On these frequent visits to check on his elderly parents, he bore witness to Zimbabwe's dramatic spiral downwards into thejaws of violent chaos, presided over by an increasingly enraged dictator. And yet long after their comfortable lifestyle had been shattered and millions were fleeing, his parents refuse to leave, steadfast in their allegiance to the failed state that has been their adopted home for 50 years.Then Godwin discovered a shocking family secret that helped explain their loyalty. Africa was his father's sanctuary from another identity, another world.WHEN A CROCODILE EATS THE SUN is a stirring memoir of the disintegration of a family set against the collapse of a country. But it is also a vivid portrait of the profound strength of the human spirit and the enduring power of love.

    After sorting out the labels Black, English Whites, Afrikaners, and Coloreds, the discussion pushes on to more difficult questions: Why should you never give a White woman a white-gold engagement ring? Why do Indian men always play sports in jeans? and How do Colored gangsters fare in the navy?

    Hunter, a professional big-game hunter and former chairman of Tanganyika National Parks. J A. Hunter led a life of adventure, but, perhaps, the most astonishing tale in this book is his incredible adventures while hunting rhino. As a game ranger, he was ordered by the Tanganyikan government to clear out dozens of rogue rhinos from the area around Makueni, and the accounts of his experiences are spine-tingling. Hunter hunted throughout East Africa-for bongo in the Ituri rain forest (former Zaire), lion in Masailand (Kenya), and the man-killing buffalo near Thomson's Falls with his favorite dog (Kenya).

    The collection will include pre-published essays that have gone viral, like “The White Industrial Savior Complex,” first published in The Atlantic.

    Her story reveals the shocking lie created to cover up the forbidden relationship and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes. Killing Karoline follows the journey of the baby girl who is raised in a leafy, middle-class corner of the South of England by a white couple. Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne begins to turn on herself. She eventually returns to South Africa, after 26 years, to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined. She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old returns from the dead.

    Everyone else know Gideon Goosen as a monster: a gangster, assassin and murderer, who made a pact with the devil and deserves to live out his days in a solitary cell in Pretoria Central. How is it possible that the son of a decorated, God-fearing security policeman could fall so low? His mother blames it on his friends from the other side of the railway line in Randfontein, others on a leggy prostitute from Nigel who became his obsession. Gideon himself believes everything changed on an autumn morning when the fatal pellets from a pump-action shotgun cut short the life of an anti-apartheid activist in the driveway of his home. Set against the backdrop of the dying days of apartheid, and inspired by a true story and events that really happened, Jacques Pauw's explosive debut novel exposes the raw, seamy underworld of gangsterism and brutality when life was cheap and fear was everywhere.

    To the rest of the world, Nelson Mandela was a giant: an anti-apartheid revolutionary, a world-renowned humanitarian, and South Africa's first black president. To Ndaba Mandela, he was simply "Granddad." In Going to the Mountain, Ndaba tells how he came to live with Mandela shortly after he turned eleven--having met each other only once, years before, when Mandela was imprisoned at Victor Verster Prison -- and how the two of them slowly, cautiously built a relationship that would affect both their lives in extraordinary ways. It wasn't an easy transition. Mandela had high expectations for those around him, especially his family, and Ndaba chafed at the strict rules and exacting guidelines in his grandfather's home. But at the same time -- through overheard calls from foreign dignitaries as well as the Xhosa folk wisdom that his grandfather shared with him at every opportunity -- Ndaba was learning how to be a man. On a scale both personal and epic, Ndaba's extraordinary journey mirrors that of South Africa's coming of age -- from the segregated Soweto ghettos into which he was born to the privileged life in which he grew up and the turbulent yet exciting times in which he carries on his grandfather's legacy.Going to the Mountain is, in the end, a story about unlocking the power within each of us. It's a cautionary tale about how a child's life can go one way or the other, depending upon the intervention of a caring soul--and about the awesome power of love to serve as a catalyst for change.

    Forced to follow his father, PAC ‘founding spirit’ A P Mda, into exile in Lesotho (then still Basutoland) at the age of fourteen, Zakes Mda finds freedom from close parental discipline irresistible and becomes a frequenter of shebeens and an exponent of fast living at an early age, although he iseventually drawn back to wanting a good education above all other things. After many twists and turns, and a few false starts, we follow his journey to Athens, Ohio, where he is now professor of creative writing. Forthright almost to a fault, it is a vigorous and colourful story enriched by Mda’s dry humourand his ability to engage with his reader on a very personal level.Always outspoken, Mda has in the past voiced his disappointment in, and been critical of, what he sees as ‘crony capitalism’ and the ‘patronage system’ in the ‘new’ South Africa – a lot of which was highlighted in hislast novel Black Diamond – and finds that he has been side-lined in many aspects of South African culture where he feels he could make a significant contribution. Because he ‘resisted the centre’ and ‘stayed on the periphery’,he regards himself as an outsider’ – hence the book’s subtitle. Admirers of Mda’s fiction will enjoy getting to know more about the man.

    Before she gets the reunion her father promised her, war breaks out in Liberia. The family is forced to flee their home on foot, walking and hiding for three weeks until they arrive in the village of Lai. Finally, a rebel soldier smuggles them across the border to Sierra Leone, reuniting the family and setting them off on yet another journey, this time to the United States.Spanning this harrowing journey in Moore’s early childhood, her years adjusting to life in Texas as a black woman and an immigrant, and her eventual return to Liberia, The Dragons, the Giant, the Women is a deeply moving story of the search for home in the midst of upheaval. Moore has a novelist’s eye for suspense and emotional depth, and this unforgettable memoir is full of imaginative, lyrical flights and lush prose. In capturing both the hazy magic and the stark realities of what is becoming an increasingly pervasive experience, Moore shines a light on the great political and personal forces that continue to affect many migrants around the world, and calls us all to acknowledge the tenacious power of love and family.

    Through many delightful anecdotes, he demonstrates the majestic yet fragile reality which is Africa. Documenting his observations and often humorous interactions with his Zulu cohorts, Connell transports the reader to the timelessness of the tawny land he is so passionate about. Set in a time and a place of racial tension, the characters are united by a common goal and respect for each other.Having embarked on the road less travelled, Connell eloquently and enthusiastically describes his adventures in breath taking detail. His tales of the animal kingdom are wonderfully entertaining and informative. A must read for Africans and non-Africans alike, Msomi and Me will delight, amuse and inform from the beginning of the dream to the poignant ending.

    There were three of them, followed by screeching tyres and a screaming engine. In a matter of seconds I recalled the conversation I'd had with Mary. She'd been right after all. 'You'll be fine for a few days,' she'd said, 'but after that they'll turn on you. Our cultures are too different. You won't live through it, not just because of the cultural differences, but because of the common crime. Find a home here in the suburbs where you belong.' The three gunshots had been my first, but perhaps for those who'd lived in these streets for years they were only three gunshots among countless others. Who knows? Perhaps three a week, maybe even three a night? Either way, I'd have to get used to them - or leave. Ignoring advice from his white friends, and to the bemusement of his black friends, Steven Otter throws caution to the wind and moves into Khayelitsha, a black township outside Cape Town. The story of his experiences in the uneven spread of shacks and informal housing that are home to more than a million people provides an unusual perspective on and insight into a predominantly Xhosa community and their reaction to an umlungu in their midst. Steven comes to understand his identity as a South African, the true meaning of community and brotherhood, and that some tsotsis are not what they seem. He finds that his preconceived notions of culture and race are called into question and that ubuntu, community and a sense of humour may still thrive alongside poverty and crime.

    Donald Woods, Biko's close friend and a leading white South African newspaper editor, exposed the murder helping to ignite the black revolution.

    On the other hand, post-Apartheid dreams of progress and reform have, in part, collapsed into a morass of corruption, unemployment and criminal violence.A Short History of South Africa is a brief, general account of the history of this most complicated and fascinating country – from the first evidence of hominid existence to the wars of the 18th, 19th and 20th centuries that led to the establishment of modern South Africa, the horrors of Apartheid and the optimism following its collapse, as well as the prospects and challenges for the future.This readable and thorough account, illustrated with maps and photographs, is the culmination of a lifetime of researching and teaching the broad spectrum of South African history.Nattrass’s passion for her subject shines through, whether she is elucidating the reader on early humans in the cradle of humankind, or describing the tumultuous twentieth-century processes that shaped the democracy that is South Africa today.

    Tomorrow is Another Country retells the story of the behind-the-scenes collaborations that started with a meeting between Kobie Coetsee, then minister of justice, and Nelson Mandela in 1985. By 1986, negotiations involved senior government officials, intelligence agents, and the African National Congress. For the next four years, they assembled in places such as a gamepark lodge, the Palace Hotel in Lucerne, Switzerland, a fishing hideaway, and even in a hospital room. All the while, De Klerk's campaign assured white constituents nothing would change. Sparks shows how the key players, who began with little reason to trust one another, developed friendships which would later play a crucial role in South Africa's struggle to end apartheid."A gripping, fast-paced, authoritative account of the long and mostly secret negotiations that brought South Africa's bitter conflict to its near-miraculous end. Sparks's description of these talks sometimes brings a lump to one's throat. He shows how the participants' deep mutual suspicion was gradually replaced by excitement at the prospect of making a momentous agreement—and also by the dawning realization that the people on the other side were human beings, perhaps even decent human beings."—Adam Hochschild, New York Times Book Review"A splendid and original history. . . . Sparks's skillful weaving of myriad strands—Mandela's secret sessions with the committee, the clandestine talks in England between the African National Congress and the government, the back-channel communications between Mandela and the A.N.C. in exile, the trepidation of Botha and the apparent transformation of his successor, De Klerk—possesses the drama and intrigue of a diplomatic whodunit."—Richard Stengel, Time"Sparks offers many reasons for hope, but the most profound of them is the story this book tells."—Jacob Weisberg, Washington Post"The most riveting of the many [accounts] that have been published about the end of apartheid."—The Economist

    She documents her early days in the Democratic Party and the Democratic Alliance, at a time when the party was locked in a no-holds-barred factional conflict. And she chronicles the intense political battles to become mayor of Cape Town, leader of the DA and premier of the Western Cape, in the face of dirty tricks from the ANC and infighting within her own party.This is a story about political intrigue and treachery, floor-crossing and unlikely coalitions, phone tapping and intimidation, false criminal charges and judicial commissions. It documents Zille’s courageous fight against corruption and state capture and her efforts to realign politics and entrench accountability. And it describes a mother’s battle to raise children in the pressured world of South African politics.This book is as frank, honest and unflinching as Helen Zille herself, and will appeal to anyone interested in the story of South African politics over the past fifty years.