In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation.   He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”

    He was a kid, eighteen years old. Married, broke, flunking out of college-and about to become a father. The Marines seemed like a good way out. He figured the Nam couldn't be any worse than home. He was wrong.Publishers Weekly says "Chilling...It tells how a youngster from Portland, Oregon matured in the crucible of combat...The reader is given a sense of what it's like to fight an unseen enemy who might appear anytime, anywhere and start shooting from ambush." Karl Marlantes, New York Times best selling author of "Matterhorn" calls "A Field of Innocence", "Powerful ...and riveting."Tim O'Brien, New York Times best selling author of "The Things They Carried" says, "With its raw realism and heartbreaking honesty...one of the finest Vietnam memoirs."Kirkus Review says A Field of Innocence is "Exciting and Impressive."

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    

    At the age of twenty-two, he was a hero—the recipient of the Navy Cross, the second-highest honor a U.S. Marine can receive, for extraordinary heroism under fire in the Iraq War. Hard Corps tells the story of his incredible transformation and of his experiences on the front lines of the War on Terror.Writing with passion and candor, Martinez brings us back to his gang days, detailing experiences that make him “shudder in shame” to remember. And he recalls the moment that changed everything for him, when he spotted a barrel-chested U.S. Marine Corps recruiter at his high school. Immediately, he saw an opportunity to alter the course of his aimless life. Martinez takes us with him through the grueling ordeal of Marine boot camp and the even-more-punishing training at the School of Infantry to show just how warriors are made. He reveals how he and his fellow grunts prepared tirelessly for battle, seeing combat not as a burden but as a privilege, the ultimate baptism by fire.For Martinez, that baptism came in Iraq. In Hard Corps, he unfolds a warrior’s tale as riveting, harrowing, and immediate as any ever written. He takes us onto the narrow, treacherous streets of Baghdad, where enemy fire rains down from all directions; alongside his Marine squad as they patrol through the most dangerous war zone imaginable; and into a brutal terrorist ambush that calls upon reserves of ferocity and courage none of the Marines could ever be certain they possessed and that proves the value of every moment of their torturous training. Martinez also recounts stunning reminders of why we fight: the Iraqi man he met whose tongue had been chopped off for speaking out against Saddam Hussein’s regime, the ghastly evidence of human experimentation that Martinez’s squad discovered at an abandoned Iraqi military barracks, and the horrifying mass graves the Marines unearthed in the Iraqi desert.Hard Corps gives us a visceral sense of what it means to know that you are ready to die for your brother Marines and that they would do the same for you. It tells us how it feels when words like duty, honor, and country are not an empty slogan. And, ultimately, it captures the traditions and ooh-rah spirit of the U.S. Marine Corps and the valor of all the Marines, sailors, soldiers,From the Hardcover edition.

    Navigate easily to any novel from Table of Contents or search for the words or phrases. Author's biography and stories in the trial version. Features Navigate from Table of Contents or search for words or phrases Make bookmarks, notes, highlights Searchable and interlinked. Access the e-book anytime, anywhere - at home, on the train, in the subway. Automatic synchronization between the handheld and the desktop PC. You could read half of the book on the handheld, then finish reading on the desktop. Table of Contents List of Works by Genre and TitleList of Works in Alphabetical Order Joseph Conrad Biography NovelsAlmayer's FollyThe Arrow of Gold ChanceEnd of the TetherGaspar RuizHeart of Darkness The InheritorsLord Jim The Nigger Of The "Narcissus"NostromoAn Outcast of the IslandsThe Point Of HonorThe RescueRomanceThe Secret AgentA Set of SixThe Shadow LineSome ReminiscencesTales Of HearsayTales of Unrest 'Twixt Land & SeaTyphoon Under Western EyesVictoryWithin the Tides PlaysOne Day More Short StoriesAmy FosterFalk The LagoonThe Secret Sharer To-morrowYouth Non-fictionNotes on Life and LettersNotes on My BooksA Personal RecordThe Mirror of the Sea

    The stories she loves most follow other organic patterns found in nature―spirals, meanders, and explosions, among others. Alison’s manifesto for new modes of narrative will appeal to serious readers and writers alike. As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel―one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides. . . . But: something that swells and tautens until climax, then collapses? Bit masculo-sexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?”W. G. Sebald’s The Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc―or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Jamaica Kincaid, Clarice Lispector, Gabriel García Márquez, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison.Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.

    A box set consisting of three Bill Bryson books, 'Notes from a Small Island', 'Notes from a Big Country' and 'A Walk in the Woods'.

    One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    In this collection of correspondence—letters to publishers, editors, friends, and fellow writers—the writer shares his insights on the art of creation.On Writing reveals an artist brutally frank about the drudgery of work and canny and uncompromising about the absurdities of life—and of art. It illuminates the hard-edged, complex humanity of a true American legend and counterculture icon—the “laureate of American lowlife” (Time)—who stoically recorded society’s downtrodden and depraved. It exposes an artist grounded in the visceral, whose work reverberates with his central ideal: “Don't try.”Piercing, poignant, and often hilarious, On Writing is filled not only with memorable lines but also with Bukowski’s trademark toughness, leavened with moments of grace, pathos, and intimacy.

    

    That was on his first day at the front.Thrown into an open field to face German tanks and artillery fire, with only rifles and machine guns to defend themselves with, almost 2,000 men of his regiment were wiped out in only six days at the Eastern Front. At this rate, Ivan struggled to comprehend how he would survive the hundreds of battles that lay before him, with death seeming to be the only certainty.In his raw and trenchant memoir, Ivan recounts the terror and despair faced by a Red Army soldier on the Eastern Front.He has no sympathy for Stalin and his incompetent commanders, who sought awards and recognition at the expense of their soldiers’ lives. He simply wanted to serve his country.It is rare to find first-hand accounts of the Great Patriotic War from Red Army soldiers, as many did not survive to tell the tale. For the first time, Ivan reveals his gripping recollections of battles, times, places, and people encountered throughout World War II, from when he was drafted in 1941 until their victory in 1945.These recollections he dared not put on paper until 1992.

    For his first command after escaping from France, Hornblower is given charge of the royal yacht - and he soon requires all his skill and instinct to prevent disaster!

    This new edition has been updated by his friend and former Rolling Stone comrade Mitch Glazer and includes an epilogue about the memorial concerts for Timothy that James Taylor helped organize.

    Pert, pithy and very New York. Full of the admirable offhand observations of an unfooled eye." Jill Neville, The London Times Literary Supplement"(Daughters is) engrossing . . . the story Baehr tells touches so deeply one is tempted to reread every page." - Chicago Tribune (Best Friends is) a pleasure to read . . . fascinating, extraordinary women…I wished they were my best friends.” Susan Isaacs, author of Compromising Positions, Shining Through“Consuelo Saah Baehr is a very talented writer. She keeps you turning the pages, heart thumping, to see what will happen next.” Rona Jaffe, author of The Best of Everything, Class ReunionProduct Description100 Open Houses is about real estate and life. It’s about the whispers from the soul hole that we barely hear. Rebecca Haas, like all of us, is being tortured to death by the sameness of her life, her thoughts, her weight, the incessant self review of life choices, her indecision, her stalled writing career. Can a change of space really change her life and finally give her the authenticity she needs? Take this trip with Rebecca through all of the open houses and the lives lived in them – is one of them yours?An excerpt from 100 Open HousesWhispers from the soul holeYou’re going along thinking everything is okay. You’re not noticeably dying or anything and even though your hair was thinning, suddenly for no reason, it stabilizes – even begins to get thicker – and you think, huh, some new kind of ‘fresh hell’ hormones must be kicking in but I’ll take it. Still every morning, in the quiet few minutes when you swing your legs out of bed and decide to get up, this voice whispers from the old brain hole or maybe it’s the soul hole and it says: Wait! If you were in an Ingmar Bergman movie and Death came and played chess with you, Death would win because you are not really living the best life you can.All through last fall and early winter I had that thought in my pocket. Maybe it accounted for a new addiction to read real estate news. Maybe I thought a change of residence would do the trick Real estate is the new drug and it’s better than crack because it only costs the price of the Sunday paper and not even that if you read it on line. But also, you can go into any Open House and see apartments and houses where you would never be invited. You can look in the medicine cabinet and in the closets and pretty much look at any damn thing you want. Then, you can say, “No thanks.”The New York Times just put out an entire magazine devoted to real estate. It’s called Key and on the cover is a stylized picture of a key with red lines radiating from it that look like the vein and capillary system inside your body. Maybe that’s the subliminal message they are trying to send: that Real Estate is the substance of your life.When I read Key magazine, I feel as if all the information has segregated me and shut me out. One of the articles tells you how much house one and a half million dollars can buy today. If you want to move to Szigetkoz, Hungary (no, I didn’t misspell it) you get a 30-acre, ten-bedroom castle. In New York City, you get a one-bedroom apartment with lava-stone kitchen countertops and the noise of the West Side Highway at your doorstep.That’s what I was going to have to do to save my life – move from my coveted idyllic village and find myself some Real Estate in New York City. I didn’t have a million dollars. I was going to have to really HUNT for a match like the innocent people in the New York Times they profile in The Hunt.