In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weekly’s 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq. In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation – can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity? Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can.

    Arranged by decade, this book introduces you to 1000 of the best comic books ever published and the amazing writers who created them.

    In the detached, back-fence gossip style he was famous for, Warhol tells all—the ultimate inside story of a decade of cultural revolution.

    This over-sized anniversary issue follows in those footsteps, as an all-star lineup of Green Arrow creators, alongside some of the gifted creators of the modern era who have been inpsired by Oliver Queen, unite to pay tribute to the Battling Bowman. See what the past, present and future have in store for Oliver Queen, Black Canary, Connor Hawke, Arsenal, Red Arrow, Speedy, and more in this epic special!

    Since all journalists and writers were barred from the shooting of the movie Close Encounters of the Third Kind, actor Bob Balaban's diary is a rare on-the-spot account of the making of Steven Spielberg's classic sci-fi film.

    It also includes stories some reprinted for the first time about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. The volume s dozen critical essays illuminate Clowes s comics by locating them within biographical, artistic, and socio-historical contexts, including the Indie and DIY movements, Generation X philosophy, and the history of American cartooning. Selections by artists who influenced Clowes and a detailed chronology of his work round out the collection, and extensive annotations shed light on the cartoonist s sources and cultural references. Perfect for the college literature/graphic narrative classroom.

    From Harvey Girls to homesteaders, ranchers to rodeo champions, and miners to merchants, to name a few. An enjoyable, inspiring quick read including humorous short stories written by the author’s father, Verner G. Benson about early days in Arizona. Settings include Flagstaff, Williams, Oak Creek Canyon, Jerome, Sedona, Roosevelt Dam, Cottonwood, Tonalea (Navajo Reservation), Valle, Kirkland Junction and Grand Canyon.

    Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

    Much has been written about this larger-than-life pitcher, but when it comes to Paige, fact does not easily separate from fiction. He made a point of writing his own historyand then re-writing it. A tall, lanky fireballer, he was arguably the Negro League's hardest thrower, most entertaining storyteller and greatest gate attraction. Now the Center for Cartoon Studies turns a graphic novelist's eye to Paige's story. Told from the point of view of a sharecropper, this compelling narrative follows Paige from game to game as he travels throughout the segregated South. In stark prose and powerful graphics, author and artist share the story of a sports hero, role model, consummate showman, and era-defining American.

    But as the nineties began, independents were looking for creative ways to survive. Several banded together to share cost and talent; they were known as Eastern Championship Wrestling. Based out of a warehouse in Philadelphia, this promotion seemed doomed to be just one more ninety-day wonder. They hired Paul Heyman, who told the company he would come in, shake things up, and leave. But Heyman stayed and redefined professional wrestling in the nineties. He crafted a promotion that dared to push the boundaries of sports entertainment. What he created became Extreme Championship Wrestling. Heyman dared to break with tradition. Rather than relying on local talent and down-and-out veterans, he created new characters and story lines that would appeal to hardcore wrestling fans. Paul knew you had to offer the fans more than the match. Heyman encouraged wrestlers to speak from their hearts. ECW became known for the interview, the shoot. As for the matches: tables, ladders, chairs, barbed wire, and even frying pans were used with abandon. Wrestlers not wanting to be topped put their bodies on the line, taking ever greater risks, daring to jump, leap, and fall from places never tried before. ECW matches became the stuff of legend. For nearly a decade, ECW redefined professional wrestling with a reckless, brutal, death-defying, and often bloody style that became synonymous with ³hardcore.² Through extensive interviews with Paul Heyman, Mick Foley, Tazz, Tommy Dreamer, Rob Van Dam, and many more, The Rise & Fall of ECW reveals what made this upstart company from Philadelphia great.

    This work of graphic nonfiction, told in the style of an illustrated diary, begins as an affectionate reminiscence of the author’s 1990s teenage infatuation with the late actor River Phoenix but morphs into a remarkable, sprawling account of the city of Portland and state of Oregon's dark history of white nationalism. Murphy details the relationship between white supremacist Tom Metzger (former KKK Grand Wizard and founder of the White Aryan Resistance) and the "Rose City" street kids like Ken Death that infiltrated Van Sant's films -- a relationship that culminates in an infamous episode of Geraldo. Murphy brilliantly weaves 1990s alternative culture, from Kurt Cobain and William Burroughs to Keanu Reeves and the Red Hot Chili Peppers, with two centuries of the Pacific Northwest's shameful history as a hotbed for white nationalism: from the Whitman massacre in 1847 and the Ku Klux Klan's role in Portland's city planning in the early 1900s to the brutal treatment of Black people displaced in the 1948 Vanport flood and through the 2014 armed standoff with Cliven Bundy's cattle ranch. In Murphy's personal reflections and heart-racing descriptions of scenes like infamous campfire kiss in My Own Private Idaho, the artist's story becomes a moral anchor to a deeply amoral regional history and marks the incredible debut of a talented new voice to the graphic medium.

    Composing and recording some of the landmark music in the early history of genre, Bix struggled with personal demons, facing the disapproval of his conservative parents and an increasing dependence on alcohol. Told mostly in silent panels to reflect his outsider quality and inability to communicate in anything other than musical terms, Bix tells the story of the rapid rise and tragic fall of a musical legend—a metaphor for the glories and risks inherent in the creative life.

    Invisible Ink unfolds like a detective story, alternating between past and present, as Griffith recreates the quotidian habits of suburban Levittown and the professional and cultural life of mid-century Manhattan in the 1950s and ’60s as seen through his mother’s and his own then-teenage eyes. Griffith puts the pieces together and reveals a mother he never knew.

    Her simple, unadorned drawing style, heavy narration, and biting wit chronicle transient roommates who communicate only through Post-it notes; aspiring artists who sublet tiny rooms in leaky, greasy broken-down border-house loft apartments crawling with bugs, cats, and bad art. Bell tackles a string of forgettable, unrelated jobs--including nude modeling, artist's assistant, art teacher, and jewelry maker--that only serve to bolster her despair, boredom, and discomfort in her own skin.Bell's self-scrutiny leads her to dream sequences that allow her to rise above her banal actuality and hyperawareness. She fantasizes about her vision of a perfect world as she becomes the accomplished artist and world traveler she longs to be. Bell's daily comics allow her to escape the harsh, judgmental gaze of the world and the monotony of daily life. Her unpolished art speaks to a desire to record all the messy details while the pain and confusion are still fresh.Coming of age amid the zine revolution, cartoonist Gabrielle Bell has been creating her comics to much acclaim, even winning an Ignatz Award for the self-published serialization of Lucky.

    Fast-paced, poignant, and beautifully illustrated by the award-winning illustrator Mark Zingarelli, Second Avenue Caper is a heartfelt tribute to the generation that faced down AIDS.