One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    Then she meets Bashkim, who is at once both worldly and naïve, a married man who left Albania to chase his dreams—and wound up working as a line cook in Waterbury, Connecticut. Back when the brass mills were still open, this bustling factory town drew one wave of immigrants after another. Now it’s the place they can’t seem to leave. Elsie, herself the granddaughter of Lithuanian immigrants, falls in love quickly, but when she learns that she’s pregnant, Elsie can’t help wondering where Bashkim’s heart really lies, and what he’ll do about the wife he left behind.   Seventeen years later, headstrong and independent Luljeta receives a rejection letter from NYU and her first-ever suspension from school on the same day. Instead of striking out on her own in Manhattan, she’s stuck in Connecticut with her mother, Elsie—a fate she refuses to accept. Wondering if the key to her future is unlocking the secrets of the past, Lulu decides to find out what exactly her mother has been hiding about the father she never knew. As she soon discovers, the truth is closer than she ever imagined.   Told in equally gripping parallel narratives with biting wit and grace, Brass announces a fearless new voice with a timely, tender, and quintessentially American story.

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    The authorities launch a nationwide search with no success. Naomi has vanished, and her family is broken.As the months pass, the worst-case scenarios—kidnapping, murder—seem less plausible. The trail has gone cold. Yet for a desperate Jenny, the search has barely begun. More than a year after her daughter’s disappearance, she’s still digging for answers—and what she finds disturbs her. Everyone she’s trusted, everyone she thought she knew, has been keeping secrets, especially Naomi. Piecing together the traces her daughter left behind, Jenny discovers a very different Naomi from the girl she thought she’d raised.

    Five years old. Gray eyes, brown hair. Missing since June.Emma is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.Sarah Walker. Successful entrepreneur. Broken-hearted. Kidnapper.Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal. When a second-chance encounter with Emma presents itself, Sarah takes her—far away from home. But if it’s to rescue a little girl from her damaging mother, is kidnapping wrong?Amy Townsend. Unhappy wife. Unfit mother. Unsure whether she wants her daughter back.Amy’s life is a string of disappointments, but her biggest issue is her inability to connect with her daughter. And now Emma is gone without a trace.As Sarah and Emma avoid the nationwide hunt, they form an unshakeable bond. But what about Emma’s real mother, back at home?

    There’s just one problem — it’s not her family, it’s her husband’s. In fact, everything in her life is tied to him — his mother is the closest thing to a mom that she’s ever had, their home is on the family compound, his sister is her best friend. So when she and her husband admit their marriage is over, her pain goes beyond heartbreak. She’s on the brink of losing everything. Her job, her home, her friends and, worst of all, her family.Staying is an option. She can continue to work at the winery, be friends with her mother-in-law, hug her nieces and nephews — but as an employee, nothing more. Or she can surrender every piece of her heart in order to build a legacy of her own. If she can dare to let go of the life she thought she wanted, she might discover something even more beautiful waiting for her beneath a painted moon.

    None of the Same Sweet Girls are really girls anymore, and none of them have actually ever been that sweet. But this spirited group of Southern women, who have been holding biannual reunions ever since they were together in college, are nothing short of compelling. There's Julia Stovall, the First Lady of Alabama, who, despite her public veneer, is a down-to-earth gal who only wants to know who her husband is sneaking out with late at night. There's Lanier Sanders, whose husband won custody of their children after he found out about her fling with a colleague. Then there's Astor Deveaux, a former Broadway showgirl who simply can't keep her flirtations in check. And Corinne Cooper, whose incredible story comes to light as the novel unfolds.

    Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.

    Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    But he needed one…Emily and her husband Sandy Portman seemed to live a gracious if busy life in an old-world, Upper West Side apartment in the famous Dakota building.  But one night on the way to meet Emily, Sandy dies in a tragic accident.  The funeral isn't even over before Emily learns she is on the verge of being evicted from their apartment.  But worse than the possibility of losing her home, Emily is stunned when she discovers that her marriage was made up of lies.  Suddenly Emily is forced on a journey to find out who her husband really was . . . all the while feeling that somehow he isn't really gone.  Angry, hurt, and sometimes betrayed by loving memories of the man she lost, Emily finds comfort in a scruffy dog named Einstein.  But is Einstein's seemingly odd determination that she save herself enough to make Emily confront her own past?  Can he help her find a future—even after she meets a new man?

    On the same day, Lily also meets Eddie Tessler, a man fleeing fame who just might have the ability to change her world in unimaginable ways. But her childhood friend Dan has his own reasons for not wanting Lily to get too carried away by Eddie's attentions.Before long, secrets begin to emerge and Lily's friends and family become involved. In the beautiful Cotswold village of Stanton Langley, nothing will ever be the same again...

    His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves.The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakable bond between them that both saves their lives and thwarts their futures.Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives, they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    When she receives an unexpected inheritance from a complete stranger, Madame Eva d’Orsey, Grace is drawn to uncover the identity of her mysterious benefactor.Weaving through the decades, from 1920s New York to Monte Carlo, Paris, and London, the story Grace uncovers is that of an extraordinary women who inspired one of Paris’s greatest perfumers. Immortalized in three evocative perfumes, Eva d’Orsey’s history will transform Grace’s life forever, forcing her to choose between the woman she is expected to be and the person she really is.The Perfume Collector explores the complex and obsessive love between muse and artist, and the tremendous power of memory and scent.

    In The Mother’s Promise, she delivers her most powerful novel yet: the story of a single mother who is dying, the troubled teenaged daughter who is battling her own demons, and the two women who come into their lives at the most critical moment. Alice and her daughter Zoe have been a family of two all their lives. Zoe has always struggled with crippling social anxiety and her mother has been her constant and fierce protector. With no family to speak of, and the identity of Zoe’s father shrouded in mystery, their team of two works—until it doesn’t. Until Alice gets sick and is given a grim prognosis. Desperate to find stability for Zoe, Alice reaches out to two women who are practically strangers, but who are her only hope: Kate, her oncology nurse, and Sonja, a social worker. As the four of them come together, a chain of events is set into motion and all four of them must confront their sharpest fears and secrets—secrets about abandonment, abuse, estrangement, and the deepest longing for family. Imbued with heart and humor in even the darkest moments, The Mother’s Promise is an unforgettable novel about the power of love and forgiveness.