Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    Well, what if you don’t have no people? Or any you know of? What then? Are you doomed?” This is the nagging question of fifteen-year-old Nell’s life. Born with a cleft palate and left a foundling on the doorstep of a convent, she yearns to know her mother, whose name, she knows, was Jane.When the Mother Superior tries to pawn her off to a mean looking farmer and his beaten down wife, Nell opts for the only alternative she can see: she runs away. A chance encounter with a dime novel exhorting the exploits of Calamity Jane, heroine of the west, gives Nell the purpose of her life: to find Calamity Jane, who Nell is convinced is her mother.Her quest takes her down rivers, up rivers and across the Badlands to Deadwood, South Dakota and introduces her to Soot, a big, lovable black dog, and Jeremy Chatterfield, a handsome young Englishman who isn’t particular about how he makes his way, as long as he doesn't have to work for it. Together they trek across the country meeting characters as wonderful and bizarre as the adventure they seek, learning about themselves and the world along the way.

    Little writes about the world he used to inhabit, a place filled with drugs, crime and danger at every turn. His electrifying prose brings to life the rough, raw, and seedy life of Boston's underworld where corruption lies at the heart of every deception.Bobbie is a young criminal prodigy. Living in Boston he's approached by a mysterious Greek on behalf of an anonymous shipping tycoon, who wants to commission a theft. The Fogg museum is the target; a collection of ancient Greek coins the score. Everything goes fine with the burglary, but with easy street just around the corner Bobbie's life takes an unexpected twist and his big score evaporates. With his life on the line, Bobbie must learn who he can trust when trusting anyone can make you lose everything. Steel Toes is as close to reality as fiction can get. Little draws you in with his knife sharp writing, his authentic and unflinching characters and plot as tight and strong as the hold of addiction.

    Schmidt is content with keeping his own hours and steering his own course, even as he becomes entertained--and increasingly ensnared-- by the odd billionaire Michael Mansour. Among Schmidt's other heartbreaks and delights is the scandal engulfing his detested son-in-law. Where will it all lead? Is Mansour a true friend or just a big cat playing with a WASP mouse? Can May and December remain on the same calendar as the sun sets? Through it all, one thing is clear: Schmidt has found a new life far beyond the deck chair.With the elegance and mordant wit readers have come to expect of him, Louis Begley has created a magnificent story of how virtue may be rewarded.

    [Penguin Readers Level 6]

    The towering figure of Adam Trask dominates the story--a good man whose satanic wife revealed to him the shuddering ecstasies of lustful evilKate came into Adam's life unannounced, and left amidst the ringing echo of gunfire. Behind her were a shattered man and a shattered world, and two infant boys doomed to play out, once again, the tragic roles of another Adam's offspring. Ahead of her was a frenzied life of depravity and perversion, wealth..and terror.THE WAYWARD BUS traveled the back roads through lush California countryside. Its driver was a man of the land--lusty, hot-blooded, uninhibited. On the bus were a magnificent creature cursed with a heart of gold an an irresistible allure for men, a traveling salesman out strictly for laughs, a boy with the sweet sap of manhood urgent in him, a college girl pursuing a secret, passionate quest...In one climactic day--and night--the lives of these and all the other passengers on the wayward bus were changed. And the electricity that John Steinbeck creates in their relation ships provides both power and shock.--jacket description

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    Rock Paper Scissors is an exciting domestic thriller from the queen of the killer twist, about a couple who thinks they know each other well, but realize on a ten year anniversary trip things might not be all that they seem... Rock Paper Scissors goes on sale September 7.

    THE SCENE: Seattle from village to skyscraper city; the Alaskan gold fields.TIME: 1851 - 1941.THE SUBJECT: Four generations of the marvelous Melendys--a frontier family grown rich and ill at ease.THE AUTHOR: Edna Ferber, who wrote So Big, Cimarron, Show Boat, and other great novels straight from the heart of America.

    Fleeing from pirates, Robinson Crusoe is swept ashore in a storm possessing only a knife, a box of tobacco, a pipe-and the will to survive. His is the saga of a man alone: a man who overcomes self-pity and despair to reconstruct his life; who painstakingly teaches himself how to fashion a pot, bake bread, build a canoe; and who, after twenty-four agonizing years of solitude, discovers a human footprint in the sand... Consistently popular since its first publication in 1719, Daniel Defoe's story of human endurance in an exotic, faraway land exerts a timeless appeal.

    Excerpt: Long lines of cliff breaking have left a chasm ;And in the chasm are foam and yellow sands ;Beyond, red roofs about a narrow wharfIn cluster ; then a moulder'd church ; and higherA long street climbs to one tall-tower'd mill ;And high in heaven behind it a gray downWith Danish barrows ; and a hazelwood,By autumn nutters haunted, flourishesGreen in a cuplike hollow of the down.[...]

    She’s worried about starting school and it doesn’t help that so many other changes are going on in the Quimby house. And when Ramona finally takes her place in her new classroom, she realizes that first grade is not for cowards.Ramona Quimby, Age 8Now that Ramona is eight, she can go to a new school with a new teacher and ride the bus all by herself. But after school, Ramona has to stay with Mrs. Kemp and be nice to bratty Willa Jean. Back at home, Mr. Quimby’s going to college and Mrs. Quimby’s going to work. All the Quimbys have to adjust, and Ramona gets her chance to prove that she's "big enough for her family to depend on."

    Terra has recently signed a treaty with the planet Petreac. But revolution threatens and the Terrans must save the Nenni cast or their mission will end in abject failure.

    

    The next morning Gillain is found brutally butchered in her own bed. Determined to avenge the murder, Melina vows to stop at nothing to learn the truth. But soon she is on the run from police, the FBI, and the mastermind whose evil plot to engineer the perfect "switch" could result in disastrous consequences on a global scale."ENVY"Read by Victor SlezakBook editor Maris Matherly-Reed receives a tantalizing partial manuscript submitted by a writer identified only as P.M.E. Curiosity compels her to track down the author, Parker Evans, and work with him to complete the novel. But as the story unfolds, Maris becomes convinced it is more than just fiction. When someone close to her dies, the presence of evil looms even closer..."THE CRUSH"Read by Tom WopatWhile serving as a juror on a high-profile murder trial, Dr. Rennie Newton finds herself defending the inalienable rights of the accused -- even though there is considerable evidence of his guilt. When she arrives home, five dozen roses ominously await her. As she becomes the obsession of Lozada -- the accused murderer she helped acquit -- Rennie is drawn into a ferocious endgame with an embittered cop who wants Lozada -- by any means necessary.