Suddenly, a hunter came over there and with his bow and arrow killed one of the herons. The bird which was killed instantly collapesed from the tree. Upon seeing this, the partner of the bird gave out a loud out cry. It started wailing in grief. So loud and true was the sorrow that Saint Valmiki was touched by the it. The pain he experienced started flowing out in the form of "shlokas'.A true poetry takes birth in exactly the same manner. V. S. Khandekar has written this novel based on the shlokas so formed. Even today the innocent couples of herons are killed every now and then, These innocent couples represent the innocent people all over the world. The hunter which killed one of the bird was sinful, very very sinful, But so are today's political leader. They all are equally cruel, wicked. Since the day intelligence and power joined hands together, the kindness of the human heart has abruptly ended. The day when man starts rethinking about the feelings along with intelligence, then such killing will be stopped. In this novel, the author is trying to give us the message that if we follow our head as well as our heart then there are still chances for survival.

    Part biographical author is describing his journey, where he is not conforming to all strictures demanded by parikramawasi. While he is searching for the ultimate truth he falls in love with a widow. But, falling in love, both for an ascetic and the window is blasphemy in Hinduism . The second half blossoms into love story and ends with sacrifices of protagonists so that societal rules remain intact.

    It does not take a break. If at all there is any change then it is in the form of high tide or overflowing. It is always on the side of worsening. Whenever there are more mouths to feed, a lot of people around this struggle reaches to peak. Whenever sharing land and food becomes inevitable, resistance is unavoidable. Confrontation is at its worst when someone tries to intrude our caste and our system and then tries to break through the impregnable walls of society. Those who are really able to speak, often blurt out their anger and antagonism through words. Those who are not able to speak out, reflect their love and hatred through actions, body language and so on. Once struggle starts, it takes a hideous form. Words appear to be deficient. Weapons take place of words then. Whenever there is a shortage of weapons, then often tusks and nails are used in place. Struggle envelopes everything.

    

    Sharad Pawar. The book is a rich, insightful and remarkably frank memoir and a valuable document of the country's recent political history. Sharad Pawar is one of India's key public figures. Through his five- decade-long career, during which he has never lost an election, he has served as chief minister of Maharashtra four times and as India's defence minister and minister for agriculture. On two occasions he came close to becoming the country's prime minister. He has often bucked the trend, preferring policy and pragmatism over populism, and won admiration for his administrative acumen and consensual politics. Eyewitness-at the highest levels-to India's and Maharashtra's history since the 1960s, he shares in this memoir his reflections on coalition politics, the loss of democracy in the Congress Party (with which he began his political life), the state of agriculture and industry in the country, and the absolute necessity of social harmony and a liberal, inclusive ethos for India's future. As he does this, he also gives us rare information about many crises and turning points: Emergency and its impact on national and regional politics; the fall of the Chandrashekhar government in 1991; the signing of the Punjab Accord between Rajiv Gandhi and H.S. Longowal; the Babri Masjid demolition; the Mumbai bomb blasts of 1993; the devastating earthquake in Latur; the controversy over the Enron power project; and Sonia Gandhi's dramatic decision to give up the chance to occupy the country's highest office. Throughout, the narrative also contains candid and fascinating assessments of some of the biggest names in Indian politics, among them, Indira, Rajiv and Sonia Gandhi, Y.B. Chavan, Morarji Desai, Biju Patnaik, Atal Bihari Vajpayee, Chandrashekhar, P.V. Narasimha Rao, George Fernandes and Bal Thackeray.

    The same has been narrated in the book.

    And his eyes! They look at you intently, they pierce you! I am scared of his eyes. It all started that day, actually it was night. I was sleeping near my daddy. All of a sudden, a noise woke me up. Whole house was shaking violently with the noise. It was a drum beating loudly, rhythmically. The beat was moving everything in the surrounding. Suddenly, the noise stopped. Then it was the sound of a honey fly, goo, goo, again the drum beats started. I was so scared, I tried to wake up daddy, it was then I realized that daddy was not in his bed. I was alone; there was no one else on the bed. Daddy was nowhere, I felt lonely! The darkness surrounded me and that drum beat was getting on my nerves. I screamed at the top of my voice." When you start reading these stories something familiar, something unfamiliar will create fear in your minds. It will freeze you; it will be so very realistic that you will forget that it is unreal. The fear never experienced before, but somewhere within you, deep inside, it will start beating drums in your mind. Listen to it carefully, surely it will clear your mind of all the hidden consciousness you had till today. This great author introduces us to our own fears buried deep inside.

    and reprint of some of Tagore's most famous stories

    Yet these two epics have identical building blocks, identical themes, and identical history.In this ground-breaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analysis’ accompanied by his signature illustrations. Whether it is the family structure, forest exile, or war, the comparison between the two epics proves a startling point—the Mahabharata is in fact a reaction to the events in the Ramayana.Ideas in this book are distributed over 56 chapters. In temple ritual, Vishnu is offered 8 different meals daily, different on all seven days of the week—56 dishes in all. May each chapter serve as a mouth-watering offering to the Vishnu within you.

    Two survivors in Delhi - a boy named Amartya and a girl named Erika - are left to fend for themselves. When they first meet, it seems like this love was meant to be. However, there's more to their chance encounter than meets the eye. They are both hiding secrets, and one of these secrets might be too much for this relationship to bear. Their survival may hold the key to the future of humanity, but what does their own future hold?

    Born at Purandar fort,he was raised by his paternal grandmother Jijabai. Shivaji signed the Treaty of Purandar with the Mughals, and sent Sambhaji to live with Raja Jai Singh of Amber, as a political hostage. Sambhaji was raised as a Mughal sardarand served the Mughal court of Aurangzeb. After Shivaji`s death, Sambhaji fought against his stepmother, Soyarabai Mohite, who had her son Rajaram crowned as the heir to the Maratha kingdom. Sambhaji escaped prison and formally ascended the throne on 20 July 1680. A brilliant tactician, Sambhaji was worthy of the throne of the Marathas, although his rule was short-lived. This book reveals his life story and showcases him for the ruler that he was.

    The book is about how army rule works, how he try to achieve what he desired to do at raarang dhang. Interaction with various peoples from different location and grade. Whether he succeed in his goal.... Do read...

    Ki. Rangarajan. The Tamil actor Kamal Hassan suggested that Ra. Ki. translate I, Claudius by Robert Graves into Tamil. Instead, Ra. Ki. decided to present a first-person narrative of the story of Krishnadevaraya, the emperor of Vijayanagar.Ra. Ki.’s hero is like any other young man his age—his romantic attachments overshadowing everything else in his life—until his minister and mentor, Appaji, reminds him that his duty ought to take precedence over his love life.Coming to the throne under difficult circumstances, Krishnadevaraya had to wage a relentless battle to preserve the Vijayanagar empire. Circumstances prevented him from marrying the woman he loved or pursuing literature, his true passion. Overcoming all of this, Krishnadevaraya went on to become the greatest emperor of the Vijayanagar empire.I, Krishnadevaraya takes you into the inner world of the emperor, providing a vivid picture of his thinking, his insecurities and his decision-making. Ably translated by Suganthy Krishnamachari, I, Krishnadevaraya is a fascinating look at one of India’s greatest kings.

    Lovers, sisters, wives and mothers who hold a complex epic together—these are the women of Valmiki’s Ramayana.

    Otherwise, our routine life goes on as it is. Actually, our minds are prepared for the traumas of life, but then we come across someone who sees us through it. But this very mind set of ours is not at all prepared for the small traumas in daytoday life, which actually have the utmost power of disaster. They attack separately while we are alone and take out liveliness from our mind and soul. We have to suffer alone, there is no one to come along with us. A human mind thus attacked, gets terribly upset, his courage fails him, he then pauses for some time, rests for a while and once again gathers his strength with new hope and desire. No one notices his tiredness, no one detects his recovering. His journey continues. Everyone has to continue his or her own journey, sometimes falling and then getting up, with a new hope every time, with a glance at the past over and over, the journey has to be continued. This is a glimpse of such sufferings, of those walking and trudging, by you and of course by me!!!