In the events and musings recorded here we find the seeds of those themes that obsessed him throughout his career and imbued his classic novels The Immoralist and The Counterfeiters. Gide led a life of uncompromising self-scrutiny, and his literary works resembled moments of that life. With If It Die, Gide determined to relay without sentiment or embellishment the circumstances of his childhood and the birth of his philosophic wanderings, and in doing so to bring it all to light. Gide’s unapologetic account of his awakening homosexual desire and his portrait of Oscar Wilde and Lord Alfred Douglas as they indulged in debauchery in North Africa are thrilling in their frankness and alone make If It Die an essential companion to the work of a twentieth-century literary master.

    Placed by the parents of a 15-year-old Jewish girl, Dora Bruder, who had run away from her Catholic boarding school, the ad sets Modiano off on a quest to find out everything he can about Dora and why, at the height of German reprisals, she ran away on a bitterly cold day from the people hiding her. He finds only one other official mention of her name on a list of Jews deported from Paris to Auschwitz in September 1942. With no knowledge of Dora Bruder aside from these two records, Modiano continues to dig for fragments from Dora's past. What little he discovers in official records and through remaining family members, becomes a meditation on the immense losses of the period—lost people, lost stories, and lost history. Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Nazi Occupation, and the paranoia of the Pétain regime as he tries to find connections to Dora. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result, a montage of creative and historical material, is Modiano's personal rumination on loss, both memoir and memorial.

    Its exciting account of air adventure, combined with lyrical prose and the spirit of a philosopher, makes it one of the most popular works ever written about flying. Translated by Lewis Galantière.

    In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.

    

    In my case, blinking my left eyelid is my only means of communication.’In December 1995, Jean-Dominique Bauby, editor-in-chief of French ‘Elle’ and the father of two young children, suffered a massive stroke and found himself paralysed and speechless, but entirely conscious, trapped by what doctors call ‘locked-in syndrome’. Using his only functioning muscle – his left eyelid – he began dictating this remarkable story, painstakingly spelling it out letter by letter.His book offers a haunting, harrowing look inside the cruel prison of locked-in syndrome, but it is also a triumph of the human spirit.

    But with only a butler and a dog for company, Xavier de Maistre managed to fill his time by embarking on a journey around his bedroom, later writing an account of what he had seen. Whether venturing from his bed to his sofa, or even to his mirror, he wears his "traveling outfit"--his favorite pink and blue pajamas. Out of his forced reclusion comes a captivating fantasy--a novel take on travel literature that would inspire many later writers, including Marcel Proust. This edition also contains de Maistre's "A Nocturnal Expedition around My Room." Xavier de Maistre was a military man, who supplemented his army career with short works of fiction.

    Between themselves they talk only about the practicalities of life", declares Duras in this collection of her transcribed conversations with friend Jerome Beaujour. Some of her free-ranging meditations are short and deceptively simple, while many are autobiographical and reveal her most intimate thoughts about motherhood, her struggle with alcohol, her love for a younger man, and more.

    Sentenced to life imprisonment in the penal colony of French Guiana, he became obsessed with one goal: escape. After planning and executing a series of treacherous yet failed attempts over many years, he was eventually sent to the notorious prison, Devil's Island, a place from which no one had ever escaped . . . until Papillon. His flight to freedom remains one of the most incredible feats of human cunning, will, and endurance ever undertaken.Charrière's astonishing autobiography, Papillon, was published in France to instant acclaim in 1968, more than twenty years after his final escape. Since then, it has become a treasured classic -- the gripping, shocking, ultimately uplifting odyssey of an innocent man who simply would not be defeated.

    Long regarded Africa's preeminent Francophone novelist, Laye (1928-80) herein marvels over his mother's supernatural powers, his father's distinction as the village goldsmith, and his own passage into manhood, which is marked by animistic beliefs and bloody rituals of primeval origin. Eventually, he must choose between this unique place and the academic success that lures him to distant cities. More than autobiography of one boy, this is the universal story of sacred traditions struggling against the encroachment of a modern world. A passionate and deeply affecting record, The Dark Child is a classic of African literature.

    Here, writing at white heat and with such ferocious honesty and indignation that his book was to remain unpublishable for more than a century after its composition, Stendhal revisits his unhappy childhood in a stuffy provincial town and bares his rebellious heart. His adored mother, who died when he was only seven; a father devoted only to his own social ambitions; the aunt whose daily cruelties passed for care: these are among the indelible portraits in a work that captures the sights, sounds, places, and characters of Stendhal's youth, its pleasures and sorrows, with preternatural clarity and immediacy. Full of dazzling images and burning emotions, The Life of Henry Brulard is a vivid memoir that is also an extraordinary work of the imagination.

    The profoundly moving, day-by-day recounting of her mother’s death “shows the power of compassion when it is allied with acute intelligence” (The Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is ever likely to forget.

    Combining inventive fiction and autobiography in a quite unprecedented way, Georges Perec leads the reader inexorably towards the horror that lies at the origin of the post-World War Two world, and at the crux of his own identity.

    Alone and poor, she fights fiercely to give her son the very best. Gary chronicles his childhood with her in Russia, Poland, and on the French Riviera. And he recounts his adventurous life as a young man fighting for France in the Second World War. But above all, he tells the story of the love for his mother that was his very life, their secret and private planet, their wonderland "born out of a mother's murmur into a child's ear, a promise whispered at dawn of future triumphs and greatness, of justice and love." A romantic, thrilling memoir that has become a French classic.

    Edited and with a Preface by Gunther Stuhlmann