Working as a chorus girl, Anna drifts into the demi-monde of Edwardian London. But there, dismayed by the unfamiliar cold and greyness, she is absolutely alone and unconsciously floating from innocence to harsh experience. Her childish dreams have been replaced by the harsher reality of living in a man's world, where all charity has its price. Voyage in the Dark was first published in 1934, but it could have been written today. It is the story of an unhappy love affair, a portrait of a hypocritical society, and an exploration of exile and breakdown; all written in Rhys's hauntingly simple and beautiful style. Jean Rhys (1894-1979) was born in Dominica. Coming to England aged 16, she drifted into various jobs before moving to Paris, where she began writing and was 'discovered' by Ford Madox Ford. Her novels, often portraying women as underdogs out to exploit their sexualities were ahead of their time and only modestly successful. From 1939 (when Good Morning, Midnight was written) onwards she lived reclusively, and was largely forgotten when she made a sensational comeback with her account of Jane Eyre's Bertha Rochester, Wide Sargasso Sea, in 1966.If you enjoyed Voyage in the Dark, you might like James Joyce's A Portrait of the Artist as a Young Man, also available in Penguin Classics.'A wonderful bitter-sweet book, written with disarming simplicity'Esther Freud, Express'Her eloquence in the language of human sexual transactions is chilling, cynical, and surprisingly moving'A.L. Kennedy

    I am your soulmate, your old friend, and I have come back to this city of sixteen million in search of you.So begins the first letter that falls into Wang’s lap as he flips down the visor in his taxi. The letters that follow are filled with the stories of Wang’s previous lives—from escaping a marriage to a spirit bride, to being a slave on the run from Genghis Khan, to living as a fisherman during the Opium Wars, and being a teenager on the Red Guard during the cultural revolution—bound to his mysterious “soulmate,” spanning one thousand years of betrayal and intrigue.As the letters continue to appear seemingly out of thin air, Wang becomes convinced that someone is watching him—someone who claims to have known him for over one thousand years. And with each letter, Wang feels the watcher growing closer and closer…Seamlessly weaving Chinese folklore, history, and literary classics, The Incarnations is a taut and gripping novel that sheds light on the cyclical nature of history as it hints that the past is never truly settled.

    From one side of St. Brigid’s Island, the mountains of Connemara can be glimpsed on the distant mainland; from the other, the Atlantic stretches as far as the eye can see. This remote settlement, without electricity or even a harbor, has scarcely altered since its namesake saint set up a convent of stone huts centuries ago. Those who live there, including sisters Rose and Emer, are hardy and resourceful, dependent on the sea and each other for survival. Despite the island’s natural beauty, it is a place that people move away from, not to—until an outspoken American, also named Brigid, arrives to claim her late uncle’s cottage.Brigid has come for more than an inheritance. She’s seeking a secret holy well that’s rumored to grant miracles. Emer, as scarred and wary as Rose is friendly and beautiful, has good reason to believe in inexplicable powers. Despite her own strange abilities—or perhaps because of them—Emer fears that she won’t be able to save her young son, Niall, from a growing threat. Yet Brigid has a gift too, even more remarkable than Emer’s. As months pass and Brigid carves out a place on the island and in the sisters’ lives, a complicated web of betrayal, fear, and desire culminates in one shocking night that will change the island, and its inhabitants, forever.Steeped in Irish history and lore, The Stolen Child is a mesmerizing descent into old world beliefs, and a captivating exploration of desire, myth, motherhood, and love in all its forms.

    “Dear Reader,” she addresses us politely, ironically, in the whirlwind of her opinions on death, sex, art. Greek tragedy, friendship, her Aunt, the magnificent “Lion of Hull,” marriage, Nazism, gossip, and the suburbs. But most of all Pompey talks about love: love for friends, love for Freddy––for Pompey is young and in love, but must she marry?

    Once loved and respected in their community and in their church, they are ostracized by their neighbors, led by their church leader, and a seventeen-year feud between the Delaneys and the church ensues. Ava and her family are displaced from the community even as they continue to live within it, trapped inside their creaky, shadowy old house.When a mysterious woman arrives unexpectedly for a visit, her presence stirs up the past and ghosts and other restless things begin to emerge. And something is reignited in Ava: the indifferent woman she has become begins to give way to the wild girl, and the passionate artist, she used to be. But not without a struggle that threatens her well-being and, ultimately, her life.Mia McKenzie is a winner of the Astraea Foundation's Writers Fund Award and the Leeway Foundation's Transformation Award. She describes herself as "a black feminist and a freaking queer." Her work has been recommended by The Root, Colorlines, Feministing, Angry Asian Man, and Crunk Feminist Collective, among others. She is the creator of the blog BlackGirlDangerous.org.

    No one is surprised that while the Halloran clan gathers at the crumbling old mansion for a funeral she wanders off to the secret garden. But when she reports the vision she had there, the family is engulfed in fear, violence, and madness. For Aunt Fanny's long-dead father has given her the precise date of the final cataclysm!

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    This income only serves to highlight the emptiness of a life led by a woman deprived of the domestic trappings that have defined her.

    Ultimately, they are forced to make life-changing decisions that depend on their courage and their commitment to one another.First self-published in 1969 (titled A Place for Us) in an edition of 1,000 copies, the author hand-sold the book on New York street corners; it garnered increasing attention to the point of receiving the American Library Association's first Gay Book Award in 1971. McGraw-Hill's version of the book a year later brought it to mainstream bookstores across the country.Patience & Sarah is a historical romance whose drama was a touchstone for the burgeoning gay and women's activism of the 1960s and early 1970s. It celebrates the joys of an uninhibited love between two strong women with a confident defiance that remains relevant today.Features an appendix of supplementary materials about Patience & Sarah and the author, as well as an introduction by acclaimed novelist Emma Donoghue.

    This classic work of post-war fiction was made into a magnificent BBC television series starring Emma Thompson and Kenneth Branagh.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    The story of John Self and his insatiable appetite for money, alcohol, fast food, drugs, pornography, and more, Money is ceaselessly inventive and thrillingly savage; a tale of life lived without restraint, of money and the disasters it can precipitate.

    But constrained by the times, instead she marries her cousin Thomas, a boat builder, and settles down to raise a family.Janet's loving spirit - the passionate yearning for adventure and for love - is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain.

    Isolated by religion and circumstance, she endures both an abusive husband and a strained relationship with her son, Martin, whose open homosexuality her husband refused to accept. After an act of desperation, reeling with doubt and denial, she seeks out her son in Dublin. Keith Ridgway "affectingly renders the separate sanctuaries of mother and son . . .and lights the distance between them" (The New Yorker).

    When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny.