His hilarious syndicated newspaper column and numerous best-selling books have sparked the kind of adulation that's often reserved for rock stars or world leaders. His wit cuts right to the core of life's absurdities.In My Teenage Son's Greatest Goal in Life Is to Make Me Feel 3,500 Years Old and Other Thoughts on Parenting from Dave Barry, Dave shares his hopes, fears, and insights about his own stint as a father. Most people make babies out to be very complicated, but the truth is they have only three moods: Mood One: Just about to cry. Mood Two: Crying. Mood Three: Just finished crying.

    Rarely are self-certified wasters called to the battle between good and evil. It’s the job of Jack Connolly, failed television celebrity turned religious messiah to convince Joseph otherwise. As the past, present and future converge, an important question becomes paramount: Is the oncoming apocalypse even real? Add in a new girlfriend who thinks Joseph is someone else entirely and a housemate with an unhealthy Roger Moore obsession and it all starts to get a bit tricky.

    all of these words have been used to describe the stories of Mike Russell so put on your top hat, open your third eye and enjoy: Nothing Is Strange

    Jim Thorne.He wants to understand love.His mum.Her three sisters have epic perms.And they’re famous.Dad.Dad’s focused on a vital question: Mario or Sonic?It’s England, 1989–2009.So expect a little history.The dolphin's name is Dilly.

    More than three hours of recordings in each collection capture the intimacy of live performance. Stories are alternately funny, sad, moving, and exciting and make a perfect accompaniment to daily activities such as driving, cooking, exercising, and relaxing. Lots of Laughs includes, among others, John Updike's "Farrell's Caddie," read by Charles Keating; Neil Gaiman's "Chivalry," read by Christina Pickles; Ron Carlson's "On the USS Fortitude," read by Laura Esterman; Etgar Keret's "Fatso," read by John Guare; and David Schickler's "Jamaica," read by Isaiah Sheffer.

    Improvisation is as much about technique as it is what's inside your head. Improv Therapy takes a look at the improviser's mind and what blocks improvisers on stage, and gives them practical advice to overcome their issues so they can become the improviser they always dreamed of being. Written by Jimmy Carrane, host of the Improv Nerd podcast and co-author of Improvising Better: A Guide for the Working Improviser. He teaches his award-winning Art Of Slow Comedy improv classes in Chicago.

    The eccentric group who satirised trad jazz, pop and rock, reached Number five with ‘I’m The Urban Spaceman’ in 1968. A punishing schedule of tours and television followed, including work with the future Monty Python team. The following year, broke and burned out, the Bonzos split up, leaving behind a loyal cult following.Vivian launched into myriad solo projects in music, film and theatre, giving himself several nervous breakdowns in the process. His comic masterpiece, ‘Sir Henry at Rawlinson End’, was heard in radio, on an album, and then hit the big screen. Vivian wrote the musical ‘Stinkfoot’, was narrator on ‘Tubular Bells’ and provided lyrics for Steve Winwood. In person, he was just as multi-faceted, by turns the erudite artist and the truculent Teddy Boy, breathtakingly rude. A powerful figure, tall, red-haired and never less than extravagant in his fashion, Vivian Stanshall was a hell-raiser of legendary reputation – ably assisted through much of the 1970s by Who drummer Keith Moon. Vivian drove the many who loved him to the limit, struggling with terrible tranquilliser and alcohol dependency. He died at home in a house fire in 1995. The story of his turbulent life is utterly compelling.

    This dazzling panorama of thought, language and form includes work by authors who are already well known to the English-speaking world (Bulgakov, Pasternak, Akhmatova, Mayakovsky), as well as others, whose work we have the pleasure of encountering here for the very first time in English. Edited by Boris Dralyuk, the acclaimed translator of Isaac Babel'sRed Cavalry(also published by Pushkin Press), 1917includes works by some of the best Russian writers - some already famous in the English-speaking world, some published here for the very first time. It is an anthology for everyone: those who are coming to Russian literature for the first time, those who are already experienced students of it, and those who simply want to know how it felt to live through this extreme period in history. POETRY: Marina Tsvetaeva, 'You stepped from a stately cathedral ', 'Night. - Northeaster. - Roar of soldiers. - Roar of waves.' Zinaida Gippius, 'Now', 'What have we done to it?', '14 December 1917' Osip Mandelstam, 'In public and behind closed doors' Osip Mandelstam, 'Let's praise, O brothers, liberty's dim light' Anna Akhmatova, 'When the nation, suicidal' Boris Pasternak, 'Spring Rain' Mikhail Kuzmin, 'Russian Revolution' Sergey Esenin, 'Wake me tomorrow at break of day' Mikhail Gerasimov, 'I forged my iron flowers' Vladimir Kirillov, 'We' Aleksey Kraysky, 'Decrees' Andrey Bely, 'Russia' Alexander Blok, 'The Twelve' Titsian Tabidze, 'Petersburg' Pavlo Tychyna, 'Golden Humming' Vladimir Mayakovsky, 'Revolution: A Poem-Chronicle', 'To Russia', 'Our March' PROSE Alexander Kuprin, 'Sashka and Yashka' Valentin Kataev, 'The Drum' Aleksandr Serafimovich, 'How He Died' Dovid Bergelson, 'Pictures of the Revolution' Teffi, 'A Few Words About Lenin', 'The Guillotine' Vasily Rozanov, from 'Apocalypse of Our Time' Aleksey Remizov, 'The Lay of the Ruin of Rus'' Yefim Zozulya, 'The Dictator: A Story of Ak and Humanity' Yevgeny Zamyatin, 'The Dragon' Aleksandr Grin, 'Uprising' Mikhail Prishvin, 'Blue Banner' Mikhail Zoshchenko, 'A Wonderful Audacity' Mikhail Bulgakov, 'Future Prospects'"

     CollegeHumor.com is the National Lampoon of its generation. Since its creation in early 2000, the Web site has grown to become the nation’s most recognized comedy brand for young people. With eight million unique visitors a month, quarterly revenues surpassing $1.2 million, and a successful line of merchandise (from T-shirts to novelties)—not to mention a deal with Paramount to create and brand movies with CollegeHumor’s imprimatur—CollegeHumor is truly a franchise in the making. The CollegeHumor Guide to College is a laugh-out-loud depiction of the college experience. Written primarily by two of CollegeHumor’s most popular columnists, Ethan Trex and Streeter Seidell, this guide features all-new material not found on the Web site. It also includes helpful advice—the kind you probably won’t hear from a college counselor—on an array of subjects, such as food, clothing, parents, dating, sex, drinking, and roommates. Filled with outrageous illustrations, this edgy and irreverent book will be indispensable to all present and future undergraduates.

    The general is in fact in Spain, on his deathbed, but Francis is deeply troubled, as is his daughter Gillian, who lives with him in Cleaver Square. Francis' account of his haunting is by turns witty, cantankerous and nostalgic. At times he drifts back to his days in Madrid, when he rescued a young girl from a burning building and brought her back to London with him. There are other, darker events from that time, involving an American surgeon called Doc Roscoe, and a brief, terrible act of betrayal. When Gillian announces her forthcoming marriage to a senior civil servant, Francis realizes he has to adapt to new circumstances and confront his past once and for all. Highly atmospheric, and powerfully dramatic, rich in pathos and humour, Last Days in Cleaver Square confirms a major storyteller at the height of his powers.'[W]onderfully sinister ... a delight ... you are in for a thrilling ride.' Spectator on The Wardrobe Mistress

    Small but beautifully formed pieces of Shaun Micallef.

    In the case of Thomas Ligotti, the response has invariably been to the effect that he never has any idea what he is going to produce in the future, if anything. Since he began publishing in the early 1980s, this answer has perhaps seemed somewhat disingenuous. Some may have thought that it was an affectation or diversionary tactic. After all, books under his name have since appeared on a somewhat regular, if not exactly prolific, schedule. But as the years went by, it became more and more apparent that Ligotti’s output was at best haphazard. A chapbook here, a slim or full-fledged story collection there, a book of poetry or unclassifiable prose out of nowhere, and then at some point a quasi-academic statement of his philosophical ideas and attitudes. Such a scattered crop of writings is not unheard-of, but for one who toils in the genre of horror, whose practitioners are commonly hard at work on a daily basis, it does seem as paltry as it is directionless. Accordingly, the present volume is another unexpected contribution to Ligotti’s desultory offerings. And no one could be as surprised by its appearance as he was. As anyone knows who has followed his interviews and obsessions as they appear in his fiction, Ligotti must take his literary cues from a lifetime of, let us say, whimsical pathologies. Other authors may suffer writer’s block. In the present case, the reason may be dubbed “existence block,” one that persisted for some ten years. This is less than an ideal development for anyone, but for a word-monger it can spell the end. And yet the end did not arrive. During 2012, it seemed that it might in the form of a sudden collapse and subsequent hospitalization prefigured—one might speculate—by the abdominal crisis suffered by the character Grossvogel in Ligotti’s story “The Shadow, The Darkness.” Yet like the agony endured by the aforementioned figure, the one in question led only to a revitalization of creativity. This revitalization may not be exactly spectacular, but all the same here it is. Throughout Ligotti’s “career” as a horror writer, many of his stories have evolved from physical or emotional crises. And so it was with the surgical trauma that led to the stories in The Spectral Link, an event that is marginally mentioned in the first of these stories, “Metaphysica Morum.” In the second story, “The Small People,” Ligotti returns, although not precisely in the usual fashion, to his fixation with uncanny representations of the so-called human being. Having nearly ceased to exist as he lay on the surgeon’s table, the imposing strangeness of the nature and vicissitudes of this life form once again arose in his imagination. So what project and publications are forthcoming from Thomas Ligotti? As ever, not even he knows.

    All 97 counties of it! Surely it can't be as bad as everyone tells him. After twenty years living abroad, he thinks the time is right to search his homeland for the best of British using new eyes, those of a foreign tourist, and in the only way he knows how – by bicycle. Armed with a list of recommendations gathered from friends and strangers alike and the most spontaneous of routes, he pedals 5,000 miles through damp English country lanes, soggy Welsh moorland and windswept Scottish mountains. He gets wet quite often. Following on from the success and irreverent style of both No Place Like Home, Thank God and Hungry for Miles, Steven seeks out the quirky in the people he meets, the places he visits and the food he eats. Can his initial store of positivity survive the journey, or will it be ground down by the traffic, the weather and his British, vegetable-free diet of beer, pies and pork scratchings? In this, Book 1, The Journey South, Steven travels from Merseyside to Warwickshire, through the whole of Wales, the West Country, the south coast and to London. Armed with a bag of googly eyes, he meets a poetry-prescribing nurse, stumbles across Hilda Ogden's lawnmower, has his footwear stolen by foxes, discovers some very special Mexican fleas, crashes the TARDIS and visits dozens of British capitals, including its infidelity capital, its boob job capital and its dogging capital. He experiences "real" Britain – the good and the bad – its Morris dancers, pie 'n' mash and the pinnacle of British culture, a good old-fashioned street fight. The concluding part, The Journey North, covering the east of England, Scotland and the north-west of England will be available in Summer 2017.

    Publisher's SummaryWere you one of the several people on Earth who didn't catch every historic episode of the most-downloaded podcast ever? Or maybe you treasured every golden moment and want to preserve it for future generations? Now, all 12 episodes of The Ricky Gervais Show: The Complete First Season are here in one package that's far tidier than Karl Pilkington's thought processes.It's more than six hours of Ricky's rants, Steve Merchant's meanderings and Karl's - well, whatever it is that Karl does.

    All Witch World knows that the hunted, hated beasts serve Evil--all except one young woman. Fleeing her home after her beloved grandfather dies, the orphaned Navajo-Comanche girl Eleeri follows an ancient and magical trail to Witch World. When she discovers the Kepliana mare Tharna and her newborn colt in the hands of men eager to destroy them, Eleeri fights for their freedom. Running for their lives, psychic Eleeri and telepathic Tharna bond. And in a hidden canyon, they discover the awesome truth: The Keplians were created to serve Light, and to ride with humans. THE MAGESTONE They are two strangers whose people have been at war for a millennium. Mereth, a Dales trader, crosses the sea to Estcarp and the archival citadel at Lormt, seeking clues to the fate of a missing heirloom, an ancient jewel of Power. At the same time, an Alizonder hound lord, Kasarian, finds that an ancestor's key opens a magic gate to distant Lormt. Alizonders are wolfish tyrants who fight with sadistic poisons