J. Robinson comes a family saga amidst the backdrop of the Civil War and a deadly hurricane, rising floodwaters in the Big Easy, or Crescent City, as a plantation on River Road in Vacherie, Louisiana, is threatened. Will Hurricane Katrina destroy what the Civil War spared? Margaret Jane Turnrow first laid eyes on River Oaks Plantation amid lush foliage and oak trees dripping with Spanish moss when she returned from her honeymoon as a petite hazel-eyed fifteen-year-old bride to the antebellum mansion. She immediately fell in love with the house and grounds and beautifying the garden with plants. Her first task involved lining the oak drive with azaleas. Determined to have the best plantation gardens, she soon recreated formal ones designed from precious memories of France, Italy, and England she'd toured on her honeymoon. Before the Civil War, she imported plants, and gardening became her passion. During the war, it was her only one. The fertile Louisiana soil loved and nursed her plants as much as she did, and they grew like the cotton and sugarcane. Pale as a magnolia blossom, she sparkled like the sun reflecting off Lake Pontchartrain when she flashed pearly white teeth with her camellia red smile, but small white hands tucked demurely into the folds of her gown as she sat quietly during elegant dinners, concealed her true vivacious spirit. The war would change the shy woman-child as it ravaged through her life and took its toll on the home and family life she came to know and love with all of her heart. Before the Civil War, dashing Danny Paul Turnrow stood six-foot-two-inches, as tall and elegant as the white-columned plantation home he'd purchased on the banks of the Mississippi River. He led a charmed life as a charismatic cotton baron known as one of the richest men on River Road. River Oaks boasted over thirty-five-hundred acres of fertile Louisiana soil, mostly planted in cotton with the exception of some sugarcane along the Mississippi River banks and his wife's gardens. He returned from the war a different man, as broken as the pillared splendor of the South. Surrounded by cypress swamps and sugarcane fields on the river's end and white blankets of cotton edging the dirt roads, River Oaks Plantation still stood, but the grand life he'd led turned to one of backbreaking toil. He no longer stood so tall and proud with an aching back hunched over Louisiana cotton fields. With the future uncertain, fear lurks in his heart and soul and clouds his mind. What will sustain his marriage through the loss? Can they defend what's most precious to them and maintain River Oaks as a working plantation? The manor home is the only legacy he has left and the only life he has ever known. Will he lose it? Years later, Amaryllis Camilla O'Brien is stranded alone with two dogs on the top floor of an antebellum plantation in Vacherie, Louisiana, as a deadly hurricane rips and roars through the city and raging floodwaters threaten to devour the old home. She discovers a yellowed diary. Will family secrets drown in the flood with her? Will the diary matter? She's determined to save it and the dogs, or die trying. Has her grandmother left her a sinking ship? Noah Gautreaux, the plantation manager, took vehicles to higher ground and is supposed to return, but will he make it in time to save Amaryllis and his pet girls? The old house withstood the floods of 1973, 1983, and 1993. He doesn't think he has to worry about it floating off down the Mississippi River, but as excessive rain and wind continue to batter the area and the water continues to rise when the levee breaches, he realizes there's a first time for everything and this could be it for the white-columned beauty of ages past.

    After the horrors of a cavalry charge against machine guns he transfers to the R.F.C where he becomes a gunner and observer. Eventually he becomes a pilot and shows a flair for aerial combat. Set against the backdrop of England in 1914 it shows the contrast between life in England and the brutal war in Flanders.

    Desperate to escape, the two teenagers embark on a perilous journey back to England to the safety of their grandparents.But there are eyes everywhere.Luke and Christine band together with fugitive Allied airmen, thinking they will keep them safe and help them on their treacherous journey.But their new partnership could be putting them in more danger than they realize. Especially when there are hostile forces at work determined to scupper any plans to get the teenagers and airmen safely back to England.With secret operations mounting against the enemy, there is one path which remains unguarded: a risky escape route via the canals.Luke and Christine take refuge on a canal barge and find themselves immersed in the complex Operation Kingfisher.Can two teenagers make it across occupied France in one piece? Or will betrayal put them and the lives of others at great risk?

    Her theme is one welling from the heart-springs of American life - the story of the Interstate, a railroad founded in the latter days of Jackson's presidency, which grew through one hundred stormy, changeful years of our history into a vast enterprise; and the story of the extraordinary family with whom its fortunes were intertwined, the deWitts. It is 1866. In the small Pennsylvania city of Portersville, headquarters of the Interstate, old Aaron deWitt watches enigmatically as his two sons struggle for control of the railroad he founded.

    Each woman feels connected to Michael, whose charm and wit draws them inexorably into his play of madness--a drama of psychological horror that threatens the weak and unsuspecting.Terry Kay's riveting suspense novel is filled with twists and turns that will keep readers guessing until the very end.

    There’s no doubt in her mind that if given another chance, she can make a success of homesteading. She will not fail this time. People scoff, saying ranching is too much of a job for a lone woman to undertake. But Rose is no ordinary woman. She may be petite, stylish, and beautiful, but she is also strong and driven. Every aspect of ranching brings joy to her heart. Then why is she here in Wise River, Montana, taking orders from a mean-spirited school board and attempting something she has no clue how to do? Teaching? Jesse Rivers carries his own baggage on his wide shoulders. He’s been called home by a dying stepmother to take over the Rocking R Ranch and the care of a belligerent and wounded brother. A rugged, lanky cowboy, Jesse is also demanding, surly, and afraid to love. No, he can’t love. What if he has buried inside him the same volatile anger as his father, resulting in brutality by strong fists or a whip? Then Jesse meets Rose. Strong willed, outspoken, determined, and oh-so-desirable.

    When the doctor finally got through the nine-foot drifts of snow, mother and daughter were in a pretty bad way, but both the new-born Annie and her exhausted mother - a spinner in the cotton mill - were fighters, tough and determined not to let the world knock them down.They needed to be tough, for when Annie's father was killed in the war, Nancy married again. And Eddie Higson - once he'd courted and won Nancy Byrne - turned into a nightmare of a man, terrorizing the young girl with one secret evil after another.She had two friends who helped her through these bad years. Martin Cullen, rough, uneducated, loyal, who knew he wasn't good enough for her, and David Pritchard, the doctor who had supported her through the worst times and who had bad problems of his own.Together they watched her grow into a beautiful young woman, desperately fighting the legacy of her childhood.

     Struggling to make ends meet, Mary Anne Randall is offered no help by her drunk and abusive husband. A pawnbroking business run from the wash house at the back of her home is the only way she can hope to keep her three kids fed and clothed. But, as storm clouds gather over Europe, can Mary Anne break free from her loveless marriage for what might be a last chance at love...? Previously published as LOVING ENEMIES

    Together they build a fulfilling life around the most menial of jobs—Benfu’s work collecting trash. As he sorts through the discards of others, he regularly discovers abandoned children. With unwavering determination, he and Calli spend decades creating a family of hand-picked daughters that help heal the sorrow and brighten their modest home. But all is not perfect and when crisis threatens to separate their family, Benfu—or possibly his band of headstrong daughters—must find a way to overcome the biggest hardship yet. Inspired by a true story, and set against the backdrop of a country in transition, The Scavenger’s Daughters is a sweeping present day saga of triumph in the face of hardship, and the unbreakable bonds of family against all odds.

    In 1897, one such collector, a Chicago insurance magnate, sponsors an expedition into the South Seas to commemorate the completion of his company's new skyscraper—the world's tallest building. The ship is to bring back an array of Melanesian weaponry and handicrafts, but also several natives related by blood. Caught up in this scheme are two orphans—Owen Graves, an itinerant trader from Chicago's South Side who has recently proposed to the girl he must leave behind, and Argus Niu, a mission houseboy in the New Hebrides who longs to be reunited with his sister. At the cusp of the twentieth century, the expedition forces a collision course between the tribal and the civilized, between two young men plagued by their respective and haunting pasts. An epic and ambitious story that brings to mind E.L. Doctorow, with echoes of Melville and Robert Louis Stevenson, Bright and Distant Shores is a wondrous achievement by a writer known for creating compelling fiction from the fabric of history.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    Initially, Paul lives with his mother–a secular, assimilated schoolteacher, who he adores until she “betrays” him by marrying the gentile André. He is then sent to live with his father–once an admired avant-garde artist, but now reviled by the critics as a “decadent Jew,” who drowns his anger, pain, and humiliation in drink. Paul searches in vain for stability and meaning in a world that is collapsing around him, but his love for the earthy peasant girl who briefly takes care of him, the strange pull he feels towards the Jews praying in the synagogue near his home, and the fascination with which he observes Eastern Orthodox church rituals merely give him tantalizing glimpses into worlds of which he can never be a part.The fates that Paul’s parents will meet with Paul as terrified witness–his mother, deserted by her new husband and dying of typhus; his father, gunned down while trying to stop the robbery of a Jewish-owned shop–and his own fate as an orphaned Jewish child alone in Europe in 1938 are rendered with extraordinary subtlety and power, as they foreshadow, in the heart-wrenching story of three individuals, the cataclysm that is about to engulf all of European Jewry.

    How could God grant her the desire of her heart, then do nothing to prevent it from being taken away? Can she wait for God’s perfect timing, or will she take matters into her own hands…again? About to age out of a Missouri orphanage in 1858, shy Rachel listens with terror as the orphanage matron tells her she’s practically auctioning her off to the highest bidder for her hand in marriage. Rachel prays, asking God to help her and her younger brother Charlie escape, but how? When God provides what Rachel believes to be her liberator, the seed of an idea sets in motion an adventure that will bring happiness and heartbreak and nearly cost Rachel her health. When trouble comes, it comes in a big way and those who care for Rachel wonder if she will ever recover. Rachel and Charlie face danger and sorrow, see new territory, and grow in their faith. They just might even find the desire of their hearts and realize God had bigger plans than they ever imagined.

    Seventeen-year-old Josephine Bell decides to run from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell. New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: she must find the "perfect plaintiff" to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves. It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy roiling the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephine's would be the perfect face for the reparations lawsuit - if Lina can find one. While following the runaway girl's faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: How did Lina's mother die? And why will he never speak about her? Moving between antebellum Virginia and modern-day New York, this searing, suspenseful and heartbreaking tale of art and history, love and secrets, explores what it means to repair a wrong and asks whether truth is sometimes more important than justice.

    Cunningly structured and as satisfying as an intricate piece of clockwork, it plays with narrative, revels in ideas and succeeds in being both fey and sharp, detached and compassionate. At a time when fiction gives all to the tired virtual realities of sex and violence, internets, Agas and middle-class Angst, it is a brilliant reminder of the power of the imagination to surprise, delight and open windows."David Coward in The Times Literary Supplement"Crumey does produce excellent post-modernist novels, each as concentric and cunning as the others. This is a triptych starting with D'Alembert penning his imagined memoirs. The literary equivalent of an Escher, the story has no identifiable end or beginning. Clever, entertaining, engaging