Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    And another one under that.' Only very special people are chosen by children's author Laura White to join 'The Society', an elite group of writers in the small town of Rabbit Back. Now a tenth member has been selected: Ella, literature teacher and possessor of beautifully curving lips. But soon Ella discovers that the Society is not what it seems. What is its mysterious ritual, 'The Game'? What explains the strange disappearance that occurs at Laura's winter party, in a whirlwind of snow? Why are the words inside books starting to rearrange themselves? Was there once another tenth member, before her? Slowly, disturbing secrets that had been buried come to light... In this chilling, darkly funny novel, the uncanny brushes up against the everyday in the most beguiling and unexpected of ways.

    . . Today I’m really gonna be a tough guy.” Growing up in a poor village in northern France, all Eddy Bellegueule wanted was to be a man in the eyes of his family and neighbors. But from childhood, he was different—“girlish,” intellectually precocious, and attracted to other men.Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result—a critical and popular triumph—has made him the most celebrated French writer of his generation.

    This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

    By early Monday morning, she's exhausted. These trips back home are always stressful and she settles into a train compartment with an empty seat beside her. But it's soon occupied by a man she instantly recognizes: Philippe Leduc, with whom she had a passionate affair that ended in her brutal humiliation thirty years ago. In the fraught hour and a half that ensues, their express train hurtles towards the French capital. Cécile and Philippe undertake their own face to face journey—In silence? What could they possibly say to one another?—with the reader gaining entrée to the most private of thoughts. This is a psychological thriller about past romance, with all its pain and promise.

    It is one of the great love stories, and also one of the most enigmatic: how reliable a witness is Des Grieux, Manon's lover, whose tale he narrates? Is Manon a thief and a whore, the image of love itself, or a thoroughly modern woman? Prevost is careful to leave the ambiguities unresolved, and to lay bare the disorders of passion." This new translation includes the vignette and eight illustrations that were approved by Prevost and first published in the edition of 1753.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    . . one of the continent's greatest living writers" (The Guardian).It's not easy being Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko. There's that long name of his for a start, which means, "Let us thank God, the black Moses is born on the lands of the ancestors." Most people just call him Moses. Then there's the orphanage where he lives, run by a malicious political stooge, Dieudonne Ngoulmoumako, and where he's terrorized by two fellow orphans--the twins Songi-Songi and Tala-Tala.But after Moses exacts revenge on the twins by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft. What follows is a funny, moving, larger-than-life tale that chronicles Moses's ultimately tragic journey through the Pointe-Noire underworld and the politically repressive world of Congo-Brazzaville in the 1970s and 80s.Mabanckou's vivid portrayal of Moses's mental collapse echoes the work of Hugo, Dickens, and Brian DePalma's Scarface, confirming Mabanckou's status as one of our great storytellers. Black Moses is a vital new extension of his cycle of Pointe-Noire novels that stand out as one of the grandest, funniest, fictional projects of our time.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    An international bestseller and longlisted for the Dublin Literary Prize, it tells the story of Edvard and starts at his family’s tree farm in Norway, where he was raised by his grandfather. The death of Edvard’s parents when he was three has always been a mystery but he knows that the fate of his grandfather’s brother, Einar, is somehow connected. One day a coffin is delivered to the farm for his grandfather, long before the grandfather’s death––a meticulous, beautiful, and unique piece of craftsmanship with the hallmarks of a certain master craftsman––raising the thought that Einar isn’t dead after all. Edvard is now driven to unravel the mystery of his parents’ death. Following a trail of clues from Norway to the Shetland Islands to the battlefields of France and sixteen ancient walnut trees colored by poison gas in World War I, Edvard ultimately discovers a very unusual inheritance. Spanning a century and masterfully navigating themes of revenge and forgiveness, love and loneliness, The Sixteen Trees of the Somme displays the rich talents of Lars Mytting––whose novels have sold over a million copies worldwide––in a story that is utterly compelling and unforgettable.

    She barely eats, works at night as a cleaner and lives in a tiny attic room. Downstairs in a beautiful, ornate apartment, lives Philibert Marquet de la Durbellière, a shy, erudite, upper-class man with an unlikely flatmate in the shape of the foul-mouthed but talented chef, Franck. One freezing evening Philibert overcomes his excruciating reticence to rescue Camille, unconscious, from her garret and bring her into his home.As she recovers Camille learns more about Philibert; about Franck and his guilt for his beloved but fragile grandmother Paulette, who is all he has left in the world; and about herself. And slowly, this curious quartet of misfits all discover the importance of food, friendship and love.

    Horrified by the pedestrian names her husband chooses for their unborn child (Tanguy if it's a boy, Joelle if it's a girl), Lucette does the only honorable thing to save her baby from such an unexceptional destiny - she kills her spouse. While in prison, Lucette gives birth to a daughter to whom she bequeaths the portentous name of an obscure saint, Plectrude, before hanging herself." From her beginnings, Plectrude seems fated for a life like no other. Raised by an indulgent and adoring aunt, she is a dreamy child who is discovered to have enormous gifts as a dancer. Accepted at Paris's most prestigious ballet school, Plectrude devotes herself to artistic perfection, giving dance her heart and soul - and ultimately her body. As her world shatters as easily as her bones, she learns to survive in the only way she knows how - by committing an act of deadly self-preservation her mother would have understood best.

    Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real. Written in 1989 and found among Roberto Bolaño’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

    In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.