. . A bored London housewife discovers a secret erotic club . . . A shy, bookish girl develops an unlikely friendship with the schoolyard bully and her wild, horsey family . . . After fighting with her boyfriend, a woman goes for a night walk on a remote tropical beach with dark, unexpected consequences.Sarah Hall has been hailed as "one of the most significant and exciting of Britain's young novelists" (The Guardian). Now, in this collection of seven pieces of short fiction, published in England to phenomenal praise, she is at her best: seven pieces of uniquely talented prose telling stories as wholly absorbing as they are ambitious and accessible.

    Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal’s view, constitute the real autobiography of Williams’ "art and inner life."

    Part magic realism, part science fiction, part theater of the absurd, and part over-the-top, unrepentant spoof, this novel packs more into its few short pages than do most epic trilogies. Graziano has fabricated the rare kind of tale that the reader can honestly say ends much too quickly. Perfectly woven, self-enclosed, multifaceted . . . Kosinski’s Being There sprinkled with a strong dose of Frankenstein . . . the kind of simplicity that speaks volumes.”—Michael Mirolla, author of The Formal Logic of Emotion“An amalgam of fairy tale, satire, science fiction, medical thriller, and soap opera. . . . It is difficult to fathom that a novel so brief can be so epic in scope. Inventive and deftly crafted, The Love Song of Monkey is a tale no reader will soon forget.”—Eric Linder, Yellow Umbrella Books, Chatham, MassachusettsIn a surreal exile on the floor of the Atlantic, a young man faces his own death and his wife’s infidelity. The Love Song of Monkey is a meditation on the simple, inexplicable, and lasting power of love, cast in the metaphor of a journey to the depths of the ocean floor. Precise and beautifully crafted, this modern fable is rich with humor and deep thought.Michael S. A. Graziano, professor of neuroscience at Princeton University, is the author of the novella Hiding Places (New England Review), The Seclusion Zone (2007 fi nalist in the William Faulkner–William Wisdom Creative Writing Competition), and The Intelligent Movement Machine (2008, Oxford University Press).

    In her Selected Stories, Alice Munro makes lives that seem small unfold until they are revealed to be as spacious as prairies and locates the moments of love and betrayal, desire and forgiveness, that change those lives forever. To read these stories--about a traveling salesman and his children on an impromptu journey; an abandoned woman choosing between seduction and solitude--is to succumb to the spell of a writer who enchants her readers utterly even as she restores them to their truest selves.Walker brothers cowboy --Dance of the happy shades --Postcard --Images --Something I've been meaning to tell you --The Ottawa Valley --Material --Royal beatings --Wild swans --The beggar maid --Simon's luck --Chaddeleys and Flemings --Dulse --The turkey season --Labor Day dinner --The moons of Jupiter --The progress of love --Lichen --Miles City, Montana --White dump --Fits --Friend of my youth --Meneseteung --Differently --Carried away --The Albanian virgin --A wilderness station --Vandals.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    A simple touch sending currents of electricity flowing through a body. The feeling of coming home. Friends become lovers. Strangers become soulmates. The chemistry ignited when two people are falling in love is undeniable. Over the course of five short stories, follow these couples on journeys of passion and discover what happens when they decide to let sparks fly…

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    The Indians are indifferent to Western notions of time and industry. The French, on the other hand, are sufficiently meticulous to import 2,348 pieces of cast iron to the desolate mining town of Santa Sofia, there to be assembled into a church under the supervision of a disciple of the renowned Gustave Eiffel.

    Though the characters may not be human, the situations in these stories bear an uncanny resemblance to the insanity of everyday life. In "The Toad, the Turtle, and the Duck," three strangers commiserate about animal bureaucracy while waiting in a complaint line. In "Hello Kitty," a cynical feline struggles to sit through his prison-mandated AA meetings. In "The Squirrel and the Chipmunk," a pair of star-crossed lovers is separated by prejudiced family members.With original illustrations by Ian Falconer, author of the bestselling Olivia series of children's books, these stories are David Sedaris at his most observant, poignant, and surprising.

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

    It was this city that served as a catalyst for Burroughs as a writer, the backdrop for one of the most radical transformations of style in literary history.Burroughs's life during this period is limned in a startling collection of short stories, autobiographical sketches, letters, and diary entries, all of which showcase his trademark mordant humor, while delineating the addictions to drugs and sex that are the central metaphors of his work. But it is the extraordinary "WORD," a long, sexually wild and deliberately offensive tirade, that blends confession, routine, and fantasy and marks the true turning point of Burroughs as a writer-the breakthrough of his own characteristic voice that will find its full realization in Naked Lunch. James Grauerholz's incisive introduction sets the scene for this series of pieces, guiding the reader through Burroughs's literary evolution from the precise, laconic, and deadpan writer of Junky and Queer to the radical, uncompromising seer of Naked Lunch. Interzone is an indispensable addition to the canon of his works.

    A lonely teenage girl falls in love with an older, married neighbor. A woman attends a party at the home of her boyfriend’s ex-wife. A schoolteacher gets fired for teaching time incorrectly to grade-school students. And a young woman recovering from a breakup receives guidance from a drunk therapist. Poignant and sharply rendered, Otis’s stories seek answers to the questions of whom we love and why, how we search for love, lose it, or find it—sometimes at the last moment and in the most unlikely places. Quirky and hilarious, these stories display a knowing affection for human strangeness.

    Psychiatry, anthropology, theology--and literature--will never be the same.

    A female sheriff in a flooded town attempts to cover up a murder. When a farmer harvesting a field accidentally runs over his son, his grief sets him off walking, mile after mile. A band of teens bent on destruction runs amok in a deserted town at night. As these men and women lash out at the inscrutable churn of the world around them, they find a grim measure of peace in their solitude.Throughout Volt, Alan Heathcock's stark realism is leavened by a lyric energy that matches the brutality of the surface. And as you move through the wind-lashed landscape of these stories, faint signs of hope appear underfoot. In Volt, the work of a writer who's hell-bent on wrenching out whatever beauty this savage world has to offer, Heathcock's tales of lives set afire light up the sky like signal flares touched off in a moment of desperation.