As he tries to get back, he finds something he wasn't expecting, something that points toward everything he thought he knew about the world and said, “No, it isn't like that at all.” He had a choice: pretend he hadn’t seen it, or spend the rest of his life trying to understand it. The ripples from the choice he made would, over the next two generations, spread as far as the other side of the world, and maybe, just maybe, even farther than that.This story is, however, only partly about Private Dawson. At another level, this is the story of a present-day 18-year-old boy's freshman year in college. And on a much deeper level, this is a story about what happens when you stare into Nietzsche's abyss, and the abyss does more than just stare back at you. Whether there are even more levels than that is for the reader to determine.Life is improvisational theater. You're given a name and a situation, but where the scene goes after that is up to you and the other players. The other players in this story represent every hue of the moral spectrum, from saint to sociopath, but each of them has a part to play. The props for this play include bells and pillows and bayberry candles, bullets and fireworks and plaid flannel shirts. Come on in, find your seat, and let’s cue the curtain. You’re going to enjoy this.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

     With fifty students, the majority fee paying, he looks forward to being able to offer places to another fifty students whose parents are unable to pay. Working on his staff is University friend Jimmy Cadigan, also a priest, and Father Francis Charron, an elderly priest, who had taught Colin at seminary school. Charron’s brilliant, but he assisted at an exorcism as a young priest and has never recovered from the experience. One of the academy’s students, 17-year-old Philip Grant, dresses like Oscar Wilde and hasn’t troubled to define his sexual orientation. Irreverent and rebellious, he’s researching the private lives of the faculty for a video mashup. He asks to borrow the Matteo Ricci map, a sixteenth century map which has been donated to the school. Philip’s enough of a handful, but then Auxiliary Bishop Matthew Ehrlich arrives at the school to tell Colin that he has a new pupil for him. The son of a local lawyer and psychologist, Graham Dennison has been accused of trying to kill his mother. Colin tries to refuse; Ehrlich, conscious of the fundraising prospects, insists. Miserable, Colin contacts his university friend Sarah Markham, a journalist who has just returned from Haiti. Sarah moves in and starts to develop a profile of the young man. She’s not convinced he’s violent at all. And then one of the boys is found dead from a possible drugs overdose. With her old friend panicking and other faculty members behaving strangely, Sarah starts to call in favours to get to bottom of the murder. Was she wrong about Graham? Can she unravel the mystery swiftly enough to save Colin’s school? Jeannette Cooperman spent a decade as an award-winning investigative reporter, then went on to teach, write, and work as editor-in-chief of St. Louis Magazine. She loathed being in charge and cheerfully sank to staff writer, her current full-time gig. On the side, she has written several non-fiction books. This is her first fiction book for Endeavour. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Damaged. Destructive. Meet Alexa Wú, a brilliant yet darkly self-aware young woman whose chaotic life is manipulated and controlled by a series of alternate personalities. Only three people know about their existence: her shrink Daniel; her stepmother Anna; and her enigmatic best friend Ella. The perfect trio of trust.When Ella gets a job at a high-end gentleman’s club, she catches the attention of its shark-like owner and is gradually drawn into his inner circle. As Alexa’s world becomes intimately entangled with Ella’s, she soon finds herself the unwitting keeper of a nightmarish secret. With no one to turn to and lives at stake, she follows Ella into London’s cruel underbelly on a daring rescue mission. Threatened and vulnerable, Alexa will discover whether her multiple personalities are her greatest asset, or her most dangerous obstacle.Electrifying and breathlessly compulsive, The Eighth Girl is an omnivorous examination of life with mental illness and the acute trauma of life in a misogynist world. With bingeable prose and a clinician’s expertise, Chung’s psychological debut deftly navigates the swirling confluence of identity, innocence, and the impossible fracturing weights that young women are forced to carry, causing us to question: Does the truth lead to self-discovery, or self-destruction?

    The teenage girl confesses to murdering a young boy. Disturbingly composed, she reveals chilling details only the killer could know. Beyond that Eliza doesn’t say another word, leaving a vital question met with dead silence: Why did she do it?To find the answer, Lucy goes to the scene of the crime in the small Idaho town of Knox Hollow. But Lucy’s questions are only mounting. Especially when she’s drawn deeper into the life of the victim. Then a combing of the woods yields unsettling evidence that Eliza isn’t the only one in this close-knit rural community with secrets.Getting to the truth is becoming Lucy’s obsession. And it’s a dangerous one. Because for the good folks of Knox Hollow, hiding that truth will take more than silence.

    But Laura believes Sandrine and Jonathon were both murdered and that the key to the motive lies onboard Pandora.What secrets are hidden onboard Menzel’s yacht? What deals were brokered that are worth killing for? And can Laura get to the truth before she herself becomes just another inconvenient guest at the party?

    But she’s left with a traumatic brain injury and a terrifying reality: she can’t remember anything.Left in the care of her sister, Grace returns to the family’s secluded old farmhouse to recover—but within an hour of her return, the police arrive. Grace’s boyfriend has been murdered. Without any memory, Grace has no alibi.With suspicion weighing heavily on her and flashes of memory returning, Grace searches for clues to her past. But with every glimpse, her anxiety grows. There is something about the house, her family, her childhood…perhaps the accident isn’t the only reason she can’t remember. Are the dark recesses of her mind hiding something even more sinister and terrifying than she could ever imagine?And someone is watching. Someone willing to kill again to protect a secret.

    "I have documents," she says, "important documents only for the Nazi Hunter." She promises to bring them the next day. When she doesn't show, he dismisses her as just another crackpot. But when he reads in the "Washington Post" next morning that the woman has been brutally murdered, he senses he's on to something big. He must find those documents. The trail leads from Washington to Miami, to Boston, back to the Belzec concentration camp in Poland, where half a million Jews were murdered in the winter of 1942, and into the lair of America's fascist militias.

    And his partner, unconventional veteran detective Fritz Janssen, isn’t the least bit thrilled to train a rookie.When a woman’s body washes up on the nearby shores of the Baltic Sea, Hannes gets his first taste of real crime—and a chance to prove himself. Quickly the investigation pulls him and Fritz into a whirlpool of dangerous, decades-old cover-ups. As the death count rises, the clues begin to lead them back to the Third Reich—and to harrowing crimes some people will do anything to keep hidden.With the dead woman’s beautiful assistant to protect and a missing girl to find, Hannes navigates an ever-twisting maze of concealed horrors and enduring vendettas. Will he be able to catch the murderer before another innocent life gets caught in the killer’s dark plan?

    Sixteen minutes later the unthinkable happens: The plane plunges into the ocean. The only survivors are Scott Burroughs - the painter - and a four-year-old boy who is now the last remaining member of an immensely wealthy and powerful media mogul's family. With chapters weaving between the aftermath of the crash and the backstories of the passengers and crew members - including a Wall Street titan and his wife, a Texan-born party boy just in from London, a young woman questioning her path in life, and a career pilot - the mystery surrounding the tragedy heightens. As the passengers' intrigues unravel, odd coincidences point to a conspiracy. Was it merely by dumb chance that so many influential people perished? Or was something far more sinister at work? Events soon threaten to spiral out of control in an escalating storm of media outrage and accusations. And while Scott struggles to cope with fame that borders on notoriety, the authorities scramble to salvage the truth from the wreckage. Amid pulse-quickening suspense, the fragile relationship between Scott and the young boy glows at the heart of this stunning novel, raising questions of fate, human nature, and the inextricable ties that bind us together.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    Who am I? My name is Christy Snow. I'm seventeen and I'm about to die. I'm buried in a coffin under tons of concrete. No one knows where I am. My heart sounds like a monster with clobber feet, running straight toward me. I'm lying on my back, soaked with sweat from the hair on my head to the soles of my feet. My hands and feet won't stop shaking.Some will say that I m not really here. Some will say I'm delusional. Some will say that I don t even exist. But who are they? I'm the one buried in a grave. My name is Christy Snow. I'm seventeen. I'm about to die.So who are you?In a return to the kind of storytelling that made Black, Showdown and Three unforgettable, New York Times bestselling author Ted Dekker drags that question into the light with this modern day parable about how we see ourselves. Humming with intensity and blindsided twists, Eyes Wide Open is raw adrenaline from the first page to the last pure escapism packed with inescapable truth. Not all is as it seems. Or is it? Strap yourself in for the ride of your life. Literally.

    But Julia is not an orphan, nor was she adopted. She knows where she comes from-or does she? Suddenly, the people she has loved and trusted are tainted by suspicion. The one person who is willing to help her is reckless photographer Alex Manning, who will journey with her toward the dangerous truth-while trying to hide a secret of his own.

    but he did.HE ONLY HEARD A FEW WORDS ... but he heard too much.HE RAN ... but he was followed -- a mistake that would turn thirteen-year-old Aaron Quinn's, and his beautiful, courageous, single mother, Ashley's, worlds upside down.THE CLOCK STARTS TICKING ... when Aaron is stolen from his mother by a psychotic killer and thrust headlong into a dark underworld of armed robbery, prostitution, and death. Will Aaron lose his mind as he's forced to participate in a deadly crime spree and witness first hand the horror of cold-blooded murder?THE WALLS CLOSE IN ... on Ashley when she listens to a tape recording left on her pillow by the killer, giving her two choices:1) Call the police and risk being responsible for her only child's death ...2) Offer herself as a sacrifice in exchange for his life ...WHAT WOULD YOU DO IF YOU WERE HER?---A CRIME THRILLERAn ACTION MOVIEA LOVE STORYIn THREE DAYS to DIE, debut author John Avery takes you on a perilous journey unlike any suspense thriller you've read before.From the opening sequence to the smashing ending, THREE DAYS to DIE moves at lightning speed, introducing the world to an exciting new hero, a beautiful and plucky heroine, and a truly frightening villain."John Avery opens Three Days to Die with a bang and then sprints toward the finish line ... taking thriller lovers of any age on a heart-pounding, pulse- tingling ride, and he does it with style. Five Stars!" – Jill Allen, Foreword Review"I truly got lost between the pages of this wonderfully told story - though I did cringe and even cry sometimes and wanted to hit someone at other times, which is totally against my nature. It just goes to show how totally absorbed I was in the world John Avery created in Three Days to Die." - N. Budden - Amazon Top Reviewer---*** Adapted from the original screenplay, THREE DAYS to DIE, by John Avery - Shortlisted for Hollywood's prestigious 2010 - PAGE International Screenwriting Awards ***Approx 225 pagesRecommended for adults 16+

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.