Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    Her wish comes true when her dad decides to bring her along on a business trip. She can't wait to finally meet her extended family and stay in the brownstone where her dad grew up. Plus, she wants to visit every landmark from the Apollo to Langston Hughes's home.But her family, and even the city, is not quite what Amara thought. Her dad doesn’t speak to her grandpa, and the crowded streets can be suffocating as well as inspiring. But as she learns more and more about Harlem—and her father’s history—Amara realizes how, in some ways more than others, she can connect with this other home and family.This is a powerful story about family, the places that make us who we are, and how we find ways to connect to our history across time and distance.

    When life gives you lemons, you make lemonade. But what if those lemons are so big that you forget how?How do you make lemonade out of having to leave everything you know in San Francisco to move to the small town of Willow Creek, California and live with a grandfather you’ve never even met? In a town that smells like grass and mud and bugs. With tall pines instead of skyscrapers and dirt instead of sidewalks. Not to mention one woolly beast lurking in the woods.That’s right, Bigfoot.A ginormous wooden statue of the ugly thing stands right at the center of town like he’s someone real important, like the mayor or something. And the people here actually believe he’s real and hiding somewhere out in the pine filled forests.How can anyone possibly be expected to make lemonade out those rotten lemons?Everything is different and Lem just wants to go back home. And then she meets Tobin Sky, the CEO of Bigfoot Detectives, Inc. and sole investigator for the town. He invites her to be his Assistant for the summer and she reluctantly agrees. At least until she can figure out her escape plan.Together, Lem and Tobin try to capture a shot of the elusive beast on film and end up finding more than they ever could have even imagined.

    When he has a "meltdown" she's the one who scratches his back and reads his favorite story. She's the one who knows what Chicken needs. Since their mom has had to work double-hard to keep their family afloat after their father passed away, Cat has been the glue holding her family together.But even the strongest glue sometimes struggles to hold. When a summer trip doesn't go according to plan, Cat and Chicken end up spending three weeks with grandparents they never knew. For the first time in years, Cat has the opportunity to be a kid again, and the journey she takes shows that even the most broken or strained relationships can be healed if people take the time to walk in one another's shoes.

    She hasn't ever thought of herself as a performer, but when the wonderful director of Oz casts her as a Munchkin, she begins to see herself in a new way. As Julia becomes friendly with the poised and wise Olive - one of the adults with dwarfism who've joined the production's motley crew of Munchkins - and with her deeply artistic neighbor, Mrs. Chang, Julia's own sense of self as an artist grows. Soon, she doesn't want to fade into the background and it's a good thing, because her director has more big plans for Julia!

    Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather.The only problem is, the Lightbender doesn't want to keep his promise. And now it's up to Micah to get the miracle he came for.

    He hasn't been to school in weeks. His hands are cracked and bleeding from cleaning. He refuses to leave his bedroom. To pass the time, he observes his neighbors from his bedroom window, making mundane notes about their habits as they bustle about the cul-de-sac. When a toddler staying next door goes missing, it becomes apparent that Matthew was the last person to see him alive. Suddenly, Matthew finds himself at the center of a high-stakes mystery, and every one of his neighbors is a suspect. Matthew is the key to figuring out what happened and potentially saving a child's life... but is he able to do so if it means exposing his own secrets, and stepping out from the safety of his home?

    But then the unthinkable happens. Cool Papa Byrd dies, and Clayton’s mother forbids Clayton from playing the blues. And Clayton knows that’s no way to live.Armed with his grandfather’s brown porkpie hat and his harmonica, he runs away from home in search of the Bluesmen, hoping he can join them on the road. But on the journey that takes him through the New York City subways and to Washington Square Park, Clayton learns some things that surprise him.

    Every day, while her immigrant parents clean the rooms, ten-year-old Mia manages the front desk of the Calivista Motel and tends to its guests.Number 2: Her parents hide immigrants. And if the mean motel owner, Mr. Yao, finds out they've been letting them stay in the empty rooms for free, the Tangs will be doomed.Number 3: She wants to be a writer. But how can she when her mom thinks she should stick to math because English is not her first language?It will take all of Mia's courage, kindness, and hard work to get through this year. Will she be able to hold on to her job, help the immigrants and guests, escape Mr. Yao, and go for her dreams?

    Her father has just died in a car accident, and her mother has become a withdrawn, quiet version of herself.Molly doesn't want to be seen as "Miss Difficulty Overcome"; she wants to make herself known to the kids at school for something other than her father's death. So she decides to join the baseball team. The boys' baseball team. Her father taught her how to throw a knuckleball, and Molly hopes it's enough to impress her coaches as well as her new teammates.Over the course of one baseball season, Molly must figure out how to redefine her relationships to things she loves, loved, and might love: her mother; her brilliant best friend, Celia; her father; her enigmatic and artistic teammate, Lonnie; and of course, baseball.Mick Cochrane is a professor of English and the Lowery Writer-in-Residence at Canisius College in Buffalo, New York, where he lives with his wife and two sons.

    Their year will be filled with new schools, old friends, a grouchy neighbor, hungry skunks, leaking ice rinks, school plays, wet cats, and scary tales told in the dark! There’s Sam, age twelve, who’s mostly interested in soccer, food, and his phone; Jax, age ten, who’s psyched for fourth grade and thinks the new neighbor stinks, and not just because of the skunk; Eli, age ten (but younger than Jax), who’s thrilled to be starting this year at the Pinnacle School, where everyone’s the smart kid; and Frog (not his real name), age six, who wants everyone in kindergarten to save a seat for his invisible cheetah. Also Dad and Papa. WARNING: This book contains cat barf, turtle pee, and some really annoying homework assignments.

    But after her father’s sudden death, money is tight, and Aunty Violet decides to give Max away—he is just too big for their cramped new life. Binny knows she can’t get her dad back, but she never stops missing Max, or trying to find him. Then, when she’s eleven, everything changes again.Aunty Violet has died, and left Binny and her family an old house in a seaside town. Binny is faced with a new crush, a new frenemy, and…a ghost? It seems Aunty Violet may not have completely departed. It’s odd being haunted by her aunt, but there is also the warmth of a busy and loving mother, a musical older sister, and a hilarious little brother, who is busy with his experiments. And his wetsuit. And his chickens.

    He does not want to leave his elementary school, his friends, or his beloved grandfather, Siddi. He does not want to live in Ann Arbor, Michigan, where his parents will go to graduate school. His mother is desperate for him to pack his suitcase—but he refuses. Finally, she calls Siddi for help. But rather than pack, Aref and Siddi go on a series of adventures. They visit the camp of a thousand stars deep in the desert, they sleep on Siddi’s roof, they fish in the Gulf of Oman and dream about going to India, they travel to the nature reserve to watch the sea turtles. At each stop, Siddi finds a small stone that he later slips into Aref’s suitcase—mementos of home.

    For starters, Merci has never been like the other kids at her private school in Florida, because she and her older brother, Roli, are scholarship students. They don’t have a big house or a fancy boat, and they have to do extra community service to make up for their free tuition. So when bossy Edna Santos sets her sights on the new boy who happens to be Merci’s school-assigned Sunshine Buddy, Merci becomes the target of Edna’s jealousy. Things aren't going well at home, either: Merci’s grandfather and most trusted ally, Lolo, has been acting strangely lately — forgetting important things, falling from his bike, and getting angry over nothing. No one in her family will tell Merci what's going on, so she’s left to her own worries, while also feeling all on her own at school. In a coming-of-age tale full of humor and wisdom, award-winning author Meg Medina gets to the heart of the confusion and constant change that defines middle school — and the steadfast connection that defines family.

    She brings with her a suitcase, memories both happy and sad, and a box containing something very important.As Rydr meets her fellow passengers and learns their stories, her own past begins to emerge. And as much as Rydr may want to forget about her life in California, on the train she finds that maybe her past can help her deal with her present. And maybe hope and forgiveness are all around her and, most important, within her, if she’s willing to look for it.