edition. British publication by Hart-Davis, McGibbon Ltd ('76).-- A companion to The Best of Myles, Further Cuttings culls more scathing selections from "Cruiskeen Lawn", Flann O'Brien's column in the Irish Times written under the pseudonym Myles na Gopaleen.-- This volume covers the years 1947-1957 and finds O'Brien's alter ego clashing with the law on numerous charges, including larceny, using bad language, and marrying without the consent of his parents. It also includes several bizarre obituaries, witty criticisms of George Bernard Shaw, Sean O' Faolain, and other literary figures, the return of the preposterous "Brother", and the first article ever ascribed to Myles (published in 1940).

    A novel of family, love, and learning to be kind to yourself by award-winning, bestselling Irish author, Aimee Alexander. Grace Sullivan flees Dublin with her two teenage children, Jack and Holly, returning to the sleepy West Cork village where she grew up. No one in Killrowan knows what Grace is running from - or that she's even running. She'd like to keep it that way. Taking over from her father, Des, as the village doctor offers a real chance for Grace to begin again. But will she and the family adapt to life in a small rural community? Will the villagers accept an outsider as their GP? Will Grace live up to the doctor that her father was? And will she find the inner strength to face the past when it comes calling? Season of Second Chances is a heart-warming story of friendship, love and finding the inner strength to face a future that may bring back the past. Perfect for fans of Call The Midwives, The Durrells, Doc Martin and All Creatures Great and Small. The villagers of Killrowan will steal into your heart and make you want to stay with them forever.

    Presents the life and career of the Irish novelist, including his childhood, his days as a newspaper columnist, his marriage, and his final days.

    What he finds is the dying and the dead, an entire population suffering from a strange and unnatural plague. Is it possible that every one of the townsfolk have been poisoned? At the heart of the mystery is the local pharmacist, Aiken. He is responsible for summoning young Maxwell to Carrick. He offers motives, explanations, stories, questions. But could he also be guilty of this heinous crime? Maxwell soon realizes that, although a great violence is being done to Carrick, the town itself hides from its own secrets - events from long ago and truths hidden from outsiders at all costs, even their lives. Maxwell interviews the final survivors who are suffering from a disease characterized by a barely recognizable but nonetheless identifiable odour, and a garrulousness unusual in such taciturn people, long accustomed to keeping secrets. yet their confessions lead constantly to more questions and always back to Aiken. As one who knows him well queries, "He's like a stick in water. Is he bent or not?"In The Mysterium, Eric McCormack's second novel, the nature of truth is found to be as deadly as the poison killing the people of Carrick. For at the heart of everything, at the heart of every story and every truth, there is only the mystery.

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    You won’t find any dazzlingly handsome, wealthy action heroes or beyond belief beauties here, but real characters … hard working, Irish country folk who grow to depend upon each other through a dangerous and oppressive time in Ireland’s history … a time of hardship, fear and persecution.Liam Flynn travels across Tipperary, his destination the shores of Lough Derg, his objective to fulfill a lifelong dream. The perils he encounters on the road are only the beginning for this young itinerant carpenter. He finds himself thrust into an impossible situation when, with the help of an old Franciscan priest, he tries to save the tiny Irish village of Gortalocca. If he is discovered by the authorities, he faces almost certain execution for treason and, when the villagers discover what action he has taken in his efforts to help them, he becomes the object of their contempt and hatred.These are dangerous times in Ireland and, as the country struggles to piece itself back together after a hundred years of conflict, the very fabric of society has changed. English Parliament has begun to impose harsh Penal Laws in Ireland which will ban Catholics from voting, from receiving an education, even from practicing their own faith. Catholics can no longer own their own land. More than ninety percent of Ireland’s land will be confiscated and given to English and Irish Protestant landlords, who will charge the rightful owners rent as they try to eke out a living on land which their families have worked for generations. Liam and Father Grogan risk their lives in an effort to save their peaceful Irish village from dissolution.A consummate loner, Liam has led a solitary life so far but he finds romance in Gortalocca, not with a retiring Irish lass, but rather with the feisty daughter of Michael Hogan, the owner of Gortalocca’s only store and bar. Roisin grew up in a man’s environment and has seen enough to know that she will never wed if it means compromising herself by marrying a man she doesn’t love. Now, at the age of nineteen, Roisin Hogan is a spinster.There is plenty of fast-paced action in our story and villains abound, from Gortalocca’s homegrown bully, Sean Reilly, and his gang of thugs, to the menacing dark man who appears from nowhere, posing a threat to Liam’s plan and adding a further complication to his life.You will meet Moira, the ancient and mysterious old hag who lives alone in a tiny cottage, hidden deep inside the forest. Moira is one of the ‘wise ones’, a healer, with her own blend of the spiritual and the ritualistic, the Christian and the Pagan. She is feared by the villagers who think her a witch and do not dare to gaze upon her … unless one of them is ill, and then she is beckoned for help. Moira becomes the source of wisdom for Liam and a strange and shadowy, yet important, part of the plot.Of course, an Irish story would not be complete without humor, and there is plenty of ‘craic’ to be had here. In Hogan’s bar, you will experience, first hand, the humor which epitomises the character of the people of Ireland, and sustains them, especially in times of crisis … an unconscious humor, one of habit. You will sit at the bar with Paddy Shevlin, the pig farmer and Ben Clancy, the shepherd, whose banter provides a welcome respite from the tension, and who never let the truth spoil a perfectly good story.Allow yourself to be stirred into this cauldron of Irish stew.

    Emerging from the hospital, he has lost an arm and a leg, and his face has been disfigured. He becomes a sideshow freak to support himself, traveling around England and even back to Galway, but he eventually returns to London, where he dies, down and out, in one of the city's parks.

    After eighteen years of publishing anonymously and reading only to local crowds in the Pacific Northwest, he began to issue occasional limited-edition letterpress chapbooks with a small press, as well as occasional broadsides and, since 1987, a winter solstice poem or story, most given as gifts to friends. Rain on the River contains work collected here for the first time, as well as three dozen previously unpublished poems. Dodge's poems and short prose offer the same pleasures as his fiction -- a splendid ear for language, great emotional range and subtlety, a sharp eye for the illuminating detail, and a sensibility that encompasses outright hilarity, savage wit, and tender marvel, all made eminently accessible through writing of uncompromising clarity and grace. "Like being at a nonstop party in celebration of everything that matters." -- Thomas Pynchon "A rollicking, frequently surprising adventure-cum-fairy tale. It also has a sweetness about it and an indigenous American optimism." -- The New York Times Book Review "Diverse, savvy, passionate.... Poetry should be a pleasure, and Jim Dodge's work is just that." -- Gary Snyder

    Angela and Brendan are racing towards a wedding day that is increasingly tainted by doubts. Yana runs to free herself from the darkness of the past and to remember her missing brother. Cathy thinks about the secret she has been unable to share. Running takes Maurice past his daughter's house, the place he is not allowed to enter. Over the nine weeks unexpected friendships are forged, challenges faced and by the time of their final run together all will grasp a new commitment to life itself.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    It seems very remote to Miranda Martin, who thinks of nothing but the future during the Indian summer. Then Andrew, her officer brother, comes home, bringing eccentric, likeable Harry. As the summer fades, the scene is set for tragedy.

    To save them from the workhouse, Nell returns to the family home - a mere two rooms at the top of a condemned tenement.Nell finds work at a biscuit factory and, at first, they scrape through each week. But then eight-year-old Róisín, a delicate from birth, is admitted to hospital with rheumatic fever and fifteen-year-old Kate, rebellious, headstrong and resentful of Nell taking her mother's place, runs away.When Liam finds work in London, Nell stays to struggle on alone - her unwavering devotion to her sisters stronger even than her love for him. She's determined that one day the Dublin girls will be reunited and only then will she be free to follow her heart. Look for more gripping, heartwrenching page-turners from Cathy Mansell - don't miss A Place to Belong, out now.

    This extended satiric poem assesses the growing economic, political, and familial constraints of late 18th-century Catholic Ireland under British colonial rule, while subversively playing on the tradition of the aisling (or vision) poem in which a beautiful woman represents Ireland’s threatened sovereignty.At the beginning of The Midnight Court, a dreadful female envoy from the fairies appears in a dream to the unmarried poet. She summons him before the court of Queen Aoibheall in order to answer charges of wasting his manhood while women are dying for want of love. He listens to complaints that vary from the celibacy of the clergy to marriages performed between old and young for purely economic reasons. In all their bawdy tales, the female courtiers praise fertility, as well as sexual fulfillment, and condemn the conventions of the day. At last the Queen pronounces judgment on the poet, who awakens as he is being severely chastised by all of the women of the court.While containing many insights into 18th-century social conditions, The Midnight Court is also an exuberant, even jaunty work of the comic imagination. As the translator Ciaran Carson states in his foreword: “The protagonists of the ‘Court,’ including ‘Merriman’ himself, are ghosts, summoned into being by language; they are figments of the imagination. In the ‘Court’ the language itself is continually interrogated and Merriman is the great illusionist, continually spiriting words into another dimension.”

     She tries to remember her mother's voice and the pitch and treble of it passes through her; the rhythm of it so clear that for a moment they are...connected by frail strings. So begins The Land of Women, and we are swept into Fiona O'Faolain's last summer in Ireland, the season of her burgeoning sexuality. It is a time, too, when mother and daughter step toward friendship among the voluminous gowns they make for local brides. Yet that giddy summer also delivers betrayal. Fiona's journey from the shame that ended her girlhood takes her to Santa Fe and to Carlos Aragon, a restorer of antiquities, whose ancestry is mysteriously linked to hers. As he explores their pasts with the precision of an artisan, Fiona must face her excruciating memory. In The Land of Women the past lives in the present, and physical and emotional geography touch.

    In the late 1960s, in the hollow of an ancient oak tree beyond a derelict cottage in Cork, were found the bones of a three-year-old girl. It was thought that they dated back to the time of the great potato famine of the mid 1800s. The bones were discovered by an American woman, who had inherited the cottage which had lain empty and broken for forty years. Local searches reveal that the house had originally belonged to The Quinns. Eliza Quinn was their baby.This is a story that speaks of generations and of landscapes: abandoned villages, famine graves, old potato ridges sinking back into the earth, traces of a population that fell by two and a half million in less than ten years. It is also about hunger, both physical and emotional. But above all, it is the story of the Quinn family. And it is Carol Birch's tour de force.'Deeply rooted humanity and highly intelligent understanding of the simulataneous complexity and simplicity of individual lives' Alex Clark. TLS