Her ghost still inhabits the place and takes over the wife's body, goes to Hollywood, and tries to re-enter films. The couple meets a film buff, living in Vilma Banky's old home, and he has prints of all the lost films including the complete Greed.

    Benson.There's nothing sinister about a London bus. Nothing supernatural could occur on a busy Tube platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden, inexplicable chill. There's no need for a ticking clock, a limping footstep, or a knock at the door to start you trembling. There's nothing to be scared of. Nothing at all.

    The suspension of disbelief happens easily, as the reader is led through twisted family trees and plot lines. The quincunx of the title is a heraldic figure of five parts that appears at crucial points within the text (the number five recurs throughout the novel, which itself is divided into five parts, one for each of the family galaxies whose orbits the narrator is pulled into). Quintuple the length of the ordinary novel, this extraordinary tour de force also has five times the ordinary allotment of adventure, action and aplomb.

    Rose Gallagher might dream of bigger things, but she’s content enough with her life as a housemaid. After all, it’s not every girl from Five Points who gets to spend her days in a posh Fifth Avenue brownstone, even if only to sweep its floors. But all that changes on the day her boss, Mr. Thomas Wiltshire, disappears. Rose is certain Mr. Wiltshire is in trouble, but the police treat his disappearance as nothing more than the whims of a rich young man behaving badly. Meanwhile, the friend who reported him missing is suspiciously unhelpful. With nowhere left to turn, Rose takes it upon herself to find her handsome young employer.The investigation takes her from the marble palaces of Fifth Avenue to the sordid streets of Five Points. When a ghostly apparition accosts her on the street, Rose begins to realize that the world around her isn’t at all as it seems―and her place in it is about to change forever.

    Pass this volume on to readers who are hungry for more historical stories with a supernatural frame." - BooklistLonglisted for The Guardian's Not the Booker Prize 2019.Years before either becomes a literary legend, Bram Stoker and Oscar Wilde must overcome their disdain for one another to battle the Black Bishop, a mysterious madman wielding supernatural forces to bend the British Empire to his will. With the help of a European vampire expert, a spirited actress and an American businessman, our heroes fight werewolves, vampires and the chains of Victorian morality. The fight will take them through dark forests in Ireland, the upper-class London theater world and Stonehenge, where Bram and Oscar must stop a vampire cult from opening the gates of Hell.FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    A red, spiderwebbed haze covers the sun. Temperatures drop, fields flood and freeze, grain rots on the stem. The people are starving, and even the wealthy and titled are affected by shortages. Sickness spreads as a red fungus overtakes fields, seals over windows, and infiltrates cellars.On the way back from the Napoleonic Wars in France, Marcus, the younger son of the Earl of Penderbrook, returns to find his brother dead, the estate covered in fungus, and his father sinking into madness.The last thing Marcus wants to do is be responsible for Penderbook; he wants only to spend the rest of his life playing cards, drinking, and seducing other men’s wives. But even the responsible life of an heir escapes from his grasp, as his brother’s body disappears, his father turns violent, and pale monsters horrify the countryside.As Marcus pieces together the truth, he discovers a past more tainted with evil than he could have suspected.From the family wine cellar to the folly behind the house—from the pond where he played as a child to the new cotton mill built along the stream—None of what happens at Penderbrook is innocent.And the monstrosities that have been committed may still be carried in Marcus’s blood…A tale of transformation and terror, set in the year Mary Shelley wrote Frankenstein.

    At a young age, her locks made her the target of Carroty Kate, a 'skinner'. She recruited Ivy to help her coax wealthy children away from their nannies so that she could rob them. Now she has been spotted by a famous painter.

    Refusing to cave in to society's rules, Eleanor's exuberant style, wavering voice and lack of Hollywood beauty are fodder for the media.First Lady for thirteen years, Eleanor redefines and exploits this role to a position ofpower. Using her influence she champions for Jews, African Americans and women. Living through two world wars Eleanor witnesses thousands of graves, broken bodies and grieving families. After visiting troops in the Pacific she says:"If we don't make this a more decent world to live in I don't see how we can look these boys in the eyes."She defies a post-war return to status quo and establishes the Universal Declarationof Human Rights within the U.N. She earns her way to being named "First Lady of the World." The audacity of this woman to live out her own destiny challenges us to do the same. After all, it's not about Eleanor. Her story is history.  It's about us.

    As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting. William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago. As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.

    For Tom Dargin, courting an ailing spinster was only one duty in a long life of service to his sire. But after he meets the curious Miss Shaw, will Tom become the seducer or the seduced? Can a love fated to end in tragedy survive a looming grave? In Gaslight Hades, Nathaniel Gordon walks two worlds—that of the living and the dead. Barely human, he's earned the reputation of a Bonekeeper, the scourge of grave robbers. He believes his old life over, until one dreary burial he meets the woman he once loved and almost married. Lenore Kenward stands at her father’s grave, begging the protection of the mysterious guardian, not knowing he is her lost love. Resolved to keep his distance, Nathaniel is forced to abandon his plan and accompany Lenore on a journey into the mouth of Hell where sea meets sky, and the abominations that exist beyond its barrier wait to destroy them.

    For fans of Michelle Paver and Sarah Waters, this gothic tale will weave its way into your imagination and chill you to the bone.Maybe you've heard tales about Scarcross Hall, the house on the old coffin path that winds from village to moor top. They say there's something up here, something evil.Mercy Booth isn't afraid. The moors and Scarcross are her home and lifeblood. But, beneath her certainty, small things are beginning to trouble her. Three ancient coins missing from her father's study, the shadowy figure out by the gatepost, an unshakeable sense that someone is watching.When a stranger appears seeking work, Mercy reluctantly takes him in. As their stories entwine, this man will change everything. She just can't see it yet.

    Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

     Unfortunately, she’s wrong—things are about to get a whole lot worse. If she ever wants to see her family reunited, she’s going to have to rely on the one person she most wants to see destroyed: Petra. In a race against time and the enmity of the Rogue Reds, Kallie and Petra must seek out an artifact that can undo the damage of the vampires’ faction war. As Petra seeks to turn Kallie to her side, Kallie must weigh whether she’s right to place any trust in her birth mother, and if she must, is it worth losing her allies and the ones she loves? Fall in love with immortar vampires and werewolves in this paranormal fantasy series. Blood Red Series: Courage Runs Red Night Watch Marked by Courage Forever Night

    Among the cast is Clemency, an old acquaintance of Libby Sarjeant and Fran Wolfe. She is making her return to the professional stage, encouraged by her mother Dame Amanda Knight, whom Libby and Fran met on a previous adventure.But when one objectionable member of the cast is found dead, Dame Amanda and heavyweight of the English Stage, Sir Andrew McColl, call in Libby, Fran and their friends to prevent the wrong person being charged with murder and the Nethergate pantomime from turning into a disastrous melodrama.