The book has been banned from many school libraries and publicly burned in Kansas City. Of the author and the book, the Margaret A. Edwards Award committee said, “Using a fluid, readable style, Garden opens a window through which readers can find courage to be true to themselves.”

    Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    But when Meraud disappears after an ambitious magical experiment goes wrong, they may be the only ones who can follow the trail of cryptic clues that will bring him safely home. To return Meraud to this world, the two of them will confront every obstacle: the magic of the wild unknowable, a friendly vicar who's only concerned for their spiritual wellbeing, and even the Thames Water helpline. All of which would be doable, if only they didn’t have to do it together. But the winter solstice is fast approaching – and once the year turns, Meraud will be lost forever. In this joyously queer novella, Nat and Layla must find a way to overcome their differences before it’s too late.

    But Uiziya now seeks her aunt Benesret in order to learn the final weave, although the price for knowledge may be far too dear to pay.Among the Khana, women travel in caravans to trade, while men remain in the inner quarter as scholars. A nameless man struggles to embody Khana masculinity, after many years of performing the life of a woman, trader, wife, and grandmother.As the past catches up to the nameless man, he must choose between the life he dreamed of and Uiziya, and Uiziya must discover how to challenge a tyrant, and weave from deaths that matter.Set in R. B. Lemberg's beloved Birdverse.

    The solemn weather-shapers with their eyes of stone can steal the breeze from raiders' sails and save the islands from their wrath. But the Windspeakers' magic has been stolen, and only their young apprentice Shina can bring their power back and save her people.Tazir has seen more than her share of storms and pirates in her many years as captain, and she's not much interested in getting involved in the affairs of Windspeakers and Dragon Ships. Shina's caught her eye, but that might not be enough to convince the grizzled sailor to risk her ship, her crew, and her neck."The Drowning Eyes is a magic- and wind-filled adventure, peopled with excellent and strong characters. The story made me want to sail the coastline on a boat of my own and see if I could call up a storm. In Emily Foster's debut novella, apprentice Windspeaker Shina must return her people's power to them before the Dragon Ships destroy everything . . . unless Shina destroys it by accident first. So vividly rendered, you'll be tempted to wash the salt-spray from your clothing after reading The Drowning Eyes." - Fran Wilde, author of Updraft

    To keep her power secret, she leads a quiet life as a healer on a remote mountain, content to help the people in her care and spend time with Ina, the mortal girl she loves.But Asra’s peaceful life is upended when bandits threaten Ina’s village and the king does nothing to help. Desperate to protect her people, Ina begs Asra for assistance in finding her manifest—the animal she’ll be able to change into as her rite of passage to adulthood. Asra uses her blood magic to help Ina, but her spell goes horribly wrong and the bandits destroy the village, killing Ina’s family.Unaware that Asra is at fault, Ina swears revenge on the king and takes a savage dragon as her manifest. To stop her, Asra must embark on a journey across the kingdom, becoming a player in lethal games of power among assassins, gods, and even the king himself.Most frightening of all, she discovers the dark secrets of her own mysterious history—and the terrible, powerful legacy she carries in her blood.

    Her creative writing teacher has always told her she has a special talent. But three months before her graduation, he's suddenly replaced—by Nadiya Nazarenko, a Pulitzer Prize–winning novelist who is sadistically critical and perpetually unimpressed.   At first, Nazarenko’s eccentric assignments seem absurd. But before long, Laila grows obsessed with gaining the woman’s approval. Soon Laila is pushing herself far from her comfort zone, discovering the psychedelic highs and perilous lows of nightlife, temporary flings, and instability. Dr. Nazarenko has led Laila to believe that she must choose between perfection and sanity—but rejecting her all-powerful mentor may be the only way for Laila to thrive.

    Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seep-tech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.Heartbroken and deep into an alcoholic binge, Trina chases after a young boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.

    Unbeknownst to Fiona, this house has a melancholy history, and slightly more ghosts than she anticipated. In learning to live with her unexpected companions and their losses, Fiona might find a way to make peace with her own.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    By night, she cracks heads of rival gangs in brutal bike wars to gain possession of a rare, valuable contraband: an engine-boosting "machine narcotic" known as Crush.Collecting: Motor Crush 1-5

    He may do all the work, and Zeus may get all the credit, but at least it allows Hades to preserve the one thing he truly cares to have: his solitude. The mere mention of the Wraith of Khaos Falls is enough to keep order, and he is rarely forced to leave the shadows of Casino Asphodel.She belongs in the spotlight...And Persephone clawed her way out of Demeter’s shadow to reach it. Now she’s lead in Calliope’s Cirque production but not without great cost, and there is not enough money in the world to pay off the debt accrued for the simple mistake of trusting Zeus. Though it’s easier to ignore the bars when she still has room to fly.Landing a residency at the legendary Casino Asphodel is everything she trained for. Meeting a man she’d been convinced didn’t exist? She could never be prepared for that. Hades isn’t prepared for her either, but it’s soon evident they’re a force when together. He gives her a soft place to land, and she makes him want to reach for the stars. But when Zeus ups the stakes, they must be willing to go all in, even if it means coming down from the sky. Or stepping into the light.

    But she has reckoned without floppy-eared, tail-wagging Mouse, who comes nosing to her window. Followed shortly by his owner, Alice. As Beth’s year of solitude rolls out, Alice gently steals her way first into Beth’s house and later into her heart. And by the time New Year’s Eve comes round again – who knows?A tender and delicate love story in verse, The Space Between is a tale of how warmth, support and friendship can overcome mental anguish.

    There is no she.Two cells make up one cell. This is the mathematics behind creation. One plus one makes one. Life begets life. We are the period to a sentence, the effect to a cause, always belonging to someone. We are never our own.This is why we are so lonely.She of the Mountains is a beautifully rendered illustrated novel by Vivek Shraya, the author of the Lambda Literary Award finalist God Loves Hair. Shraya weaves a passionate, contemporary love story between a man and his body, with a re-imagining of Hindu mythology. Both narratives explore the complexities of embodiment and the damaging effects that policing gender and sexuality can have on the human heart.Illustrations are by Raymond Biesinger, whose work has appeared in such publications as The New Yorker and the New York Times.Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. Her most recent film, What I LOVE about Being QUEER, has been expanded to include an online project and book with contributions from around the world. She is also author of God Loves Hairand Even This Page Is White.

    Only a select few know her as a loyal, loving friend. To a fault, she is committed to her family, friends and her job.As a surgeon, Nora Whitmore is used to being in control. The hospital is her life. There is little else. Respected by her colleagues but ridiculed by the residents, Nora takes what she needs and keeps everyone else at arm’s length, creating unexpected enemies.Tragedy brings them together in a clash of personalities. As the chaos around them continues, they find the lines between them blurring. A friendship forms, understanding grows, and attraction soon follows. Together, they may conquer their own misgivings, but will the outside forces keep them apart?Themes: lesbian · medical · police

    Without one to govern the oceans, it falls to Riven, reluctant sea-witch, to sail out alone every night across the midnight ocean to cast a spell to call in the tides.She hates it. Hates the moonless dark, hates the endless deep, and hates the fact that without a witch to sing in the tides, sea and land alike would fall to ruin. Riven faces her worst fear every night for years - until she meets a mermaid. Her new friend is lost, starving, and just as lonely as she is. And now that they've found one another, neither of their nights on the midnight sea will be the same.