Stine, Holly Black, Brett Helquist, and many more. You’ll never look at your closest door, your cat, your sock drawer, or even yourself in the mirror the same way again.

    When this reaches the attention of the Ghost Bureau, the diligent but clueless Mr. Lapsewood, a paranormal paper-pusher, is sent to investigate, and what he discovers is grave. The Black Rot has arrived—a voracious spiritual infestation whereby empty haunted houses suck in unsuspecting ghosts and imprison them. Lapsewood’s investigation weaves through the plotlines of several other memorable characters—both living and dead—including an undertaker’s son who can see ghosts, a serial throat-slasher reminiscent of Jack the Ripper, an evangelical exorcist, and many more. The living and dead must work together if they hope to destroy the Black Rot—before it destroys both the ghost and human worlds.This highly atmospheric and bitingly funny ghost story by successful British author Gareth P. Jones will delight fans of Eva Ibbotson and Neil Gaiman.

    As one of the last descendants of the Van Helsing lineage, she has trained since childhood to destroy monsters both corporeal and spiritual: the corporeal undead go down by the bullet, the spiritual undead by the lens. With an analog SLR camera as her best weapon, Micheline exorcises ghosts by capturing their spiritual energy on film. She's aided by her crew: Oliver, a techno-whiz and the boy who developed her camera's technology; Jude, who can predict death; and Ryder, the boy Micheline has known and loved forever.When a routine ghost hunt goes awry, Micheline and the boys are infected with a curse known as a soulchain.As the ghostly chains spread through their bodies, Micheline learns that if she doesn't exorcise her entity in seven days or less, she and her friends will die. Now pursued as a renegade agent by her monster-hunting father, Leonard Helsing, she must track and destroy an entity more powerful than anything she's faced before . . . or die trying.Lock, stock, and lens, she’s in for one hell of a week.

    But something went wrong. Several young patients died under mysterious circumstances. Eventually, the hospital was shut down, the building abandoned and left to rot deep in the woods.As the new kid in town, Neil Cady wants to see Graylock for himself. Especially since rumor has it that the building is haunted. He's got fresh batteries in his flashlight, a camera to document the adventure, and a new best friend watching his back.Neil might think he's prepared for what he'll find in the dark and decrepit asylum. But he's certainly not prepared for what follows him home. . . .Scary, suspenseful, and surprising, Dan Poblocki's latest ghost story will keep you turning pages deep into the dead of night.

    It is a crossways, a place where the dead and the living can find no peace. Not that Forest, an 18-year-old foster kid who works the graveyard shift at Lincoln Hospital, knew this when she applied for the job. Lincoln is a huge state mental institution, a good place for Forest to make some money to pay for college. But along with hundreds of very unstable patients, it also has underground tunnels, bell towers that ring unexpectedly, and a closet that holds more than just donated clothing....When the dead husband of one of Forest's patients makes an appearance late one night, seemingly accompanied by an agent of the Devil, Forest loses all sense of reality and all sense of time. Terrified, she knows she has a part to play, and when she does so, she finds a heritage that she never expected. With her deep knowledge of mental illness and mental institutions, Susan Vaught brings readers a fascinating and completely creepy new book intertwining the stories of three young people who find themselves haunted beyond imagining in the depths of Lincoln Hospital.

    destruction, and revenge. Dreams he kind of likes. Dreams he could make real, with Amity's help.Ten years later, Gwen's family moves to Amity for a fresh start. Instead, she's haunted by lurid visions, disturbing voices, and questions about her own sanity. But with her history, who would ever believe her? And what could be done if they did?Because Amity isn't just a house. She is a living force, bent on manipulating her inhabitants to her twisted will. She will use Connor and Gwen to bring about a violent end as she's done before. As she'll do again. And again. And again.Inspired by a true-crime story, Amity spans generations to weave an overlapping, interconnected tale of terror, insanity. danger, and death.

    Phin doesn't return. Instead, a girl named Lenora May climbs out, and now Sterling is the only person in Sticks who remembers her brother ever existed.Sterling needs to figure out what the swamp's done with her beloved brother and how Lenora May is connected to his disappearance—and loner boy Heath Durham might be the only one who can help her. This debut novel is full of atmosphere, twists and turns, and a swoon-worthy romance.

    But the retreat soon turns into a nightmare -- the mansion is creepy, the legends of ghosts keep Rayne up at night, and she doesn't feel safe anywhere. Can Rayne figure out why she's so freaked -- before she becomes a ghost story herself?

    They belong to a boy, a boy who has not seemed remarkable until now. And Helen--terrified, but intrigued--is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.

    She can leave behind the memory of the past winter; of her sickly ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn’t right on the prairie. She’s heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can’t be sure if the true evil lies in the land, or deep within her soul.

    She's never walked its hedge maze nor found its secret chambers; she's never glimpsed the shades that haunt it, nor hunted for lost diamonds in its walls. But all of that is about to change. After her grandmother passes away, Sarah and her friend Jackson decide to search for the diamonds--and the house comes alive. She discovers that she can see visions of the house's past, like the eighteenth-century sea captain who hid the jewels, or the glamorous great-grandmother driven mad by grief. She grows closer to both Jackson and a young man named Richard Hathaway, whose family histories are each deeply entwined with her own. But when the visions start to threaten the person she holds most dear, Sarah must do everything she can to get to the bottom of the house's secrets, and stop the course of history before it is cemented forever.

    Seeking the truth surrounding a young couple's tragic deaths, Jamie discovers that she herself looks shockingly like the dead girl—and that she has a disturbing ability to sense the two ghosts. Why is Jamie's connection to the couple so intense? What really happened last summer at Little Bly? As the secrets of the house wrap tighter and tighter around her, Jamie must navigate the increasingly blurred divide between the worlds of the living and the dead. Brilliantly plotted, with startling twists, here is a thrilling page-turner from the award-winning Adele Griffin.

    himself. After all, he never even knew he had a "second cousin, twice removed" in America, much less that the eccentric gentleman had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . .Together, A. and Niamh quickly come to feel as if they have inherited much more than just a rambling home and a cushy lifestyle. Axton House is haunted, they know it, but that's just the tip of the iceberg when it comes to the secrets they slowly but surely uncover. Why all the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze and what does the basement vault keep? And what of the rumors in town about a mysterious gathering at Axton House on the night of the winter solstice?Told vividly through a series of journal entries, scrawled notes, recovered security footage, letters to Aunt Liza, audio recordings, complicated ciphers, and even advertisements, Edgar Cantero has written a dazzling and original supernatural adventure featuring classic horror elements with a Neil Gaiman-ish twist.

    But her new BFF isn't kidding about the "Forever" part.Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend who’s been dead for a century.Falling down a well is bad enough, but Anya's normal life might actually be worse. She's embarrassed by her family, self-conscious about her body, and she's pretty much given up on fitting in at school. A new friend—even a ghost—is just what she needs.Or so she thinks. Spooky, sardonic, and secretly sincere, Anya's Ghost is a wonderfully entertaining debut from author/artist Vera Brosgol.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.