The struggles, rivalries, intricate family politics, and the interplay of personalities and relationships within the complex private world of a polygamous union come to life in The Secret Lives of Baba Segi’s Wives—Big Love and The 19th Wife set against a contemporary African background.

    In those turbulent years, she gained a profound understanding of what it means to be black in America.While studying in America, she met Femi, an African man. They fell in love and she journeyed to Nigeria to become his wife. In Africa, plunged into a culture so very different from her own, but one she felt she should understand, Marita Golden learned about both her own new sprawling Nigerian family and Nigeria's large American community.But Femi, once her strength, began to insist she fit herself into the strict mold of his society and assume the submissive role of a Nigerian wife.In her new, strange surroundings, Marita Golden discovered that home is not simply a destination, but rather something you must carry always inside you."A marvelous journey . . . powerful imagery . . . distinctly drawn characters come alive, events pulsate with energy." -- The Washington Post Book World

    When this investors’ darling was exposed as a house of cards, tales of fraudulent accounting, a lavish lifestyle involving multimillion-rand racehorses and ructions in the ‘Stellenbosch mafia’ made headlines around the world. As regulators tally up the cost, 'Financial Mail' editor Rob Rose reveals the real inside story behind Steinhoff. Based on dozens of interviews with key players in South Africa, the UK, Germany and the Netherlands – and documents not yet public – Steinheist reveals: how Bruno Steinhoff formed the company by doing business in the Communist bloc and apartheid South Africa; how the ‘Markus myth’ started in the dusty streets of Ga-Rankuwa and grew thanks to a ‘bit of luck’ in a 1998 takeover; how Jooste insiders shifted nasty liabilities off Steinhoff’s balance sheet to secretive companies overseas in order to present a false picture of the profits; how Wiese was lucky to lose only R59bn and how Shoprite narrowly escaped getting caught in Steinhoff’s web; and what happened behind closed boardroom doors in the frantic week before Jooste resigned.

    The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord. In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

    In captivating prose, Dowden spins tales of cults and commerce in Senegal and traditional spirituality in Sierra Leone; analyzes the impact of oil and the internet on Nigeria and aid on Sudan; and examines what has gone so badly wrong in Zimbabwe, Rwanda, Burundi, and the Congo. From the individual stories of failure and success comes a surprising portrait of a new Africa emerging--an Africa that, Dowden argues, can only be developed by its own people. Dowden's master work is an attempt to explain why Africa is the way it is and calls for a re-examination of the perception of Africa as "the dark continent." He reveals it as a place of inspiration and tremendous humanity.

    Spirited independent and intelligent, Haoua has benefitted from a stable home life and a loving and attentive mother. She enjoys working and playing with her siblings and friends. Haoua worships her elder brother, Abdelkrim, a serving soldier who sends money home to support the family. But, on his last home visit, Abdelkrim quarrels with their father accusing him of gambling away the money he sends and being the cause of their mother s worsening health. It also emerges that their father plans to take a second wife. Despite this Haoua finds contentment in her schoolwork, her dreams of becoming a teacher and in writing assiduously to the family in Ireland who act as her aid sponsors. But for Haoua, there are new storm clouds on the horizon. As civil strife mounts in Niger, Haoua begins to fear for Abdelkrim s safety. Haoua's mother's illness is much more serious and further advanced than anyone had recognised and her father s plans are turning out to be far more threatening than she could have ever imagined. Approaching her twelfth birthday, Haoua is alone and vulnerable for the very first time in her life.

    Because of this, Hannah has always felt uncertain about part of her identity. When her father dies, she's invited to Nigeria for the funeral. Though she wants to hate the man who abandoned her, she's curious about who he was and where he was from. Searching for answers, Hannah boards a plane to Lagos, Nigeria.In Banana Island, one of Nigeria's most affluent areas, Hannah meets the Jolades, her late father's prestigious family--some who accept her and some who think she doesn't belong. The days leading up to the funeral are chaotic, but Hannah is soon shaped by secrets that unfold, a culture she never thought she would understand or appreciate, and a man who steals her heart and helps her to see herself in a new light.

    With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor’s beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna’s twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another. Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race—and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

    As a child in a music class where a remarkable teacher watches over a classmate marked for tragedy, the author by chance reads Willa Cather’s novel, Lucy Gayheart, and is prepared against her will for death by drowning. And prepared for the teacher’s confessions to the class of a frustrated ambition to become a pianist, her regret for a life that will never be. Later, recently married and living in a newly independent Nigeria, a teacher now herself, the author gives Achebe’s Things Fall Apart to her students and is instructed by them in the violent legacy of colonialism. And loses her American innocence when she visits a nearby abandoned slave port and connects its rusting shackles with the students sitting before her. Reading A Portrait of a Lady, also in Nigeria, she ponders her own new marriage through the lens of Isabel Archer’s cautionary fate, remembers her own adolescent fear that reading might be a way of avoiding experience. A few years later, this time in a town in northern France, haunted by Madame Bovary, by Emma’s solitude and boredom, she puts aside Flaubert’s novel and discovers in Bernanos’ Diary of a Country Priest the poverty and suffering she had failed to see all around her. The memoir closes with a tender account of the author’s friendship with the writer, Diana Trilling, whose failing sight inspires a plan to read aloud Proust’s masterwork, an undertaking that takes six years to complete. Faced with Diana’s approaching death and the mysteries of her own life, the author wonders whether reading after all may not be experience at its most ardent, its most transforming.

    A gripping love declaration to Africa with the troubles of Rhodesia/Zimbabwe as background, the real protagonist of this book is Africa with all her wonders and horrors. "Highly recommended for lovers of the continent, especially those longing for a well-balanced and honest insider’s account of recent African history (B. Pataki 2013) "

    A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.  Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge.Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.

    There is no A-to-Z path, and there are no magic beans that will carry you upward overnight. Have you ever wondered how to start, scale up, build teams, and flourish in an uncontested market? I can tell you. I did it. In 1992, I landed in Estonia with $400 in my pocket. There, I discovered a truth that changed my life and the way I conducted business: You can make a lot of money as an entrepreneur by moving decisively in blue-sky markets - markets where you face very little competition and the tide can carry you to riches.Over the next decade and a half, I built a portfolio of businesses worth $200 million. Now, I want to share the paths that led me to success, passing on my knowledge to you. In Why Sell Tacos in Africa? I explain sixteen principles that allowed me to drive such tremendous growth. May you, too, find a blue-market and watch your business soar.

    Despite the seemingly insurmountable obstacles in her path, Adunni never loses sight of her goal of escaping the life of poverty she was born into so that she can build the future she chooses for herself - and help other girls like her do the same. Her spirited determination to find joy and hope in even the most difficult circumstances imaginable will “break your heart and then put it back together again” (Jenna Bush Hager on The Today Show) even as Adunni shows us how one courageous young girl can inspire us all to reach for our dreams...and maybe even change the world.

    An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

    Maja was five years old when her black Cuban family emigrated from the Caribbean to London. Now, almost twenty years later, Maja is a singer, in love with Aaron, pregnant, and haunted by what she calls “her Cuba.” Growing up in London, she has struggled to negotiate her history and the sense that speaking Spanish or English made her less of a black girl. But she is unable to find herself in the Ewe, Igbo, or Akum of her roots. It seems all that’s left is silence. Meanwhile distance from Cuba has only deepened Maja’s mother faith in Santeria —the fusion of Catholicism and Western African Yoruba religion—but it also divides the family as her father rails against his wife’s superstitions and the lost dreams of the Castro revolution.On the other side of the reality wall, Yemaya Saramagua, a Santeria emissary, lives in a somewherehouse with two doors: one opening to London, the other to Lagos. Yemaya is troubled by the ease with which her fellow emissaries have disguised themselves behind the personas of saints and by her inability to recognize them. Lyrical and intensely moving, The Opposite House is about the disquiet that follows us across places and languages, a feeling passed down from mother and father to son and daughter.