Her love life hopeless, her fantasies more influential than wan reality, she nevertheless turns out to be the best mayor New York City has ever elected. Soon enough, though, paradise gained becomes paradise lost, and--even for a wistful visionary like Puttermesser--the problem of disappointment remains unresolved.

    With his quirky, cheerful best friend, Pelly Bay, he explores this exotic, lonely land—the domain of Cree Indians, trappers, missionaries, and fugitives from the modern world. When tragedy strikes, Noah must go on alone, discovering a new life in the south and the bustling of Toronto. It is there in the Northern Lights movie theatre—with a Cree family taking up residence in the projection booth, and the reappearance of his elusive father—that Noah becomes an adult.

    Curley, portrays its Irish-American political boss as a demagogue and a rogue who nonetheless deeply understands his constituents. The book was later made into a John Ford film staring Spencer Tracy.

     In Watergate, Thomas Mallon conveys the drama and high comedy of the Nixon presidency through the urgent perspectives of seven characters we only thought we knew before now, moving readers from the private cabins of Camp David to the klieg lights of the Senate Caucus Room, from the District of Columbia jail to the Dupont Circle mansion of Theodore Roosevelt’s sharp-tongued ninety-year-old daughter (“The clock is dick-dick-dicking”), and into the hive of the Watergate complex itself, home not only to the Democratic National Committee but also to the president’s attorney general, his recklessly loyal secretary, and the shadowy man from Mississippi who pays out hush money to the burglars. Praised by Christopher Hitchens for his “splendid evocation of Washington,” Mallon achieves with Watergate a scope and historical intimacy that surpasses even what he attained in his previous novels, as he turns a “third-rate burglary” into a tumultuous, first-rate entertainment.

    The novel fully confirmed Mailer's stature as one of the most important figures in contemporary American literature. Now, a new edition of this exceptional work serves as further affirmation of its timeless quality.Narrated by Ranald ("D.J.") Jethroe, Texas's most precocious teenager, on the eve of his departure to fight in Vietnam, this story of a hunting trip in Alaska is both brilliantly entertaining and profoundly thoughtful.

    While sixteen-year-old Rye yearns for a steady job and a home, his older brother, Gig, dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar and introduces the brothers to a far more dangerous creature: a mining magnate determined to keep his wealth and his hold on Ursula.Dubious of Gig’s idealism, Rye finds himself drawn to a fearless nineteen-year-old activist and feminist named Elizabeth Gurley Flynn. But a storm is coming, threatening to overwhelm them all, and Rye will be forced to decide where he stands. Is it enough to win the occasional battle, even if you cannot win the war?An intimate story of brotherhood, love, sacrifice, and betrayal set against the panoramic backdrop of an early twentieth-century America that eerily echoes our own time, The Cold Millions offers a kaleidoscopic portrait of a nation grappling with the chasm between rich and poor, between harsh realities and simple dreams. Featuring an unforgettable cast of cops and tramps, suffragists and socialists, madams and murderers, it is a tour de force from a “writer who has planted himself firmly in the first rank of American authors” (Boston Globe

    The author's characters are unforgettable, while their predicaments are funny, improbably logical, and almost affecting as Africa itself.

    His son has died in a POW camp in Korea. It is August 15, 1953, the day of a tumultuous street carnival in Elephant Park, an Italian immigrant enclave in Ohio. The man is Rocco LaGrassa, and his many years of dogged labor, paternal devotion, and steadfast Christian faith are about to come to a crashing end. He is the first of many exquisitely drawn characters we meet that day, each of whom will come to their own conclusion.The End by Salvatore Scibona follows an elderly abortionist, an enigmatic drapery seamstress, a teenage boy, a jeweler—dramatically into the heart of a crime that will twist all their lives. Against a background of immigration, broken loyalties, and racial hostility, we at last return to August 15, 1953, and see everything Rocco saw—and vastly more—through the eyes of various characters in the crowds.The End is the unforgettable debut of a singular new American novelist.

    Dotty Johnson is the kind of woman no one can ingore. One afternoon, they both disappear from the small Vermont town where they live. The next day, two hundred miles away, a toddler is snatched from her Massachusetts home.For the next five years, Aubrey, Dotty, and the kidnapped child—bound together by strange love and desperate need—are trapped in a nomadic existence governed by their constant fear of discovery. Canny, the little girl, becomes Aubrey's entire existence. But Dotty wants out. She is tired of being saddled with this fearful little man. When she meets Jiggy Huller, a brutal ex-convict, the wheels of Canny's return to her natural parents are wrenched fatally into motion.

    In the twilight of the Civil War, a Union soldier named Norman Pelham is found battle-wounded and near death by Leah, a slave running from a different hell. After Leah nurses him back to health, Norman brings her to his family homestead in Vermont as his wife, and there they begin a family that will be shaped by their passionate devotion to each other and its consequences.

    Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter's Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. This novel gives an excellent feel for America's lost woods culture, which was created when most of the eastern midwest was a vast hardwood forest---virtually a jungle. The Trees conveys settler life, including conflicts with Native Americans, illness, hunting, family dynamics, and marriage.

    Twelve years later, with a pair of silver barrettes her only tangible memory of Elvia, Serafina begins a harrowing journey back across the border to find her daughter. At the same time Elvia, now fifteen and pregnant, resolves to track her mother down. They travel a landscape populated by desperately poor migrants moving from harvest to harvest, truckers living hand-to-mouth in seedy motels, and lost children in foster homes. But the memory of love inspires hope, and out of these women’s losses–and their determination–Straight has crafted a deeply moving tale of the meaning of home and family.

    He runs away from home in Paterson, New Jersey, to New York City and learns the bare bones of life before he hits the road with a traveling carnival. Then one icy night in the Adirondacks, the young man sees a private train roar by. In its lit windows, he spies an industrial tycoon, a poet, a gangster, and a heartbreakingly beautiful girl. He follows them, as one follows a dream, to an isolated private estate on Loon Lake.Thus the stage is set for a spellbinding tale of mystery and menace, greed and ambition, harsh lust and tender love, that lays bare the darkest depths of the human heart and the nightmarish underside of the American dream. E. L. Doctorow has written a novel aglow with poetry and passion, lit by the burning fire of humanity and history, terror and truth.

    We meet Kate at a crucial moment in middle age when she begins to yearn to see the son she abandoned when she was seventeen. But if she decides to seek him, will he understand her? Winner of the National Book Critics Circle Award, Kate Vaiden is a penetrating psychological portrait of an ordinary woman in extraordinary circumstances, a story as joyous, tragic, comic and compelling as life itself.

    in 2000. It details a year in the life of Jim Glass, who lives, with his mother and three uncles, in the small fictional town of Aliceville, North Carolina in 1934 during the Great Depression.