In this thrilling exploration, Pitre shows how the suffering and death of Jesus was far more than a tragic Roman execution. Instead, the Passion of Christ was the fulfillment of ancient Jewish prophecies of a wedding, when the God of the universe would wed himself to humankind in an everlasting nuptial covenant. To be sure, most Christians are familiar with the apostle Paul’s teaching that Christ is the ‘Bridegroom’ and the Church is the ‘Bride’. But what does this really mean? And what would ever possess Paul to compare the death of Christ to the love of a husband for his wife? If you would have been at the Crucifixion, with Jesus hanging there dying, is that how you would have described it? How could a first-century Jew like Paul, who knew how brutal Roman crucifixions were, have ever compared the execution of Jesus to a wedding? And why does he refer to this as the “great mystery” (Ephesians 5:32)? As Pitre shows, the key to unlocking this mystery can be found by going back to Jewish Scripture and tradition and seeing the entire history of salvation, from Mount Sinai to Mount Calvary, as a divine love story between Creator and creature, between God and Israel, between Christ and his bride—a story that comes to its climax on the wood of a Roman cross. In the pages of Jesus the Bridegroom, dozens of familiar passages in the Bible—the Exodus, the Song of Songs, the Wedding at Cana, the Woman at the Well, the Last Supper, the Crucifixion, and even the Second Coming at the End of Time—are suddenly transformed before our eyes. Indeed, when seen in the light of Jewish Scripture and tradition, the life of Christ is nothing less than the greatest love story ever told.

    This is a comprehensive attempt to make the spiritual tradition of large areas of mankind more generally accessible to the ordinary interested reader. A. M. Allchin in Church Times Catherine of Siena-The Dialogue translation and introduction by Suzanne Noffke, O.P., preface by Giuliana Cavallini If you have received my love sincerely without self-interest, you will drink your neighbor's love sincerely. It is just like a vessel that you fill at the fountain. If you take it out of the fountain to drink, the vessel is soon empty. But if you hold your vessel in the fountain while you drink, it will not get empty: indeed, it will always be full. Catherine of Siena, 1347-1380 This is the crowning spiritual work of the only woman other than Teresa of Avila to be granted the title of Doctor of the Roman Catholic Church. This volume was simply called my book by the fourteenth-century Italian saint. The aim of her book (one of the first books to see print in Spain, Germany, Italy, and England), says Dr. Noffke in her Foreword, was the instruction and encouragement of all those whose spiritual welfare was her concern. Catherine was a mystic whose plunge into God plunged her deep into the affairs of society, Church and the souls who came under her influence. Professor Noffke goes on to call The Dialogue a great tapestry to which Catherine adds stitch upon stitch until she is satisfied that she has communicated all she can of what she has learned of the way of God. In this, the sixth centenary of the great Dominican's death, we live in a time so badly in need of her sense of institutional reform as flowing from Divine truth, love and charity. Dr. Noffke says: In the opening pages of The Dialogue Catherine presents a series of questions or petitions to God the Father each of which receives a response and amplification. There is the magnificent symbolic portrayal of Christ as the bridge. There are specific discussions of discernment, tears (true and false spiritual emotion), truth, the sacramental heart ('mystic body') of the Church, divine providence, obedience.... It is not so much a treatise to be read as it is a conversation to be entered into with earnest leisure and leisurely earnest.

    With clarity and precision, Christopher West unpacks John Paul II's Theology of the Body, translating it into a language everyone can understand.