Alligator Pie, which remains the classic Canadian bedtime book, is written as if Mother Goose had the Latin name Branta canadensis, from William Lyon Mackenzie King, who "loved his mother like anything," to Trois-Rivières, which, of course, rhymes with "eat you hair."

    Edited by the two leading experts on Hughes’s work, and illustrated by the brilliant Benny Andrews, this very special volume is one to treasure forever. A much-requested book that was years in the making…and well worth the wait. One of the central figures in the Harlem Renaissance—the flowering of black culture that took place in the 1920s and 30s—Langston Hughes captured the soul of his people, and gave voice to their concerns about race and social justice. His magnificent and powerful words still resonate today: that’s why it’s so important for young people to have access to his poems. Now they do, in a splendid volume edited and illustrated by a top-caliber team who are simply the best in their fields. The introduction, biography, and annotations come from Arnold Rampersad, a Professor and Dean at Stanford University, who has written The Life of Langston Hughes, and David Roessel, co-editor with Professor Rampersad of The Collected Poems of Langston Hughes and editor of the Langston Hughes collection in Knopf’s Everyman series. Benny Andrews—a painter, printmaker, and arts advocate whose work is in the permanent collection of the Metropolitan Museum, the Museum of Modern Art, and the Smithsonian, among others—has created gallery-quality illustrations that pulse with energy and add rich dimension to the poems. Among the anthologized poems are Hughes’s best-known and most loved works: “The Negro Speaks of Rivers”; “Aunt Sue’s Stories”; “Danse Africaine”; “Mother to Son”; “My People”; “Words Like Freedom”; “Harlem”; and “I, Too”—his sharp, pointed response to Walt Whitman’s earlier “I Hear America Singing.” Poetry for Young People: Langston Hughes is a publishing event for all to celebrate.A Selection of the Scholastic Book Club.

    

    Quirky full-color illustrations portray dozens of birds chatting about their distinctive characteristics, including color, shape, plumage, and beak and foot types, while tongue-in-cheek cartoons feature banter between birds, characters, and the reader ("Here I am, the noble spruce grouse. In a spruce grove. Eatin’ some spruce. Yep."). Interactive and enjoyable tips bring an age-old hobby to new life for the next generation of bird-watchers.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    Inspired by William Blake’s Songs of Innocence and Songs of Experience, this delightful collection of poetry for children brings to life Blake’s imaginary inn and its unusual guests.

    Morris Lessmore.Billy loves to draw. He draws on books and on his homework and even on his math tests—he might not get the answer right, but doesn’t it look swell sitting in a boat at sea? His teacher doesn’t think so, and neither does the principal. But the librarian has an idea that just might help Billy better direct his illustrative energies: a book-making contest!Billy gets right to work, reading everything he can about meteors, mythology, space travel, and…mucus? Yep, his book is going to be about the world’s smartest booger, who stays tucked away until needed—say, to solve multiplication problems, or answer questions from the President. Billy’s sure his story is a winner. But being a winner doesn’t mean you always win.Full of nostalgic references to a time when TV was black-and-white and Sunday newspapers had things called the funnies, this wildly fun story-within-a-story is based loosely on children’s book legend William Joyce’s third grade year, and includes a sewn-in mini-book of that tale of the world’s smartest booger.

    Mama isn’t coming yet. Baby Llama starts to fret. In this infectious rhyming read-aloud, Baby Llama turns bedtime into an all-out llama drama! Tucked into bed by his mama, Baby Llama immediately starts worrying when she goes downstairs, and his soft whimpers turn to hollers when she doesn’t come right back. But just in time, Mama returns to set things right. Children will relate to Baby Llama’s need for comfort, as much as parents will appreciate Mama Llama’s reassuring message.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

    She is NOT talking about the piano. But Magnolia is a little girl with a big idea, determination, and one very heavy upright piano that, she insists, she needs to take with her. What's the worst that can happen? In a riotous series of mishaps, Magnolia quickly learns that--not surprisingly--a piano doesn't mix well with sand, sun, and seagulls!

    From the short, frozen days of January, through the light of summer, to the first snowflakes of December, Updike's poems rejoices in the familiar, wondrous qualities that make each part of the year unique.Hyman's award-winning paintings--modeled after her own daughter, son-in-law and grandchildren--depict an interracial family going about the business of their lives throughout the year: sledding in January, watching fireworks in July, and playing in the autumn leaves.A perfect read-aloud for the family, throughout the whole year.

    The size and arrangement of words—or even just letters on the page can add or alter meaning, and poems can take the shape of crows and fly off the page. Or become a balloon filled with rhyme drifting away from outstretched hands. Or fourteen exuberant lines can become "Joy Sonnet in a Random Universe." Here in a single extraordinary volume are thirty poems from some of the world’s finest visual poets, including John Hollander, Emmett Williams, Maureen W. Armour, and Douglas Florian—a spirited "poke in the I" brought to you by the very talented Paul B. Janeczko and Chris Raschka.

    Like haiku, sijo are brief and accessible, and the witty last line winds up each poem with a surprise. The verses in this book illuminate funny, unexpected, amazing aspects of the everyday--of breakfast, thunder and lightning, houseplants, tennis, freshly laundered socks. Carefully crafted and deceptively simple, Linda Sue Park's sijo are a pleasure to read and an irresistible invitation to experiment with an unfamiliar poetic form. Istvan Banyai's irrepressibly giddy and sophisticated illustrations add a one-of-a-kind luster to a book that is truly a gem.

    SHARRRK! But this shark is just misunderstood, or is he? In a wholly original, side-splittingly funny story, New York Times bestselling author Ame Dyckman and illustrator Scott Magoon take this perennial theme and turn it on its (hammer)head with a brand-new cheeky character. The filming of an underwater TV show goes awry when the crew gets interrupted by a... SHARRRK! Poor Shark, he wasn't trying to scare them, he's just misunderstood! Then he's accused of trying to eat a fish. Will Shark ever catch a break? After all, he wasn't going to eat the fish, he was just showing it his new tooth! Or was he? Explosively funny, extraordinarily clever, and even full of fun shark facts, this surprisingly endearing story gets to the heart of what it feels like to be misunderstood by the people around you. With a surprise twist ending, our Misunderstood Shark will have kids rolling with laughter!

    The selections are arranged by the seasons, and Sorensen's handsome watercolor illustrations capture the feel of the New England landscape without in any way trying to provide literal images for the poetry. There's an excellent biographical essay, and at the bottom of each page, Schmidt provides a brief note on some of the possible ways to read the lines....These nature poems show that poetry holds feelings and ideas that everyone can understand."--Booklist. "...superb; the poems introduced in a tone that is informative but not pedantic."--PW. "...satisfies in every way."--SLJ. "Include[s] both well-known favorites and those less often read or quoted. 'Mending Wall,' 'Birches,' 'The Road Not Taken' are essential Frost and all are here."--Quill & Quire. ". . . thoughtfully compiled and brilliantly illustrated."--Buzz Weekly. 48 pages (all in color), 8 1/2 x 10.