All she wants is to belong. But when compromising circumstances force them together, do they have a chance at finding love? Silas Riley, Earl of Inglewood, is known among his peers in Parliament as the man made of stone. As a wealthy peer, there are few he trusts with his friendship. He guards his heart and his honor with vigilance, and when an accident nearly takes his life, he’s faced with a situation which threatens his standing in society.Growing up in the shadow of her older brother, Esther Fox’s acceptance in his circle has been indifferent at best. So when she ends up in a compromising situation as she saves the life of her brother’s dearest friend, the Earl of Inglewood, she is forced to marry him to save her own reputation. Once again, she finds herself accepted only because of the situation, and not because she is truly wanted.Neither are prepared for a loss which further complicates their new relationship. With such a difficult beginning, can they ever hope to understand one another, let alone find love?

    A handsome and reclusive horse breeder, Spencer Dumarque, the fourth Duke of Morland, is a member of the exclusive Stud Club, an organization so select it has only ten members--yet membership is attainable to anyone with luck. And Spencer has plenty of it, along with an obsession with a prize horse, a dark secret, and, now, a reputation as the dashing "Duke of Midnight." Each evening he selects one lady for a breathtaking midnight waltz. But none of the women catch his interest, and nobody ever bests the duke--until Lady Amelia d'Orsay tries her luck. In a moment of desperation, the unconventional beauty claims the duke's dance and unwittingly steals his heart. When Amelia demands that Spencer forgive her scapegrace brother's debts, she never imagines that her game of wits and words will lead to breathless passion and a steamy proposal. Still, Spencer is a man of mystery, perhaps connected to the shocking murder of the Stud Club's founder. Will Amelia lose her heart in this reckless wager or win everlasting love?

    His ward deserves a reputable governess, so he threatens to give Adriana the sack mere days before Christmas.Desperate to convince the sexy duke not to tear her from the little girl she's grown to adore, Adriana challenges him to prove she’s not the reputable governess he believed he hired. If he can seduce her before the Twelve Days of Christmas have come to an end, she will leave without protest.But when they find the challenge more difficult than either imagined, can they face the consequences of their decisions?

    After rejecting him, she is required to follow him into the woods to return the hat he left behind, before it is discovered that he had visited her. She is shocked to see he is in far greater pain at her refusal than she realised and when she seeks to comfort him, he forgets himself and kisses her. Unfortunately, Mr Collins, Elizabeth's cousin, witnesses it and not recognising Mr Darcy, is pleased to inform Mr Darcy's aunt, the formidable Lady Catherine de Bourgh of Rosings Park, that the pert Miss Bennet's reputation has been compromised. It seems a fitting revenge for a woman who had rejected his own offer of marriage not so long ago. But when Mr Darcy reveals himself as the man who compromised Miss Bennet, and is therefore the man who is required to marry her and save her reputation, Elizabeth is far from grateful. She, who always wanted to marry for love, is now obligated to marry a man she despises for his selfish disdain for others, and who has ruined the happiness of her most beloved sister. Can Mr Darcy persuade her to give him a chance to prove himself worthy of her? And in Elizabeth's pretence to her family of being a happily engaged woman, is it possible she is being fooled by her own charade into feeling more than she does? Or are these growing feelings for Mr Darcy something more than that? At Longbourn, a scandal involving her sister, Lydia, threatens the match and Elizabeth is suddenly confronted with the possibility that maybe she does not know Mr Darcy as well as she believed. And that just maybe, he is the man for her after all.

    However, what price must she pay for that future? She once said she was not romantic, but how true is that now after almost one year of marriage? Mr Collins is submissive in the extreme to his patroness, and his constant simpering, fawning and deference to the overbearing and manipulative Lady Catherine de Bourgh is sure to try the patience of a saint, or at least of Charlotte. As Charlotte becomes part of Hunsford society, she discovers she is not the only one who has been forced to submit to the controlling and often hurtful hand of Lady Catherine. She feels trapped and realises her need for love and affection. She is not as content as she once thought she would be. The easiest thing to do would be to maintain the peace and do as she is told. But as Charlotte witnesses the misery around her due to her inimitable neighbour, she must decide to remain as she is or to begin a chain of events that will change not only her life but also the lives of those around her in the village of Hunsford forever. But...after all, doesn't every girl deserve a happy ending?

    “You don’t want a fortune and you don’t want to be married, while I should enjoy both excessively. If Great Aunt Agatha had wished to promote the marriage of a great niece, why didn’t she leave her fortune to me?” At the age of 24, the bookish and beautiful Miss Elaine Howard of Lynnfield Manor has long accepted her status as a spinster. Her life is focused on taking care of her roguish invalid father and his dilapidated estate and on preparing her younger sister Anne for her first Season. An unexpected inheritance which promises her a large fortune if she marries before her 25th birthday soon sets off a train of dramatic and comic events, which include a spate of unwelcome fortune hunters, an exchange of identities, an abduction, and a mystery around a missing family heirloom. An Unmarried Lady is a regency romance written in the style of Georgette Heyer. Its lively characters become embroiled in a plot that makes use of the thick black fog that descended upon London and the surrounding countryside in December of 1813, and also touches on events in the lives of Henry VIII, Catherine Howard and Mary Wollstonecraft.