit, she escapes Ellis Island and sets out to find the wily killer on her own. Pounding the notorious streets of Hell's Kitchen and the Lower East Side, Molly undertakes a desperate mission to clear her name before her deadly past comes back to haunt her new future.

    Instead, the three strike up an unlikely friendship.Then Kate finds George's dead body. The police dismiss it as a drug-related street crime, but Kate knows he was no drug dealer. Now she must solve George's murder and find someone willing to adopt his intimidating companion before Bella is sent to the big dog park in the sky. With the murderer on her trail, Kate has to work fast or her next Corpse Pose may be for real.

    Pretty, vivacious Cece Caruso turned to a life of crime after her divorce. But she’s neither breaking and entering nor running cons. Instead, she’s writing biographies of famous crime novelists, and now it’s Erle Stanley Gardner’s turn under Cece’s magnifying glass.While the creator of Perry Mason had an exciting life, including his own share of courtroom dramatics as a lawyer, it was his Court of Last Resort that fascinated Cece. The Court of Last Resort was a place where those wrongly convicted could petition Gardner to find enough evidence to reopen their cases. Cece was researching the Court in the hope it would give her enough material to propel her through her unfinished chapters. In a last-ditch effort to procrastinate—while pretending to work—she goes to visit an elderly prison inmate whose desperate appeal she finds misfiled and unexplored among the otherwise meticulously organized files of the Erle Stanley Gardner Archives.From there, it’s a surprisingly short step to working the long-neglected case, just to get a feel for what Gardner did so often. That’s the first step down a slippery slope that soon pulls Cece into a case closed 40 years ago, when a man was sent to jail for killing his wife. And that cold case suddenly turns hot when the murdered woman’s sister is knifed to death shortly after Cece interviews her. Inspired by the thought of Perry Mason at her side in her quest for justice, ex beauty queen Cece straightens her stocking seams (she’s a vintage clothing buff) and sets out to untangle mysteries, solve two murders, and finish her manuscript on time.——“L.A. Times art critic Susan Kandel is sure to delight readers with her innovative fictional exploration of a fascinating facet of the history of crime fiction.” Sue Stone

    When her husband died two years ago, her pleas for further investigation into his suspicious death fell on deaf ears. In desperate need of a fresh start, Kaine purchases an old house sight unseen in her grandfather's Wisconsin hometown. But one look at the eerie, abandoned house immediately leaves her questioning her rash decision. And when the house's dark history comes back with a vengeance, Kaine is forced to face the terrifying realization she has nowhere left to hide. A century earlier, the house on Foster Hill holds nothing but painful memories for Ivy Thorpe. When an unidentified woman is found dead on the property, Ivy is compelled to discover her identity. Ivy's search leads her into dangerous waters and, even as she works together with a man from her past, can she unravel the mystery before any other lives—including her own—are lost?

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    Unfortunately, it’s not enough to prevent her being bludgeoned to death one night in the study of Merisham Lodge, the family’s country estate in Derbyshire. Suspicion quickly falls on her ne’er-do-well son, Peter, but not everyone in the household is convinced of his guilt. Head kitchen maid Joan Hart and lady’s maid, Verity Hunter, know that when it comes to a crime, all is not always as it seems. With suspicions and motives thick on the ground, Joan and Verity must use all the wit and courage they possess to expose a deadly murderer who will stop at nothing to achieve their aim… Murder at Merisham Lodge is the first in a new series of historical mysteries, Miss Hart and Miss Hunter Investigate, set in the 1930s. The author, Celina Grace, is the creator of the bestselling The Kate Redman Mysteries and The Asharton Manor Mysteries, as well as several standalone thrillers.

    This October she's returned to her hometown--where her beloved Aunt Ibby still lives--to interview for a job as a reporter at WICH-TV. But the only opening is for a call-in psychic to host the late night horror movies. It seems the previous host, Ariel Constellation, never saw her own murder coming. Lee reluctantly takes the job, but when she starts seeing real events in the obsidian ball she's using as a prop, she wonders if she might really have psychic abilities. To make things even spookier, it's starting to look like Ariel may have been an actual practicing witch--especially when O'Ryan, the cat Lee and Aunt Ibby inherited from her, exhibits some strange powers of his own. With Halloween fast approaching, Lee must focus on unmasking a killer--or her career as a psychic may be very short lived. . .

    No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation--and the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and the surrounding National Wildlife Refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes. A big valuable chunk of the past would save her home forever.But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its bony cheek. Faye is torn. If she reports the forty-year-old murder, she'll reveal her illegal livelihood, thus risking jail and the loss of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history , unaware that the past is rushing up on her like a hurricane across deceptively calm Gulf waters. Because the killer is still close at hand, ready to kill again to keep his secrets dead and buried.

    Now, years later, her uncle Oliver Beckett thinks he's found her: a young actress in a vaudeville playhouse is a dead ringer for his missing niece. But when Oliver confronts the girl, he learns he's wrong. Orphaned young, Leah's been acting since she was a toddler.Oliver, never one to miss an opportunity, makes a proposition—with his coaching, Leah can impersonate Jessie, claim the fortune, and split it with him. The role of a lifetime, he says. A one-way ticket to Sing Sing, she hears. But when she's let go from her job, Oliver's offer looks a lot more appealing. Leah agrees to the con, but secretly promises herself to try and find out what happened to the real Jessie. There's only one problem: Leah's act won't fool the one person who knows the truth about Jessie's disappearance.Set against a Prohibition-era backdrop of speakeasies and vaudeville houses, Mary Miley's Minotaur Books/Mystery Writers of America First Crime Novel Competition winner The Impersonator will delight readers with its elaborate mystery and lively prose.

    Yet Nell is determined to elude the duties and restrictions of matrimony. So when she finds herself pregnant at the age of 17, she refuses to divulge the name of the father and even her childhood friend Martin is kept in the dark.Nell's stepfather Hiram sends Nell to live at the Poor Farm of which he is a governor, to await the day when her baby can be discreetly adopted. Nell is ready to go along with Hiram's plans until an unused padded cell is opened and two small bodies fall out.Nell is the only resident of the Poor Farm who is convinced that the unwed mother and her baby were murdered, and the incident prompts her to rethink her decision to abandon her own child to her fate. But the revelations to which her questions lead make her realize that even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

    She doesn't know much about what she's gotten herself into, other than that the work sounds exciting, and that her new boss, Edwin MacAlister, has given her the opportunity of a lifetime. Edwin has promised that she'll be working with "a desk that has seen the likes of kings and queens, paupers and princes," and Delaney can't wait to get started.When she arrives, she meets her new Scottish family; also working at the Cracked Spine are Rosie, perpetually wrapped in scarves, and who always has tiny dog Hector in tow; Hamlet, a nineteen-year-old thespian with a colored past and bright future; and Edwin, who is just as enigmatic and mysterious as Delaney expected. An unexpected bonus is Tom the bartender from across the street, with his piercing eyes, and a rolling brogue -- and it doesn't hurt that he looks awfully good in a kilt.But before she can settle into her new life, a precious artifact -- a previously undiscovered First Folio of Shakespeare's plays -- goes missing, and Edwin's sister is murdered, seemingly in connection to the missing folio. Delaney decides to do some sleuthing of her own, to find out just what the real story is behind the priceless folio, and how it's connected to the tragic death, all without getting harmed herself.