Here you can find our list of the 100 greatest novels of all time.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    This edition covers everything including his novels, Christmas books, short stories, Christmas short stories, collaborations, non-fiction, poetry, and plays. Also, you can easily navigate through chapters using the linked Table of Contents found at the start of this edition. Purchase this Charles Dickens Collection and treat yourself to the following list of works by this classic British Author: Novels: The Posthumous Papers of the Pickwick Club (1836-1837) Oliver Twist (1837-1839) The Life and Adventures of Nicholas Nickleby (1838-1839) The Old Curiosity Shop (1840-1841) Barnaby Rudge: A Tale of the Riots of 'Eighty (1841) The Life and Adventures of Martin Chuzzlewit (1843-1844) Dombey and Son (1846-1848) David Copperfield (1849-1850) Bleak House (1852-1853) Hard Times: For These Times (1854) Little Dorrit (1855-1857) A Tale of Two Cities (1859) Great Expectations (1860-1861) Our Mutual Friend (1864-1865) The Mystery of Edwin Drood (1870) The Christmas Books: A Christmas Carol (1843) The Chimes (1844) The Cricket on the Hearth (1845) The Battle of Life (1846) The Haunted Man and the Ghost's Bargain (1848) Short Story Collections: Sketches by Boz (1836) The Mudfog Papers (1837) Master Humphrey’s Clock (1840-1841) Reprinted Pieces (1861) The Uncommercial Traveller (1860–1869) Short Stories: The Lamp Lighter (1838) To be Read at Dusk (1852) The Lazy Tour of Idle Apprentices (1857) The Signal Man (1866) George Silverman’s Explanation (1868) Holiday Romance (1868) Christmas Short Stories: A Christmas Tree (1850) What Christmas is as we Grow Older (1851) The Poor Relation’s Story (1852) The Child’s Story (1852) The Schoolboy’s Story (1853) Nobody’s Story (1853) Going Into Society (1858) Somebody's Luggage (1862) Mrs. Lirriper's Lodgings (1863) Mrs. Lirriper's Legacy (1864) Doctor Marigold's Prescriptions (1865) Collaborative Works: The Holly-Tree Inn (1855) The Wreck of the "Golden Mary" (1856) The Perils of Certain English Prisoners (1857) A House to Let (1858) The Haunted House (1859) A Message from the Sea (1860) Tom Tiddler's Ground (1861) The Trial for Murder (1865) Mugby Junction (1866) No Thoroughfare (1867) Non-Fiction, Poetry, and Plays: Sunday Under Three Heads (1836) American Notes: For General Circulation (1842) Pictures from Italy (1846) A Child's History of England (1853)

    Curwood loved the outdoors and is known for his conservation efforts. Many of his books were made into movies as late as the 1990's. In The River's End two men who resemble each other physically lead very different lives. Conniston is a member of the Northwest Mounted Police. Keith is an outlaw. This physical trait linked these men together.

    KnowledgeNotes offers students in-depth analysis of the most frequently studied literary works, from William Shakespeare to Maya Angelou, and Aeschylus to Toni Morrison

    

    Narayan, easily one of the most influential and important writers of India, populated the fictional town of Malgudi with a host of unforgettable characters: Swami and his gang of friends, the Talkative Man, Raju the guide and Sampath the printer, among many others. These characters have carved out a place for themselves in popular imagination and live on, still fresh and endlessly entertaining, many decades after they first appeared.Timeless Malgudi brings together a selection of the best and the most enduring of R.K. Narayan’s fiction and non-fiction. The Guide examines, with wit and irony, how a man becomes a godman. The story ‘A Horse and Two Goats’ describes an attempt at cross-cultural communication which goes haywire, with hilarious consequences. The excerpt from My Days, Narayan’s autobiography, paints a poignant picture of the author’s childhood while the ‘Misguided “Guide”’ is a cynical, sharply written chronicle of the making of the film Guide, based on his novel. Also included in this volume are excerpts from the travelogue My Dateless Diary and a brilliant retelling of the Tamil epic Silappadikaram.Catering both to Narayan aficionados and to readers who have not yet been introduced to his work, Timeless Malgudi is as much a showcase of Narayan’s writing as it is a celebration of Malgudi, the town which time does not touch.

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page hardcover book retains key phrases and quotations from the original classics. Take a journey into the future of science and imagination, as seen through the eyes of Jules Verne. The adventures of Henry, Hans, and Professor Von Hardwigg take the reader from the surface of a planet they know to a world alien to them located deep inside the earth. Verne shows man's ability to survive even in the most adverse conditions and proves that survival is man's most basic instinct. He brings out the adventurer in all of us.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    Cooper Silwood, precise in attire, composed in appearance, and punctual as usual to the minute, walked into his room on the first floor of 176 New Square, Lincoln's Inn, where were the offices of Eversleigh, Silwood and Eversleigh, the well-known and long-established firm of solicitors of which he was a partner. He was met, as was customary, on his entrance by the head-clerk, John Williamson, who had already opened and sorted out methodically the letters received over-night. An admirable specimen of his class, Williamson generally wore an air of great imperturbability, but this morning his face had a troubled expression. "Anything special, Mr. Williamson?" asked Silwood quietly, putting away his hat and gloves.

    The film was directed by Blake Edwards and released by Paramount Pictures. It was based on the novella of the same name by Truman Capote.

    He has, however, been a disappointment to his family in several ways: In appearance he is insignificant looking both in face and figure; he went to the University of Florida instead of Harvard where his forbears had been mainstays of the varsity crew for generations, and he studied agriculture instead of pointing himself toward a career in banking, bonds, or law. To say the least he is not apparently the stuff from which heroes are fashioned.As an agricultural expert specializing in fruit farming, Arthur becomes a Peace Corps volunteer and is assigned to the Republic of San Marco in the Caribbean. This weak-chinned Don Quixote soon acquires his Sancho Panza in the person of a rascally eleven-year-old boy, Pepe, who makes a bargain to be paid 400 pesos each time he saves Arthur's life. (The payments mount alarmingly!)The island's dictator thinks he can use Arthur to obtain military supplies with which to wipe out the band of guerillas in the hills who oppose his corrupt dictatorship. Failing in this the dictator decides to murder Goodpasture and cause an international incident by blaming it on the guerillas. This, he reasons, will bring the U.S. in to help stamp out the rebels.This plan also backfires (with Pepe's help, of course) and Goodpasture is taken prisoner and when they see he is a harmless eccentric he is appointed chief cook for the guerillas. From then on Arthur's life becomes a series of misadventures through which he moves serenely and from which he generally emerges unscathed (again with Pepe's assistance) until he surprisingly finds himself the guerillas' leader.Following one of the funniest bloodless revolutions imaginable Arthur Peabody Goodpasture ends up as Arthur el Gavilan, the new dictator of San Marco. "His strength was as the strength of ten because his heart was pure."

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.