Literally.A woman can sell her body also for a noble cause.Giancarlo Vestali chose his tie colour carefully as he knew what shade he would end up.A flower in a pool can make the difference between freedom and jail.Chase Williams wants to live a normal life in Tursenia, Italy. But it's not as easy as it appears.The saga of unusual crimes on which ex Scotland Yard detective Chase Williams stumbles every day continues. It's all about Chase's snooping abilities and his exceptional perceptiveness from which nothing escapes.10 detective short stories of 1000 words each, where proud prostitutes alternate with young lovers, sloppy drug dealers, hunting dogs, elderly people tired of living, amazing chefs and, as usual, Chase's neighbors who are always gossipy, fanatically religious and very nosey.10 open, shiny windows overlooking the less dramatic crime stories of Tursenia, a Medieval town in the heart of Italy, where a former detective like Chase Williams - now dedicated to living his placid office lifestyle - can get a run for his money. Anyone and everyone could be a criminal. And Chase well knows it.DISCLAIMER: Although the first volume of the Cutting Right to the Chase series is suitable to children and young adults, Cutting Right to the Chase Vol.2 is suitable for an older audience due to the graphic nature of some stories.

    Told from the perspective of a young wife who’s become increasingly frustrated with her mild-mannered husband, “The Trespassers” begins as a quiet domestic drama and quickly escalates into a nightmare. When Evan refuses to confront men who are illegally hunting on the couple’s remote homestead, Chris takes matters into her own hands, with terrifying results. Written in 1958, when Leonard was working at a Detroit advertising agency and writing short stories on the side, “The Trespassers” shows the emerging talent of a man whose spare style and dark wit would redefine a literary genre. Filled with as much sexual menace as Sam Peckinpah’s classic thriller “Straw Dogs,” this timelessly relevant story delivers a sly surprise that could only come from the mind of Elmore Leonard. ABOUT THE AUTHOR Elmore Leonard wrote forty-five novels across his six-decade career, including the bestsellers “Road Dogs,” “Up in Honey’s Room,” “The Hot Kid,” “Mr. Paradise,” “Tishomingo Blues,” and the critically acclaimed collection of short stories “When the Women Come Out to Dance.” Many of his books have been made into movies, including “Get Shorty,” “Out of Sight,” and “Jackie Brown.” “Justified,” the hit series from FX, is based on Leonard’s character Raylan Givens, who appears in “Riding the Rap,” “Pronto,” the short story “Fire in the Hole,” and the novel “Raylan.” Leonard received the National Book Foundation’s Medal for Distinguished Contribution to American Letters, the Lifetime Achievement Award from PEN USA, and the Grand Master Award of the Mystery Writers of America. He was known to many as the “Dickens of Detroit” and had lived in the Detroit area since 1934. PRAISE FOR ELMORE LEONARD “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —The New York Times Book Review “There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy.” —The Guardian (UK) “Elmore ‘Dutch’ Leonard is more than just one of the all-time greats of crime fiction. He’s … an authentic American icon.” —The Seattle Times “People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and—not to be morbid or anything, although morbid is my life to a degree—don’t see his obituary in the paper, I think to myself, ‘Great! He’s probably working somewhere. He’s gonna produce another book, and I’ll have another book to read.’ Because when he’s gone, there’s nobody else.” — Stephen King “The King Daddy of crime novelists.” —The Seattle Times “As crime fiction goes, Leonard has few living equals. His characters leap from the page with a few short keystrokes, like a form of bloodstained haiku.” —The Cleveland Plain Dealer “[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” —The Detroit News “A master of narrative … A poet of the vernacular … Leonard paints an intimate, precise, funny, frightening, and irresistible mural of the

    It’s also a lot of fun.The story begins high above Los Angeles, at the extravagant home and equally impressive wine cellar of entertainment lawyer Danny Roth. Unfortunately, after inviting the Los Angeles Times to write an extensive profile extolling the liquid treasures of his collection, Roth finds himself the victim of a world-class wine heist.Enter Sam Levitt, former corporate lawyer, cultivated crime expert, and wine connoisseur. Called in by Roth’s insurance company, which is now saddled with a multimillion-dollar claim, Sam follows his leads—to Bordeaux and its magnificent vineyards, and to Provence to meet an eccentric billionaire collector who might possibly have an interest in the stolen wines. Along the way, bien sûr, he is joined by a beautiful and erudite French colleague, and together they navigate many a château, pausing frequently to enjoy the countryside’s abundant pleasures.The unraveling of the ingenious crime is threaded through with Mayle’s seductive rendering of France’s sensory delights—from a fine Lynch-Bages and Léoville Barton to the bouillabaisse of Marseille and the young lamb of Bordeaux. Even the most sophisticated of oenophiles will learn a thing or two from this vintage work by a beloved author.

    Henry Grave is an investigator for the Association of Cruising Vessel Operators. A former P.O.W., Henry is as cunning as he is charming, and at 84 years of age, he fits right in with his fellow passengers. When retired FBI profiler Robert Samson is murdered onboard the cruise liner Contessa Voyager, Henry Grave is sent to investigate. Samson was giving a series of lectures on cold case crimes he felt he could crack. But he got cracked first. Henry has just five days before Voyager reaches Miami. There, the FBI will question the passengers, but the case will have grown cold and the killer will walk free unless Henry can find him first. With the help of a television actress, a cosmonaut, and a Venezuelan general fighting extradition, Henry draws on skills honed in a Nazi prison camp to track down a couple of passengers who might have their own reasons for taking this particular cruise, reasons unrelated to the sumptuous meals, delightful shipboard activities, and exciting ports of call.12 million people take a cruise each year.Most have fun.Some die.Henry Grave investigates.

    When they find a headless corpse on their property they can't exactly call 911, so they simply move the body to another location. Let somebody else find it. Instead, the corpse reappears on their land. Clearly, someone is sending them a message, and it's getting riper by the day. But that's only half of the story...Enter authors Lisa Lutz and David Hayward-former real-life partners (professionally and personally) who have agreed to reunite for a tag- team mystery novel written in alternating chapters. One little problem: they disagree on pretty much every detail of how their novel should unfold. While the body count rises in Paul and Lacey's wildly unpredictable fictional world, so too does the intensity of Lisa and David's rivalry. The result is a literary brawl like no other, and a murder mystery every bit as unanticipated (and bloody).

    Elizabeth, Joyce, Ibrahim and Ron might be pushing eighty but they still have a few tricks up their sleeves. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?