This book helps to restore full humanity to these six fascinating women by applying the insights of feminist scholarship. Here they appear not as stereotypes, not simply as victims, but as lively, intelligent noblewomen doing their best to survive in a treacherous court. Divorced, Beheaded, Survived takes a revisionist look at 16th-century English politics (domestic and otherwise), reinterpreting the historical record in perceptive new ways. For example, it shows Ann Boleyn not as a seductress, but as a sophisticate who for years politely suffered what we would now label royal sexual harassment. It presents evidence that the princess Anne of Cleves, whom Henry declared ugly and banished from his bed, was in fact a pretty woman who agreed to the king's whim as her best hope for happiness.

     Elizabeth I criminalised Catholicism in England. For refusing to attend Anglican services her subjects faced crippling fines and imprisonment. For giving refuge to outlawed priests -- the essential conduits to God's grace -- they risked death. Almost two hundred Catholics were executed in Elizabeth's reign and hundreds more wasted away in prison. They were beleaguered on the one hand by a Papacy that branded Elizabeth a heretic and sanctioned her deposition and on the other by a government that saw itself fighting a war on terror and deployed every weapon in its arsenal, including torture, to combat the threat. With every invasion scare and attempt on Elizabeth's life, the danger for England's Catholics grew. God's Traitors explores this agonising conflict of loyalty from the perspective of one Catholic family, the Vauxes of Harrowden Hall. To follow the Vaux story -- from staunch loyalty to passive resistance to increasing activism -- is to see, in microcosm, the pressures and painful choices that confronted the Catholic community of Reformation England. Theirs in an enthralling tale of plots, priest-holes and persecution plated out in a world of shadows people by spies and agents provocateurs. They lived in a state of siege, under constant surveillance. The petty squabbles, unsuitable marriages, love and laughter of family life were punctuated by dawn raids, sudden arrests and clandestine meetings. Above all, this is a timeless and timely story of human courage and frailty, repression and reaction and the power of faith against the sternest of odds.

    But this award-winning biography offers a more humane and measured perspective on the life of this tormented woman. With sympathy, Prescott examines just how Mary, who was swept to the throne on a wave of popular acclaim, fell so far in her countrymen's esteem that just five years after her coronation, her death was greeted with universal relief.

    But while this medieval medicine now seems archaic, it also made a critical contribution to modern science.Medieval Bodies guides us on a head-to-heel journey through this era’s revolutionary advancements and disturbing convictions. We learn about the surgeons who dissected a living man’s stomach, then sewed him up again; about the geographers who delineated racial groups by skin color; and about the practice of fasting to gain spiritual renown. Encompassing medicine and mysticism, politics and art—and complete with vivid, full-color illustrations—Medieval Bodies shows us how it felt to live and die a thousand years ago.

    Here, Sunday Times bestselling author Charles Spencer tells the real story behind the legend to show how one cataclysmic shipwreck changed England’s course.In 1120, the White Ship was known as the fastest ship afloat. When it sank sailing from Normandy to England it was carrying aboard the only legitimate heir to King Henry I, William of Ætheling. The raucous, arrogant young prince had made a party of the voyage, carousing with his companions and pushing wine into the eager hands of the crew. It was the middle of the night when the drunken helmsman rammed the ship into rocks.The next day only one of the three hundred who had boarded the ship was alive to describe the horrors of the slow shipwreck. William, the face of England’s future had drowned along with scores of the social elite. The royal line severed and with no obvious heir to the crown, a civil war of untold violence erupted. Known fittingly as ‘The Anarchy’, this game of thrones saw families turned in on each other, with English barons, rebellious Welsh leaders and Scottish invaders all playing a part in the bloody, desperate scrum for power.One incredible shipwreck and two decades of violent uncertainty; England’s course had changed forever.

    By focusing on the experiences of ordinary villagers as they lived-and died-during the Black Death (1345-50), Hatcher vividly places the reader directly inside those tumultuous times and describes in fascinating detail the day-to-day existence of people struggling with the tragic effects of the plague. Dramatic scenes portray how contemporaries must have felt and thought about these momentous events: what they knew and didn't know about the horrors of the disease, what they believed about death and God's vengeance, and how they tried to make sense of it all despite frantic rumors, frightening tales, and fearful sermons.

    “He has nerve and he has knowledge.”In the span of fifteen years, Dr. Thomas Neill Cream poisoned at least ten people in the United States, Britain, and Canada, a death toll with almost no precedents. Structured around Cream’s London murder trial in 1892, when he was finally brought to justice, The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society that allowed Cream to prey on vulnerable and desperate women, many of whom had turned to him for medical help.Dean Jobb vividly re-creates this largely forgotten historical account against the backdrop of the birth of modern policing and newly adopted forensic methods, though most police departments still scoffed at using science to solve crimes. But then most police departments could hardly imagine that serial killers existed—the term was unknown at the time. As the Chicago Tribune wrote then, Cream’s crimes marked the emergence of a new breed of killer, one who operated without motive or remorse, who “murdered simply for the sake of murder.”

    In only a few decades, the capital grew from a compact Regency town into a sprawling metropolis of 6.5 million inhabitants, the largest city the world had ever seen. Technology--railways, street-lighting, and sewers--transformed both the city and the experience of city-living, as London expanded in every direction. Now Judith Flanders, one of Britain's foremost social historians, explores the world portrayed so vividly in Dickens' novels, showing life on the streets of London in colorful, fascinating detail. From the moment Charles Dickens, the century's best-loved English novelist and London's greatest observer, arrived in the city in 1822, he obsessively walked its streets, recording its pleasures, curiosities, and cruelties. Now, with him, Flanders leads us through the markets, transport systems, sewers, rivers, slums, alleys, cemeteries, gin palaces, chop-houses, and entertainment emporia of Dickens' London, to reveal the Victorian capital in all its variety, vibrancy, and squalor.

    A tribe of Native Americans had made her their weroanza—a word that meant "big chief". The news was received with great joy, both by the Queen and her favorite, Sir Walter Ralegh. His first American expedition had brought back a captive, Manteo, who caused a sensation in Elizabethan London. In 1587, Manteo was returned to his homeland as Lord and Governor, with more than one hundred English men, women, and children. In 1590, a supply ship arrived at the colony to discover that the settlers had vanished.For almost twenty years the fate of Ralegh's colonists was to remain a mystery. When a new wave of settlers sailed to America to found Jamestown, their efforts to locate the lost colony were frustrated by the mighty chieftain, Powhatan, father of , who vowed to drive the English out of America. Only when it was too late did the settlers discover the incredible news that Ralegh's colonists had survived in the forests for almost two decades before being slaughtered in cold blood by henchmen. While Sir Walter Ralegh's "savage" had played a pivotal role in establishing the first English settlement in America, he had also unwittingly contributed to one of the earliest chapters in the decimation of the Native American population. The mystery of what happened to these colonists who seemed to vanish without a trace lies at the heart of this well-researched work of narrative history.

    The women of the royal family are the central characters; what they ate, how they dressed, the books they read, and the letters they wrote are all addressed. Yet even the greatest of these women suffered the universal legal and physiological disabilities of womanhood, and while some triumphed over them, others went under.

    As acclaimed popular historian and author of How to Be a Victorian Ruth Goodman shows in her madcap chronicle, Elizabethan England was particularly rank with troublemakers, from snooty needlers who took aim with a cutting “thee,” to lowbrow drunkards with revolting table manners. Goodman draws on advice manuals, court cases, and sermons to offer this colorfully crude portrait of offenses most foul. Mischievous readers will delight in learning how to time your impressions for the biggest laugh, why quoting Shakespeare was poor form, and why curses hurled at women were almost always about sex (and why we shouldn’t be surprised). Bringing her signature “exhilarating and contagious” enthusiasm (Boston Globe), this is a celebration of one of history’s naughtiest periods, when derision was an art form.

    It wiped out one-third of Europe's population, taking some 20 million lives. And yet, most of what we know about it is wrong. The details of the Plague etched in the minds of terrified schoolchildren—the hideous black welts, the high fever, and the awful end by respiratory failure—are more or less accurate. But what the Plague really was and how it made history remain shrouded in a haze of myths.Now, Norman Cantor, the premier historian of the Middle Ages, draws together the most recent scientific discoveries and groundbreaking historical research to pierce the mist and tell the story of the Black Death as a gripping, intimate narrative.

    Joanna Stafford, a Dominican nun, learns that her favorite cousin has been condemned by Henry VIII to be burned at the stake. Defying the rule of enclosure, Joanna leaves the priory to stand at her cousin’s side. Arrested for interfering with the king’s justice, Joanna, along with her father, is sent to the Tower of London.While Joanna is in the Tower, the ruthless Bishop of Winchester forces her to spy for him: to save her father’s life she must find an ancient relic—a crown so powerful, it may possess the ability to end the Reformation.With Cromwell’s troops threatening to shutter her priory, bright and bold Joanna must decide who she can trust so that she may save herself, her family, and her sacred way of life. This provocative story set in Tudor England melds heart-stopping suspense with historical detail and brings to life the poignant dramas of women and men at a fascinating and critical moment in England’s past.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    He was also head over heels in love with his wife's lady in waiting Anne Boleyn, the future mother of Elizabeth I. But getting his freedom involved a terrific web of intrigue through the enshrined halls of the Vatican that resulted in a religious schism and the formation of the Church of England. Henry's man in Rome was a wily Italian diplomat named Gregorio Casali who drew no limits on skullduggery including kidnapping, bribery and theft to make his king a free man. In this absorbing narrative, winner of the Rome Fellowship prize and University of Durham historian Catherine Fletcher draws on hundreds of previously-unknown Italian archive documents to tell the colorful tale from the inside story inside the Vatican.