Published in its entirety for the first time and illustrated, The Complete Fawlty Towers will appeal to the millions of fans who have suffered through endless PBS fundraisers waiting for the next episode -- and anyone who has survived a package holiday tour. Fawlty Towers is the hotel of every traveler's nightmare. Basil Fawlty -- ill-tempered, henpecked, and conniving -- tries in vain to be master of his house under the disapproving and ever-watchful eye of his wife, Sybil. The hotel offers service by Manuel, the incompetent Spanish waiter whose feeble grasp of English makes for hilarious misunderstandings, and Polly, the unflappable chambermaid who is Fawlty Towers' only sane employee. Meals are scorched in the kitchen while adulterers consort upstairs and chaos reigns all around. For countless fans, Fawlty Towers is the best-loved bad hotel in the world, and with publication of The Complete Fawlty Towers they will all have a chance to relive its outrageous awfulness.

    The newest screenplay from the Oscar®-nominated writers of Election and About Schmidt, Sideways is the tale of two men's adventure in California wine country.Based on Rex Pickett's acclaimed first novel, Sideways tells the story of Miles (Paul Giamatti), a failed novelist, and his soon-to-be-married friend Jack (Thomas Haden Church), a washed-up actor.To salute the remains of their youth, the two men take one last road trip in the week before Jack's wedding.A serious wine enthusiast, Miles is determined to educate his friend on the region's beloved Pinot Noir wines before the week is out.Jack indulges his best friend's passion for the grape but is mainly interested in living his last week of bachelorhood to the hilt.Trouble ensues with wine and women (Virginia Madsen and Sandra Oh), and the duo comes to some profound realizations as they come to terms with maturity.

    A farce with a hilarious drunk scene for two stylish comediennes.

    Jenny is a 16-year-old girl stifled by the tedium of adolescence; she can’t wait for her sophisticated adult life to begin. One rainy day her suburban existence is upended by the arrival of David, a much older suitor who introduces her to a glittering new world of concerts, art, smoky bars, urban nightlife, and his glamorous friends, replacing her traditional education with his own version. It could be her awakening or her undoing. This edition of Hornby’s adapted screenplay, which includes stills from the film, is a perfect accompaniment to the highly anticipated movie, which stars Carey Mulligan as Jenny, Peter Sarsgaard, Emma Thompson, Dominic Cooper, and Alfred Molina. It is a must-have for fans of Hornby’s novels, featuring his signature pitch-perfect dialogue, mordant wit, and the resonant humanity of his writing.

    In it he posed the fundamental question: What makes us human? Now director Mark Romanek (One Hour Photo), writer Alex Garland and DNA Films bring Ishiguro's hauntingly poignant and emotional story to the screen. Kathy (Oscar nominee Carey Mulligan, An Education), Tommy (Andrew Garfield, Boy A, Red Riding) and Ruth (Oscar nominee Keira Knightley, Pride & Prejudice, Atonement) live in a world and a time that feel familiar to us, but are not quite like anything we know. They spend their childhood at Hailsham, a seemingly idyllic English boarding school. When they leave the shelter of the school and the terrible truth of their fate is revealed to them, they must also confront the deep feelings of love, jealousy and betrayal that threaten to pull them apart.

    It's easy to see why Mr. Martin, who wrote the film...was moved to reinvent this role...Mr. Martin's screenplay is bighearted and funny.' The New York Times

    Together with Ingrid, the family au pair, she has worked hard to create a real "old-fashioned family life." But beneath its postcard sheen, the picture is clouded by a distant father, Alison's inexplicable emotional outbursts, and long-repressed secrets that no one dares mention. For years, Alison's adult children have protected her illusion of domestic perfection-but as each child confronts the effects of past choices on their current adult lives, it becomes evident that each must face the truth. Penelope Lively's novels of history, memory, and character have earned her a loyal readership. Like Ian McEwan's "Atonement," this novel is a measured, thoughtful look at how events of the past, both small and large, seen and unseen, deeply inform character and the present. Quietly provocative and disturbing, "Family Album" is a highly nuanced work that showcases a master of her craft.

    Carl Voigt had been a WWI prisoner of war who had married a cockney girl and never gone back. Now widowed, he and Kate were part of the London life of the square with all its rumbustious and colorful characters. Then came the war.Suddenly it seemed the Voigts were outcasts because if their German blood. When Carl was interned, Kate's only support was her best friend Carrie, and Toby, the R.A.F. pilot whom she loved. Finally when Toby was killed, and even Carrie turned against her, she found herself pregnant and totally alone.Late one Christmas Eve, during the Blitz, she was approached by a wounded sailor asking for lodgings. Leon Emmerson, like Kate, was also a lonely misfit because of his parentage. It was to be the beginning of a new friendship, of startling and dramatic events in Kate's life. And as the war progressed, as the Londoners fought to help each other while their city was bombed and burned, so the rifts in the community were healed, and Kate and those she loved became, once more, part of Magnolia Square.

    AND HE NEVER ONCE THOUGHT HE'D BE ON HIS OWN. Harry had it all: a beautiful wife, an adorable four-year-old son, and a high-paying media job. But on the eve of his thirtieth birthday, with one irresponsible act, he threw it all away. Suddenly he finds himself an unemployed single father trying to figure out how to wash his son's hair the way Mommy did and whether green spaghetti is proper breakfast food. This brilliantly engaging novel will tug at your heart as Harry learns to become a father to his son and a son to his aging father, takes stabs at finding new love, and makes the hardest decision of his life.

    Filled with her delicious humor and warmth, the twenty-two stories in London Transports will delight and captivate as they take us to a place that is far away—and yet so familiar...Where having an affair with a married man brings one woman to a turning point...Where another finds that looking for an apartment to share can be a risky business...Where nosing into a secretary's life can have shocking results...Where a dress designer just had a god-awful day...And where Maeve Binchy captures the beat of every woman's heart.

    A young man with no direction of his own, Ripley has been commissioned by Dickie's father, a wealthy industrialist, to journey to Italy and persuade the prodigal playboy home to America.However, on arrival, Ripley is instantly captivated with Dickie's charmed existence: the Amalfi coast, the jaunts to Rome, the first-class hotels, and the beautiful expatriate who completes the triangle. Dickie is amused by his new acquaintance -- never suspecting the dangerous extremes to which Ripley will go to make this lifestyle his own.

    This book tells the true story of Cathy’s adopted daughter Lucy.Lucy was born to a single mother who had been abused and neglected for most of her own childhood. Right from the beginning Lucy’s mother couldn’t cope, but it wasn’t until Lucy reached eight years old that she was finally taken into permanent foster care.By the time Lucy is brought to live with Cathy she is eleven years old and severely distressed after being moved from one foster home to another. Withdrawn, refusing to eat and three years behind in her schooling, it is thought that the damage Lucy has suffered is irreversible.But Cathy and her two children bond with Lucy quickly, and break through to Lucy in a way no-one else has been able to, finally showing her the loving home she never believed existed. Cathy and Lucy believe they were always destined to be mother and daughter – it just took them a little while to find each other.

    Catherine and Rob Allen, siblings two years apart, grow up in a world of shameful secrets. Their mother creates a public outcry, abandoning her family for a bohemian life on the Continent. Their father, whose mental state always has been slightly precarious, is committed to an asylum in the country. The children are sealed off with their grandfather in a crumbling country estate accompanied by their sturdy and well-loved servant, Kate, and the predatory tutor, Miss Gallagher. In true gothic fashion, terror, violence and eroticism collect beneath every dark surface. Against this strange and secretive backdrop, Cathy and Rob develop a closeness so fierce that it eventually threatens to smother them both. Kate makes the first crack in their hermetically sealed world, which World War I eventually bursts wide open. With Kate's departure for Canada and Rob's for the front, destitute times at home force Cathy into self-reliance. It's only after she's redeemed by hardship that she's given a second chance to be redeemed by love.

    From the Pulitzer Prize- winning author of Glengarry Glen Ross, here is a collection of thirty-two one-act plays and short dramatic pieces that David Mamet himself considers to be some of the best writing he has ever done.

    But The Hiding Place need not "hide" behind any ready-made comparisons; Azzopardi's astonishing, tension-filled debut stands assuredly on its own as a work of tremendous power and originality. The Hiding Place is narrated by Dolores, the youngest of six daughters born to a Maltese immigrant father and a Welsh mother. With one hand permanently disfigured by a fire when she was only one month old -- the hand is beautifully described by the author as "a closed white tulip standing in the rain; a cutoff creamy marble in the shape of a Saint; a church candle with its tears flowing down the bulb of wrist" -- Dolores has always been treated as an outcast. Her father, Frankie Gauci, is an incorrigible gambler who bets "more than he can afford to lose." On the day Dolores is born, he loses his half-share of a caf&eacute, as well as the apartment above it where his family lives. Everything in Frankie's life is potential currency, including his family; he even sells his second-oldest daughter Marina to gangster Joe Medora in exchange for a house and money to pay off his debts. Dolores's mother, Mary, is driven to the edge of insanity as she watches the world around her collapse, helpless to save even her children from her husband's vices. At times, The Hiding Place paints a phantasmagoric portrait of cruelty, but Trezza Azzopardi's gracefully exacting prose saves her tale from becoming a shock-fest of the sort you would expect on daytime television talk shows. Azzopardi forges profundity through delicately interwoven double-sided images: rabbits that are the children's playthings, until they are brutally slaughtered by their father; trunks, rooms, and cages that can either protect or ensnare; and most abundantly and most significantly, fire, which can warm as well as ravage. Even Dolores's older sister Fran is sent away to a home for being a pyromaniac, craving risk like her father, "gambling on how hot, how high, on how long she can bear it." While some readers may wonder how Dolores is able to relate events that happened when she was so young, it is easy to associate these stories with the phantom pains she feels in her missing fingers, her ability to "miss something [she] never knew." The story comes to us in a dreamlike tapestry, weaving together different times and perspectives. Consequently, the narrative is fragmented, leaving the reader with half-tellings, missing details, stories that unfold only in the retelling, and a sense that the only fact we can be certain of is the profound meaning she imparts through them. The Hiding Place is as much a portrait of a family's destruction as it is an exploration of how memory bends and buckles under the weight of ruin, and how "blame can be twisted like a flame in draught; it will burn and burn."