It would not stop there. Before long, the business had turned into a sprawling multinational conglomerate engaged in almost every conceivable aspect of criminal mayhem. Yachts carrying $100 million in cocaine. Safe houses in Hong Kong filled with gold bars. Shipments of methamphetamine from North Korea. Weapons deals with Iran. Mercenary armies in Somalia. Teams of hitmen in the Philippines. Encryption programs so advanced that the government could not break them.The man behind it all, pulling the strings from a laptop in Manila, was Paul Calder Le Roux—a reclusive programmer turned criminal genius who could only exist in the networked world of the twenty-first century, and the kind of self-made crime boss that American law enforcement had never imagined.For half a decade, DEA agents played a global game of cat-and-mouse with Le Roux as he left terror and chaos in his wake. Each time they came close, he would slip away. It would take relentless investigative work, and a shocking betrayal from within his organization, to catch him. And when he was finally caught, the story turned again, as Le Roux struck a deal to bring down his own organization and the people he had once employed.Award-winning investigative journalist Evan Ratliff spent four years piecing together this intricate puzzle, chasing LeRoux's empire and his shadowy henchmen around the world, conducting hundreds of interviews and uncovering thousands of documents. The result is a riveting, unprecedented account of a crime boss built by and for the digital age.Advance praise for The Mastermind“As directors, we spend countless hours imagining heightened plots and memorable characters that will leave a lasting impression on audiences. The true tale of obsession, genius, intrigue, and vengeance detailed in The Mastermind is as gripping and cinematic as anything we could endeavor to conjure up.”—Joe and Anthony Russo, directors of Captain America: The Winter Soldier, Captain America: Civil War, and Avengers: Infinity War“With his relentless and fearless reporting, Evan Ratliff has pried open a hidden world filled with high-tech gangsters and drug kingpins and double-crossers and stone-cold hitmen. The story is as fascinating as it is terrifying, and it is one that will hold you in its grip.”—David Grann, author of Killers of the Flower Moon“If truth is stranger than fiction, then The Mastermind is the truest book you’ll read this year. The only thing predictable about it is how quickly you’ll turn the pages.”—Noah Hawley, author of Before the Fall and creator of the TV series Fargo “This is a mesmerizing, absolutely bonkers story about a man as brilliant as he is villainous. You’ll find yourself sucked in, freaked out, and ultimately blown away by Ratliff's storytelling and tireless reporting. The Mastermind is a masterpiece.”—Nick Thompson, editor-in-chief, Wired

    Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius.Oil and Marble is the story of their nearly forgotten rivalry. Storey brings early 16th-century Florence alive, and has entered with extraordinary empathy into the minds and souls of two Renaissance masters. The book is an art history thriller.

    Karen King, a star professor at Harvard Divinity School, announced a blockbuster discovery at a scholarly conference just steps from the Vatican: She had found an ancient fragment of papyrus in which Jesus calls Mary Magdalene "my wife." The tattered manuscript made international headlines. If early Christians believed Jesus was married, it would upend the 2,000-year history of the world's predominant faith, threatening not just the celibate, all-male priesthood but sacred teachings on marriage, sex and women's leadership. Biblical scholars were in an uproar, but King had impeccable credentials as a world-renowned authority on female figures in the lost Christian texts from Egypt known as the Gnostic gospels. "The Gospel of Jesus's Wife"--as she provocatively titled her discovery--was both a crowning career achievement and powerful proof for her arguments that Christianity from its start embraced alternative, and far more inclusive, voices.As debates over the manuscript's authenticity raged, award-winning journalist Ariel Sabar set out to investigate a baffling mystery: where did this tiny scrap of papyrus come from? His search for answers is an international detective story--leading from the factory districts of Berlin to the former headquarters of the East German Stasi before winding up in rural Florida, where he discovered an internet pornographer with a prophetess wife, a fascination with the Pharaohs and a tortured relationship with the Catholic Church.

    The children of Italian immigrants were kidnapped, and dozens of innocent victims were gunned down. Bombs tore apart tenement buildings. Judges, senators, Rockefellers, and society matrons were threatened with gruesome deaths. The perpetrators seemed both omnipresent and invisible. Their only calling card: the symbol of a black hand. The crimes whipped up the slavering tabloid press and heated ethnic tensions to the boiling point. Standing between the American public and the Black Hand’s lawlessness was Joseph Petrosino. Dubbed the “Italian Sherlock Holmes,” he was a famously dogged and ingenious detective, and a master of disguise. As the crimes grew ever more bizarre and the Black Hand’s activities spread far beyond New York’s borders, Petrosino and the all-Italian police squad he assembled raced to capture members of the secret criminal society before the country’s anti-immigrant tremors exploded into catastrophe. Petrosino’s quest to root out the source of the Black Hand’s power would take him all the way to Sicily—but at a terrible cost.  Unfolding a story rich with resonance in our own era, The Black Hand is fast-paced narrative history at its very best.

    But the streets of his border town of Laredo, Texas, are poor and dangerous, and it isn’t long before Gabriel abandons his promising future for the allure of the Zetas, a drug cartel with roots in the Mexican military. His younger friend Bart, as well as others from Gabriel’s childhood, join him in working for the Zetas, boosting cars and smuggling drugs, eventually catching the eye of the cartel’s leadership. Meanwhile, Mexican-born Detective Robert Garcia has worked hard all his life and is now struggling to raise his family in America. As violence spills over the border, Detective Garcia’s pursuit of the boys, and their cartel leaders, puts him face to face with the urgent consequences of a war he sees as unwinnable. In Wolf Boys Dan Slater shares their stories, taking us from the Sierra Madre mountaintops to the dusty, dark alleys of Laredo, Texas, on a harrowing, often brutal journey into the heart of the Mexican drug trade. Gabriel’s evolution from good-natured teenager into a feared assassin is as inevitable as Garcia’s slow realization of the futile nature of his work. A nonfiction thriller, Wolf Boys depicts more than just Gabriel, Bart, and the officers who took them down. It shows, through vivid detail and rich, often moving, narrative, the way in which the border itself is changing, disappearing, and posing new, terrifying, and yet largely unseen threats to American security. Ultimately though, Wolf Boys is the intimate story of the “lobos” themselves: boys turned into pawns for cartels. Their stories show how poverty, ideas about identity, and government ignorance have warped the definition of the American dream.

    . . eloquent . . . a powerful portrayal of a young man's ability to emerge whole from an experience intended to break him."--Publishers WeeklyIn September 2010, at the beginning of the academic year at Sarah Lawrence College, a sophomore named Talia Ray asked her roommates if her father could stay with them for a while. No one objected. Her father, Larry Ray, was just released from prison, having spent three years behind bars after a conviction during a bitter custody dispute.Larry Ray arrived at the dorm, a communal house called Slonim Woods 9, and stayed for the whole year. Over the course of innumerable counseling sessions and "family meetings," the intense and forceful Ray convinced his daughter's friends that he alone could help them "achieve clarity." Eventually, Ray and the students moved into a small Manhattan apartment, beginning years of manipulation and abuse, as Ray tightened his control over his young charges through blackmail, extortion, and ritualized humiliation.Daniel Barban Levin was one of the original residents of Slonim Woods 9. Ray coached Daniel through a difficult break-up, slowly drawing him into his web. After two years of escalating psychological, physical, and sexual abuse, Daniel found the strength to escape from Ray's influence and take control of his own life.In April 2019, a New York magazine cover story, "The Stolen Kids of Sarah Lawrence," exposed Ray's crimes to the world. In February 2020, he was finally indicted on charges of extortion, sex trafficking, forced labor, and money laundering.Beginning the moment Daniel set foot on Sarah Lawrence's idyllic campus and spanning the two years he spent in the grip of a megalomaniac, this brave, lyrical, and redemptive memoir reveals how a group of friends were led from campus to a cult without the world even noticing.