Amidst the ashes of the failed workers’ rebellions of 1905, Latvian aristocrat Wiktor Rooks finds that he has lost everything: home and heritage, his life’s very purpose. Coerced into the Russian Army, Wiktor is soon swept up into the turbulent years of the Great War and the Bolshevik Revolution. By a twist of fate, he becomes a member of the elite Red Riflemen of the Revolution, a regiment nicknamed “Lenin’s Harem” for their absolute loyalty to the cause. Wiktor hides his aristocratic past, finds friendship among the soldiers, and love with a communist girl. When the wars end, he returns to his homeland, but betrayals await and Stalin’s soldiers are soon knocking on the door. Set in Russia and Latvia between 1905 and 1941, Lenin’s Harem is a story of nationhood, brotherhood, and love throughout the most turbulent years of the twentieth century.

    But when the Germans and Ukrainians obliterated David-Horodok in 1941, killing off all Jewish men in the town, everything changed.Left to fend for themselves, Basia and her mother fled 100 kilometers south, driven into the infamous Sarny ghetto. Tragedy struck again as the Germans liquidated the ghetto in 1942, and Basia went into the first of many hiding places. After years of running from soldiers, changing her identity, and hiding her faith, Basia emerged as a survivor – shepherding the rebirth of her faith and her family in America.

    All 13 Jews ended up living in a 9?x12?x4? underground hole as World War II raged around them. Some lived underground for about seven months before being liberated by the Russian Army. Dr. Michael Berenbaum, project director of the U.S. Holocaust Memorial Museum (1988-1993) and author of The World Must Know: The History of the Holocaust as Told in the United States Memorial Holocaust Museum, says, ?Izzy's Fire is filled with the passion of one woman determined to do justice to the story of another woman who lived in hiding throughout the war years. The war has soul. One feels the intensity of the struggle to survive. One senses the decency of those who were ready to rescue and the evil that haunted a mother and father and their young child in the dangerous world they lived......"

    Its survival has been an incredible journey, especially considering how often Jews have tried to kill it themselves. Underlying Neal Karlen's unique, brashly entertaining, yet thoroughly researched telling of the language's story is the notion that Yiddish is a mirror of Jewish history, thought, and practice—for better and worse.Karlen charts the beginning of Yiddish as a minor dialect in medieval Europe that helped peasant Jews live safely apart from the marauders of the First Crusades. Incorporating a large measure of antique German dialects, Yiddish also included little scraps of French, Italian, ancient Hebrew, Aramaic, the Slavic and Romance languages, and a dozen other tongues native to the places where Jews were briefly given shelter. One may speak a dozen languages, all of them Yiddish.By 1939, Yiddish flourished as the lingua franca of 13 million Jews. After the Holocaust, whatever remained of Yiddish, its worldview and vibrant culture, was almost stamped out—by Jews themselves. Yiddish was an old-world embarrassment for Americans anxious to assimilate. In Israel, young, proud Zionists suppressed Yiddish as the symbol of the weak and frightened ghetto-bound Jew—and invented modern Hebrew.Today, a new generation has zealously sought to explore the language and to embrace its soul. This renaissance has spread to millions of non-Jews who now know the subtle difference between a shlemiel and a shlimazel; hundreds of Yiddish words dot the most recent editions of the Oxford English Dictionary.The Story of Yiddish is a delightful tale of a people, their place in the world, and the fascinating language that held them together.

    It was called “the year of the thaw”—a time when Stalin’s dark legacy of dictatorship died in February only to be reborn later that December. This historic arc from rising hope to crushing despair opened with a speech by Nikita Khrushchev, then the unpredictable leader of the Soviet Union. He astounded everyone by denouncing the one figure who, up to that time, had been hailed as a “genius,” a wizard of communism—Josef Stalin himself. Now, suddenly, this once unassailable god was being portrayed as a “madman” whose idiosyncratic rule had seriously undermined communism and endangered the Soviet state.This amazing switch from hero to villain lifted a heavy overcoat of fear from the backs of ordinary Russians. It also quickly led to anti-communist uprisings in Eastern Europe, none more bloody and challenging than the one in Hungary, which Soviet troops crushed at year’s end.Marvin Kalb, then a young diplomatic attaché at the U.S. Embassy in Moscow, observed this tumultuous year that foretold the end of Soviet communism three decades later. Fluent in Russian, a doctoral candidate at Harvard, he went where few other foreigners would dare go, listening to Russian students secretly attack communism and threaten rebellion against the Soviet system, traveling from one end of a changing country to the other and, thanks to his diplomatic position, meeting and talking with Khrushchev, who playfully nicknamed him Peter the Great.In this, his fifteenth book, Kalb writes a fascinating eyewitness account of a superpower in upheaval and of a people yearning for an end to dictatorship.

    His escape from Auschwitz, and the report he helped compile, telling for the first time the truth about the camp as a place of mass murder, led directly to saving the lives of 120,000 Jews#58; the Jews of Budapest who were about to be deported to their deaths. No other single act in the Second World War saved so many Jews from the fate that Hitler and the SS had determined for them. This book tells Wetzler's story." middot; Sir Martin Gilbertbrbr"Wetzler is a master at evoking the universe of Auschwitz, and especially, his and Vrba's harrowing flight to Slovakia. The day-by-day account of the tremendous difficulties the pair faced after the Nazis had called off their search of the camp and its surroundings is both riveting and heart wrenching. [...] Shining vibrantly through the pages of the memoir are the tenacity and valor of two young men, who sought to inform the world about the greatest outrage ever committed by humans against their fellow humans." middot; [From Introduction by Dr Robert Rozett]brbrTogether with another young Slovak Jew, both of them deported in 1942, the author succeeded in escaping from the notorious death camp in the spring of 1944. There were some very few successful escapes from Auschwitz during the war, but it was these two who smuggled out the damning evidence - a ground plan of the camp, constructional details of the gas chambers and crematoriums and, most convincingly, a label from a canister of Cyclone gas. The present book is cast in the form of a novel to allow factual information not personally collected by the two fugitives, but provided for them by a handful of reliable friends, to be included. Nothing,however, has been invented. It is a shocking account of Nazi genocide and of the inhuman conditions in the camp, but equally shocking is the initial disbelief the fugitive's revelations met with after their return.brbrEwald Osers has translated over 150 books and received many translation prizes and honours.

    “Only a Russian could do that," says Aleksandr Ivanovich. “Only a Russian could make the whole world go mad.”A century later, in November 2013, thousands of Ukrainian citizens gathered at Independence Square in Kyiv to protest then-President Yanukovych’s failure to sign a referendum with the European Union, opting instead to forge a closer alliance with President Vladimir Putin and Russia. The peaceful protests turned violent when military police shot live ammunition into the crowd, killing over a hundred civilians.I Will Die in a Foreign Land follows four individuals over the course of a volatile Ukrainian winter, as their lives are forever changed by the Euromaidan protests. Katya is an Ukrainian-American doctor stationed at a makeshift medical clinic in St. Michael’s Monastery; Misha is an engineer originally from Pripyat, who has lived in Kyiv since his wife’s death from radiation sickness; Slava is a fiery young activist whose past hardships steel her determination in the face of persecution; and Aleksandr Ivanovich, a former KGB agent who climbs atop a burned-out police bus at Independence Square and plays the piano.As Katya, Misha, Slava, and Aleksandr’s lives become intertwined, they each seek their own solace during an especially tumultuous and violent period. The story is also told by a chorus of voices that incorporates folklore and narrates a turbulent Slavic history.While unfolding an especially moving story of quiet beauty and love in a time of terror, I Will Die in a Foreign Land is an ambitious, intimate, and haunting portrait of human perseverance and empathy.

    He is one of Poland's "Devil's Rebels" fighting desperately to save his homeland, but an injury has erased his memory and his only possession is a torn photograph of a couple he assumes are his parents. The woman appears to be holding the hand of a young child whose image has been ripped off. Could the child be him?Caught in the crosshairs of the retreating German army and the advancing Russian forces, the village holds nothing but destruction and despair until a mysterious young woman offers a small glimmer of hope that may represent his last chance - news of a refuge train departing from a nearby town headed for American installations at the border. But complications arise when the resistance fighter is betrayed by his own countryman and hunted by German SS Officers who are determined to kill him before they retreat. Desperately searching for a home and family he can't remember he is persuaded to rescue two children who are doomed to die without his help.As time runs out the former rebel is faced with an impossible choice. Standing at the crossroads of saving himself or risking his life for strangers, what would motivate a young man at the brink of salvation to make one more sacrifice?

    Suddenly the boy who had stood in the shadows, dreaming of ruling the world, was a public figure, and his popularity soared. Russia and an infatuated West were determined to see the progressive leader of their dreams, even as he seized control of media, sent political rivals and critics into exile or to the grave, and smashed the country's fragile electoral system, concentrating power in the hands of his cronies.As a journalist living in Moscow, Masha Gessen experienced this history firsthand, and for The Man Without a Face she has drawn on information and sources no other writer has tapped. Her account of how a "faceless" man maneuvered his way into absolute-and absolutely corrupt-power has the makings of a classic of narrative nonfiction.

    Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

    Jim Bradbury explores the full military background of the battle and investigates both what actually happened on that fateful day in 1066 and the role that the battle plays in the British national myth. The Battle of Hastings starts by looking at the Normans—who they were, where they came from—and the career of William the Conqueror before 1066. Next, the narrative turns to the Saxons in England, and to Harold Godwineson, successor to Edward the Confessor, and his attempts to create unity in the divided kingdom. This provides the background to an examination of the military development of the two sides up to 1066, detailing differences in tactics, arms, and armor. The core of the book is a move-by-move reconstruction of the battle itself, including the advance planning, the site, the composition of the two armies, and the use of archers, feigned retreats, and the death of Harold Godwineson. In looking at the consequences of the battle, Jim Bradbury deals with the conquest of England and the ongoing resistance to the Normans. The effects of the conquest are also seen in the creation of castles and developments in feudalism, and in links with Normandy that revealed themselves particularly in church appointments. This is the first time a military historian has attempted to make accessible to the general reader all that is known about the Battle of Hastings and to present as detailed a reconstruction as is possible.  Furthermore, the author places the battle in the military context of eleventh-century Europe, painting a vivid picture of the combatants themselves—soldiery, cavalry, and their horses—as they struggled for victory. This is a book that any reader interested in England’s history will find indispensable.

    In reality, the flamboyant royal family appear, in many ways, to have behaved much like most other monarchies. Their story, however, is none the less enthralling for that. It is populated by such unforgettable figures as mad Queen Juana, progressing through Spain with her husband’s decaying body; the ‘heroically fertile’ Maria Theresa, and the quixotic Maximilian, ‘Emperor’ of Mexico.

    Considered a birth defect, her wings were surgically removed, leaving only the ghost of them behind.At fifteen years old, confused and unmoored, Prudence meets her long-estranged Lithuanian grandfather and discovers a miraculous lineage beating and pulsing with past Lithuanian bird-women, storytellers with wings dragging the dirt, survivors perched on radio towers, lovers lit up like fireworks, and heroes disguised as everyday men and women. Prudence sets forth on a quest to discover her ancestors, to grapple with wings that only one other person can see, and ultimately, to find out where she belongs.Above Us Only Sky spans the 1863 January Uprising against Russian Tsarist rule in Eastern Europe to the fall of the Berlin Wall, and Lithuania gaining its independence in 1991. It is a story of mutual understanding between the old and young; it is a love story; a story of survival, and most importantly a story about where we belong in the world. This “is a raw, beautiful, unforgettable book” (Lydia Netzer, bestselling author of Shine, Shine, Shine).

    Zywulska born in 1914 as Sonia Landau. During the German occupation of Poland, she was displaced with her Jewish family to the Warsaw Ghetto in 1941. She escaped from the Ghetto and became active in the Polish resistance movement. Under her new name, Zywulska, she was captured by the Nazis in 1943 and sent to Auschwitz. There is always the danger that we will forget things that are best not forgotten. Certainly, some things should be permanently recorded so that posterity will remember what we would prefer to erase from our memories. This is the story of a woman who was imprisoned for a number of years in Auschwitz, the notorious death camp. What she saw there makes medieval genocides look like child’s play. This is her memoir, and she shows not only her own courage but also her fellow prisoners’ fierce will to live. Half-starved, suffering from lice, scabies and dysentery and mowed down by typhus and pneumonia, they worked in fields of icy slush and mud and registered new arrivals—hundreds of thousands of women from Holland, Greece, Italy and Hungary, who did not know where they were or why they had been seized. That she survived and finally managed to escape to tell the tale is one of many reasons why this book should be published and widely read. Most of her companions were murdered so that they could not bear witness. Written just after the author’s escape and published in 1946, I Survived Auschwitz was the first ever book to emerge about the camp and therefore occupies an important place in Holocaust literature. In certain parts of this book you will notice changes made by Poland’s communist censors after 1945. Due to these interventions, the book has become an unintentional double witness to the 20th century’s two most dreadful totalitarian regimes. I Survived Auschwitz was published in cooperation with the Auschwitz-Birkenau State Museum. With additional footnotes, 26 percent increase in text, and 45 photos taken during war, the new edition is greatly expanded compared to the original 1946 English version. The book was translated from the Polish, Przeżyłam Oświęcim, by Lech Czerski and Sheila Callahan based on an initial translation by Krystyna Cenkalska.

    Lindqvist presents a unique study of Europe's dark history in Africa, written both as a travel diary and as a historical examination of European imperialism and racism over the past 2 centuries, and confronts the roots of European genocide.