Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Hold tight as the ordinary turns extraordinary in Mark O’Rowe’s exhilarating new play. A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.

    First published in 1993, this acclaimed translation, which follows the verse form of the original exactly, filled that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep back- ground knowledge.The translation is accompanied by Stewart Spencer’s introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee, and Warren Darcy that discuss the cycle’s musical structure, philosophical implications, medieval sources, and Wagner’s own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, this book is an essential complement to Wagner’s great epic.

    What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.

    This latest work from the author of Our Lady of 121st Street "shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith" (Ben Brantley, The New York Times).

    THE 'MUST-HAVE' COMPLETE COLLECTIONIn this irresistible, 'must-have' collection you get ALL the Legendary Ancient Writers, AND get ALL their plays, books and works at the same time. But that is not all..MULTIPLE TRANSLATIONSIn addition, you will also get 2 other important benefits:*Multiple translations of many of the works, covering their translation into Rhyming Verse, Blank Verse and Prose.*In-Depth Footnotes, Introductions and Explanations.INCLUDED WORKS: WORKS OF HOMER:THE ILIAD*ALEXANDER POPE TRANSLATION - Verse*SAMUEL BUTLER TRANSLATION - Prose*EARL OF DERBY TRANSLATION - Verse*LANG, LEAF, MYERS TRANSLATION - Prose*WILLIAM COWPER TRANSLATION - Blank VerseTHE ODYSSEY*ALEXANDER POPE TRANSLATION - Verse*SAMUEL BUTLER TRANSLATION - Prose*LANG, BUTCHER TRANSLATION - Prose*WILLIAM COWPER TRANSLATION - Blank VerseWORKS OF OVID:*HEORIDES *ARS AMORICA, AMORES (The Love Poems)*METAMORPHOSESWORKS OF SOPHOCLESTHE OEDIPUS TRILOGY:*ANTIGONE*KING OEDIPUS*OEDIPUS AT COLONOS*AIAS*ELECTRA*THE TRACHINIAN MAIDENS*PHILOCTETESWORKS OF VIRGIL*THE AENEID - Prose*THE AENEID - Verse*ECOLOGUES*GEORGICSWORKS OF APOLLONIUS*ARGONAUTICA (JASON AND THE ARGONAUTS,THE GOLDEN FLEECE)WORKS OF QUINTUS*POSTHOMERICAWORKS OF HESIOD*WORK AND DAYS*THEOGONY*HOMERICA AND HYMNS(including many rarities such as 'Contest between Hesiod and Homer' and 'The Small Iliad')WORKS OF EURIPIDES*ANDROMACHE*RHESUS*HECUBA*ION*HERACLES*HERACLIEDAE*HELEN*ELECTRA*CYCLOPS*ALCESTIS*ORESTES*PHOENISSAE*MEDEA*HIPPOLYTUS*BACCHAE*IPHIGENIA IN AULIDE*IPHIGENIA IN TAURIS*TROJAN WOMENWORKS OF APULEIUS*THE GOLDEN ASS*APOLOGIA (A DISCOURSE IN MAGIC)WORKS OF APOLLODORUS*LIBRARYWORKS OF AESOP*COMPLETE FABLESWORKS OF AESCHYLUS*PERSIANS*PROMETHEUS BOUND*SEVEN AGAINST THEBES*SUPPLIANTS*AGAMEMNON*LIBATION BEARERS*EUMENIDES*CHOEPORIWORKS OF ARISTOPHANES*THE ELEVEN COMEDIESYOUR ENVIABLE COLLECTIONImagine the joy of having this exclusive collection, which rivals many libraries, at your fingertips. Imagine the incredible pleasure of reading these nuggets of literature gold, discovering inspiration in the kind of fantastic, mythological tales you love.PLUS YOU GET FREE BONUSES:*Biographies of each of the Writers - Details of their colorful histories, intriguing personal lives and remarkable adventures in the ancient world.*Easy to navigate 'Table of Contents' - jump between works and between chapters in each work easily.

    While Roxane is in love with the beautiful but inarticulate Christian.Cyrano's generous offer to act as go-between sets in motion a poignant and often hilarious love-triangle, in which each character is torn between the lure of physical attraction and the seductive power of words.Martin Crimp's adaptation of Edmond Rostand's Cyrano de Bergerac premiered at the Playhouse Theatre, London, in November 2019.

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    Includes: "The Oresteia" - Aeschylus; "Prometheus Bound" - Aeschylus; "Oedipus the King" - Sophocles; "Antigone" - Sophocles; "Medea" - Euripides; "The Bakkhai" - Euripides; "Oedipus" - Seneca; "Medea" - Seneca.

    Lyly’s Endymion (1588) represents his famous Euphuistic style at its best and also gives us vintage Lyly as courtier and dramatist. In this love comedy, Lyly retells an ancient legend of the prolonged sleep of the man with whom the moon (Cynthia) fell in love. The fable is piquantly relevant to Queen Elizabeth and her exasperated if adoring courtiers. This edition makes a new and compelling argument for the relevance of Endymion to the threat of the Spanish Armada invasion of 1588 and to the role of the Earl of Oxford in England’s politics of that troubled decade. Full commentary is provided on every aspect of the play, including its philosophical allegory about the relation of the moon to mortal life on earth.

    Its popularity owes much to the lyricism of the prose, thepitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues oflanguage and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

    The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of the entire court, but her honour is saved by Krishna who miraculously creates lengths of cloth to replace the ones being removed.