Just into his twentieth year, Akbar readies himself to emerge from behind the veil and stake his claim to the Mughal throne. But the figure of his regent, Bairam Khan, looms large in his path. After an exchange of blows and wits, Bairam Khan is subdued. Akbar forgives him, and forces upon him a pilgrimage to Mecca. On the eve of his departure, Bairam Khan is found murdered in his chamber. With the help of Mahesh Das — a Brahmin who Akbar has befriended — Akbar must find out who killed Bairam Khan. But in the insidious Mughal court — a hotbed of intrigue and suspicion — danger lurks at every step. One false step could cost them their lives.

    It was her day to share about Diwali, the Festival of Lights!Binny is excited to talk to her class about her favorite holiday. But she struggles to find the words.Taking a deep breath, she tells her classmates about the fireworks that burst like stars in the night sky, leaving streaks of gold and red and green. She shares with them delicious pedas and jalebis. And she shows them clay lamps, called diyas, which look so pretty all the children ooh and aah.Featuring a heartwarming story by Thrity Umrigar, enchanting illustrations by Nidhi Chanani, and detailed information about the Hindu festival of lights, Binny's Diwali is a holiday treat.

    Men of peace are spreading the message of the Buddha even as monks are being tortured in the dungeons of Pataliputra. In Magadha, all talk is about the impending war against Kalinga. While King Ashoka plots the movements of his ships and cavalry, Queen Asandhimitra broods over the growing unrest in the kingdom. There is only one man they can both trust to take them through this period of uncertainty and looming danger: the enigmatically named Brahmin, skilful spymaster and custodian of Magadha’s best-kept secrets. Lush with historical detail and unforgettable characters, The Brahmin is an intricately plotted novel that seeks to recreate a near-mythical period in India’s past.

    Her two little daughters decide to do something about it—break their piggy bank! But when there isn’t enough money to buy Ammi a sari, the two girls must work together to find a solution. Will they be able to buy Ammi the gift she so deserves? With a text full of heart, and bright, cheerful artwork, this story brings readers into the home of a weaver’s family in Kaithoon, India, where the creation of saris is an art form. The book includes a glossary of Indian terms and a note about the saris made in this region.

    It revolves around a limited number of characters, confines itself in time and space, and has a well-plotted narrative that drives its central theme. Within the traditional framework, however, creativity flowers and a fresh and imaginative story emerges. This volume is chock-full with such stories, written by authors well known in their regional languages as well as those who have made a name for themselves in English literary circles. Carefully selected by India's literary giant, the late Khushwant Singh, these pieces represent the best of Indian writing from around the country.

    Join two sisters as they lovingly make rakhi—thread bracelets adorned with beads, sequins, sparkles, and tassels—for their brother. And then see their brother present them with toys and sweets and special gifts! New York Times bestselling authors Surishtha and Kabir Sehgals’ irresistible text, set to the tune of the classic song Frère Jacques (Are You Sleeping), will have little ones singing along while they learn about Indian culture. And the vibrant illustrations by Zara Gonzalez Hoang will have readers wishing they could step right into the characters’ colorful crafting world. This enchanting picture book includes instructions for making rakhi!

    First, there is the child Mallika, brimming with romantic fantasies and bemoaning the lack of passion in the lives of her mother, Padma, and her mother's contemporaries - women whom she nevertheless loves fiercely. Mallika renders her fantasies through a highly wrought imagination, re-creating for the reader the events that came to devastate her childhood. Then, we revisit the events Mallika has described as they are retold from the points of view of Padma and Padma's sister, mother and friends. The story that slowly emerges is not the same as the one Mallika told. For the world of these women is one where secrets grow like fungus, where guilt roots and ripens, where anger burns and smolders. Every one of them carries the burden of secrets that may or may not be known by the others - some secrets obvious, others subtler and more insidious - and that have for them become a way of life. And so they tell their stories, stories by no means as prosaic as the child Mallika believes. Layer after layer of concealing silence is relentlessly peeled off, till, at last, the truth behind the greatest secret of all is laid bare - the story of Padma's love.

    First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.

    Founded centuries ago, this Hindu civilization struck deep roots and over time spread through the Indian subcontinent affecting every facet of life. This civilization has been anything but static. It has adapted itself to the changing needs of different social structures and has been enriched by the ceaseless flow of ideas. Although the basic ideological structure has remained constant, the ability to assimilate every new wave of thought has created an incredibly rich cultural texture impacting everything from social traditions to interpersonal relations. The omnipresent impact of this plural civilization with its strengths and weaknesses constantly enriches our lives. It is this enriching struggle that forms the canvas of `Hindu`. This novel captures the vastness and plurality of life much in the manner of an epic. A deeply satisfying read, the book, the first of a quartet leaves you thirsting for more.. The author of `Kosla`, `Bidar`, `Hool`, `Zharila` and ‘Zool’once again uses the form of the novel to great effect, inviting the reader to re-examine many aspects of life.

    While the girl waits for her mug of milky spiced tea, readers are treated to the sights, sounds, and smells of the Chaiwala's cart. The aroma of ginger, cardamom, cloves, and cinnamon sticks swirls in the air. Tea leaves rustle, milk bubbles, and the hot drink is poured back and forth until--clink!--the cups are filled and placed on the stand. With a biscuit and a rusk added to their order, it's time to find a spot to sit and enjoy! Inspired by the author's childhood visits to India, Chaiwala! celebrates the pleasures of taking time for food, family, and tradition--even for a brief moment. Illustrated in lively cut-paper collages and filled with scrumptious sensory details, this book is just like a cup of chai--warm, comforting, and good to the last drop.

    It contains Nashtaneer (The Broken Nest), Malancha (The Garden) and Dui Bon (Two Sisters).

    . . Before she performed in death-defying flying shows that would earn her fame as "Queen Bess" . . . Before she traveled the country speaking out against discrimination, Bessie was a little girl with a big imagination that took her to the sky, through the clouds, and past the birds.Knocking down barriers one by one, Bessie endured racism and grueling training to become the first black female pilot and an inspiration to Mae Jemison, Josephine Baker, and many more influential people of color for years to come.p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times; min-height: 16.0px}

    Sometimes, it’s downright annoying. When a little girl tires of being treated like she’s TOO little, she sets out to prove to her family that she can do ANYTHING she puts her mind to . . . . . . including putting on a colorful, twinkly, silky sari. Sure, they’re long and unwieldy—but that only means her family will be even more impressed when she puts it on all by herself. Naturally, there are some hiccups along the way, but she discovers that she’s not the only one in her family who has set out with something to prove, with hilariously chaotic results. That’s what photo albums are for!

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.